NOSFERATU
NOSFERATU THE MOVIE
Indianapolis is a young city, both in mortal and vampire terms. From its founding up to the late nineteenth century, the city was off limits to vampires. Any Kindred found inside the city were quickly hunted and killed by the large population of Lupines. Local Garou legend, the most accurate source for information on the area's ancient history, makes no mention of Kindred until the seventeenth century, when French fur traders first populated the region, bringing word of the Kindred with them. Even then, the werewolves spoke only of immortals living in the cities on the coasts and major rivers of America, never in the interior. Certainly a few Gangrels may have existed in the Midwestern wilderness, but, for the most part, vampires in the Midwest traveled north to Chicago or south to New Orleans, where other Kindred had already established a stronghold.

In 1882, a pair of Brujah vampires claimed a haven in Indianapolis. As soon as the Lupines heard of this, they set about to dispatch the intruders, but the task wasn't as easy as it seemed. By sleeping in different places over time, the two vampires evaded the werewolves during the day, and, simply by doing what Brujahs do best, they fought them off at night. By World War I, the Garou had made an uneasy peace with the pair. As long as they remained within the city boundaries, they were free to stay and hunt as they pleased. If they set foot outside the city limits, they were fair game for any Lupine strong, reckless, or crazy enough to challenge them.

The older vampire was Nicolai, an elder Kindred who came to Indianapolis to escape vampire society and pursue Golconda. The younger was Nicolai's progeny, Matthias, who saw Indianapolis as a city that, while small at the time, had great potential, and who set himself up as the first prince of Indianapolis. The two vampires, it is known, have almost a paternal relationship, and they serve both themselves and each other. Nicolai chose Indianapolis both for its solitude and to give Matthias his chance to rule a city. And Matthias, though he wanted Indianapolis for his own, clearly would have followed his father anywhere.

As rumors grew that the Camarilla had established a new stronghold, more vampires began to arrive. A trio of Nosferatu arrived first, sneaking through the most desolate parts of town to avoid the Lupines. Gradually, a few Gangrel who had lived in the outlying forests managed to enter the city. The vampires gained seats on the city's first primogen, due to their skill at negotiating with Lupines. For close to thirty years, only seven vampires made their homes in Indianapolis. Others were either scared off or killed off by the werewolves.

In the past twenty years, there has been a rise in the vampire population. The cause is twofold, both at night and during the day. The rise of Indianapolis has proven that Matthias's faith in Indianapolis well-founded. While New York was taken over by the Sabbat, Los Angeles fell to constant violence, and Chicago was attacked viciously by Lupines, Indianapolis has continued to rise. Although it can't match the size and power of the major cities, it is a contender for top honors. The extra population and wealth to be had has attracted many new vampires, including two Ventrues who now claim princedom over the rich towns north of Indianapolis. And in 1965, Matthias, with the aid of Nicolai and the new Gangrel, managed to call a truce with the werewolves, allowing any vampire to stay within the city limits or to travel along the major highways. In return, the Lupines gained dominion over Greenwood, Plainfield and most of the forests and parks within Marion County. The werewolves haven't attacked anyone in the city since then, and so the vampires who feared for their safety in Indianapolis lost their fear and came to a new home. But, since most land outside of Marion County was held by Garou, the vampires are now forced to stay within the city. With the truce, the city remained a prison; it just became a more crowded prison.

Currently, there are known to be twenty-six vampires in Indianapolis. Of those, there are five Gangrel, four Nosferatu, six Brujah, two Ventrue, three Toreador, two Malkavians, and four clanless Caitiff vampires. The different clans get along surprisingly well, mainly because they rarely get together. Matthias has had little influence in the affairs of Kindred and Kine. The human Indianapolis is growing quite rapidly without Matthias's help, it seems, and he believes that the best ruler is one who gives his people the most freedom. He has dominated many members of the police force, and maintains contacts with the newspapers and television stations, but otherwise he is happy to watch his city grow on its own.

But when he does speak, everybody listens. Matthias and Nicolai are staunch defenders of the Traditions, and quickly and ruthlessly hunt down any who break them. Besides being wise, Matthias is also immensely powerful, and has been known sometimes to lead a blood hunt himself, rather than sending other vampires on the hunt. Occasionally, a vampire will try to use this fact to his advantage. A vampire will break a Tradition, lure Matthias out of his stronghold, and attempt to kill the prince in combat. Three times vampires have tried this, and three times they have realized their mistake about two seconds too late.

Along with the Traditions, Matthias has set up additional laws for the city's Kindred. For those in the city, Matthias considers these laws as sacred as the Traditions themselves.

-No evidence. Dispose of your own bodies. Lick the wounds you inflict. Any drained bodies left to rot or mortals waking up with strange puncture wounds are considered breaches of the Masquerade.

-Hunt whomever you please, but journalists and law officers are the prince's domain.

-Respect others' domains. Those who curry favor with the Prince may receive exclusive hunting rights over their chosen territory. If commanded to leave another's domain in the prince's name, leave. Any Kindred using the prince's name without his authority is subject to bloodhunt.

In most cities, princes don't like to risk bloodhunts on those who break the laws. The ensuing violence could cause a breach in the Masquerade, and the draining of a powerful vampire could turn a group of neonates into a group of elders. Banishment is a popular alternative; the offending vampire is forced to leave the city and never return. In Indianapolis, Matthias cannot take such risks. If he ostracized every law-breaking vampire, he would arouse the Lupines and bring their wrath down on the whole city. Thus, when a law is broken, justice is usually swift and merciless. A violation of Matthias' laws usually brings a painful punishment (staking or a minute in the sunlight), and a breaking of the Traditions is grounds for bloodhunt.



Filmography Vampire movies
Abbott and Costello Meet Frankenstein. (Universal, 1948). USA. Directed by Charles T. Barton. Script by Robert Lees, Frederic Rinaldo, and John Grant. Director of Photography, Charles Van Enger. Production Designers, Bernard Herzbrun, Hilyard Brown. Music, Frank Skinner. Editor, Frank Gross. Starring Bud Abbott, Lou Costello, Lon Chaney, Jr. (Lawrence Talbot), Béla Lugosi (Dracula), Glenn Strange (The Monster), Jane Randolph, Charles Bradstreet, Leonore Aubert, Frank Ferguson. 83 minutes.

Ahkea Kkots (The Bad Flower). (Sunglim, 1961). South Korea. Directed by Yongmin Lee. Script based on Dracula by Bram Stoker.

Alucarda (Sisters of Satan, Innocents from Hell). (Films 75/Yuma Films, 1975). Mexico. Produced by Eduardo Moreno and Max Guefen. Script by J.L. Moctezuma, Yolanda I. Moctezuma, and Alexis T. Arroyo. Director of Photography, Xavier Cruz (Color). Starring Tina Romero, Susana Kamini, Claudio Brook, David Silva, Lily Garza, Martin Lasalle. 90 minutes.

L'Amante del Vampiro (The Vampire's Lover, The Vampire and the Ballerina). (ACIF Consorzio, 1961). Italy. Produced by Bruno Bolognesi. Directed by Renato Polselli. Script by Polselli and Ernesto Gastaldi. Director of Photography, Angelo Baistrocchi. Music, Aldo Piga. Starring Walter Brandi (Luca), Maria Luisa Rolando (Contessa), Helene Remy (Louisa), Tina Gloriani (Francesca), Isarco Ravaioli, John Turner. 86 minutes.

Anak Pontianak (Son of the Vampire, Curse of the Vampire). (Shaw, 1958). Malaya. Directed by Ramon Estella.

Andy Warhol's Dracula see Dracula Cerca Sangue de Vergine e...Mori de Sete

Angeles y Querubines. (Azteca, 1972). Mexico. Directed by Rafael Corkidi.

Aquellare de Vampiros see La Llamada del Vampiro

Assignment Terror see El Hombre Que Vino de Ummo

El Ataud del Vampiro (The Vampire's Coffin). (Salazar/Cinematográfica ABSA, 1957). Mexico. Directed by Fernando Mendez. Script by Ramon Obón based on an idea by Raúl Zenteno. Dialogue by Javier Mateos. Director of Photography, Victor Herrera. Music, G. C. Carrion. Starring German Robles (Count Lavud/Duval), Ariadna Welter, Abel Salazar, Yeire Beirute, Alicia Montoya, Carlos Ancira.

The Bad Flower see Ahkea Kkots

The Bare Breasted Countess see La Comtesse Noire

Barry McKenzie Holds His Own. (Satori, 1974). Australia. Produced and Directed by Bruce Beresford. Script by Beresford and Barry Humphries. Director of Photography, Don McAlpine (Color/Scope). Production Designer, John Stoddart. Music, Peter Best. Editor, William Anderson. Starring Barry Crocker (Barry/Kevin McKenzie), Barry Humphries (Edna Everage), Donald Pleasance (Count Plasma), Dick Bentley (Col. Lucas), Roy Kinnear (Bishop of Paris). 93 minutes.

Batman Fights Dracula. (Hemisphere, 1967). Philippines. Starring Jack Smith.

Beast of Morocco see The Hand of Night

Beiss Mich, Liebling (Bite Me, Darling). (Cinerama, 1970). West Germany. Written and Directed by Helmut Foernbacher. Director of Photography, Igor Luther (Color). Starring Eva Renzi, Patrick Jordan, Amadeus August. 102 minutes.

La Belle Captive. (Argos, 1983). France. Produced by Bernard Bouix. Directed by Alain Robbe-Grillet. Script by Robbe-Grillet and Frank Verpillat. Director of Photography, Henri Alekan (Color). Production Designer, Anne Deude. Editor, Bob Wade. Starring Daniel Mesguich (Walter), Gabrielle Lazure (Marie-Ange), Cyrielle (Sara), Daniel Emilfork (Inspector), Roland Dubillard (Van de Reeves). 88 minutes.

Beverly Hills Vamp. (Vidmark/Austin, 1988). USA. Produced by Fred Olen Ray and Grant Waldman. Directed by Ray. Script by Ernest D. Farino. Director of Photography, Stephen Blake (Color). Starring Britt Ekland (Madame Cassandra), Eddie Deezen (Kyle), Tim Conway, Jr. (Brock), Dawn Wildsmith (Sherry), Michelle Bauer (Kristina). 89 minutes.

Billy the Kid vs. Dracula. (Avco-Embassy/Circle Films, 1966). USA. Produced by Carroll Case. Directed by William Beaudine. Script by Karl Hittleman. Director of Photography, Lothrop Worth (Color). Production Designer, Paul Sylos. Music, Raoul Kraushaar. Starring John Carradine (Dracula), Bing Russell (Red Thorpe), Chuck Courtney (Billy the Kid), Roy Barcroft (Marshall Griffin), Melinda Plowman (Betty), Virginia Christine (Eva), Walter Janovitz (Franz Oster), Olive Carey (Dr. Hull), Harry Carey, Jr., Charlita. 72 minutes.

Bite Me, Darling see Beiss Mich, Liebling

Black Evil see Ganja and Hess

Black Magic Rites&endash;Reincarnations see Riti Magie Nere e Segrete Orge de Trecento

The Black Room. (CI/Butler-Crowin, 1984). USA. Produced by Aaron C. Butler. Directed by Elly Kenner and Norman Thaddeus Vane. Script by Vane. Director of Photography, Robert Harmon (Color). Production Designer, Yoram Barzilai. Music, Art Podell. Editor, David Kern. Starring Stephen Knight (Jason), Cassandra Gaviola (Bridget), Jim Stathis (Larry), Clara Perryman (Robin), Charlie Young (Lisa). 87 minutes.

Black Sabbath see I Tre Volti della Paura

Black Sunday see La Maschera del Demonio

Black Vampire see Ganja and Hess Blacula (American International, 1972). USA. Produced by Joseph T. Naar. Directed by William Crain. Script by Joan Torres and Raymond Koenig. Director of Photography, John Stevens (Color). Production Designer, Walter Herndon. Music, Gene Page. Editor, Allan Jacobs. Starring William Marshall (Mamuwalde/Blacula), Denise Nicholas (Michelle), Vonetta McGee (Tina), Gordon Pinsent (Lt. Peters), Thalmus Rasulala (Gordon Thomas), Charles McCauley (Dracula), Emily Yancy, Lance Taylor, Ted Harris. Elisha Cook. 92 minutes.

Bloedverwanten (Blood Relations, Les Vampires en Ont Ras le Bol) (Jaap Van Rij Filmproductie, 1977). France/Netherlands. Produced by Jaap Van Rij. Directed by Wim Linder. Script by John Brasom. Director of Photography, Walter Bal (Color). Production Designer, Hans Oosterhuis. Music, J.M. de Scarano. Starring Maxim Hamel, Gregoire Aslan, Sophie Descamps, Robert Dalban, Eddie Constantine, Ralph Arliss. 97 minutes.

Blood. (Bryanston/Kent, 1974). USA. Produced by Walter Kent. Directed by Andy Milligan. (Color). Starring Allen Berendt (Dr. Orlovski), Hope Stansbury, Eve Crosby, Patti Gaul, Pamela Adams. 74 minutes.

Blood and Roses see Et Mourir de Plaiser

Blood Ceremony see Ceremonia Sangrienta

Blood Couple see Ganja and Hess

Blood Cult of Shangri-La see The Thirsty Dead

The Blood Demon see Die Schlangengrube und das Pendel

The Blood Drinkers (Vampire People). (Hemisphere, 1961). Philippines. Produced by Cirio H. Santiago. Directed by Gerardo de Leon. Script by Cesar Amigo and Rico Omagao. Director of Photography, F. Sacdalan (Color). Production Designer, Ben Otico. Starring Amalia Fuentes, Ronald Remy, Eddie Fernandez. 88 minutes.

Blood Fiend see Theatre of Blood Blood for Dracula see

Dracula Cerca Sangue de Vergine e...Mori de Sete Blood Freak. (Royal Video, 1986). USA. Produced, Written, and Directed by Steve Hawkes and Brad Grinter. Music, Gil Ward. Starring Steve Hawkes, Dana Cullivan, Heather Hughes, Bob Currier, Tera Anderson. 86 minutes. [Note: a "non-traditional" film featuring a blooddrinking "turkey-man"]

Blood Hunger see Vampyres

Blood Moon see La Noche de Walpurgis

Blood of Dracula. (American Int./Carmel, 1957). USA. Produced by Herman Cohen. Directed by Herbert L. Strock. Script by Ralph Thornton. Director of Photography, Monroe Askins. Production Designer, Leslie Thomas. Music, Paul Dunlap. Editor, Robert Moore. Starring Sandra Harrison (Nancy Perkins), Louise Lewis (Miss Branding), Gail Ganley (Myra), Jerry Blaine (Tab), Heather Ames (Nola), Malcolm Atterbury (Lt. Dunlap), Mary Adams (Mrs. Thorndyke). 70 minutes.

Blood of Dracula's Castle. (A&E Film Corp./Paragon/Crown International, 1969). USA. Produced by Al Adamson and Rex Carlton. Directed by Adamson and Jean Hewitt. Script by Rex Carlton. Director of Photography, Leslie [Laszlo] Kovacs (Color). Music, Lincoln Mayorage. Editor, Joyce King. Starring John Carradine (George, the Butler), Paula Raymond (Countess Townsend), Alex D'Arcy (Dracula), Robert Dix (Johnny), Gene O'Shane (Glen Cannon), Barbara Bishop (Liz Arden). 82 minutes.

Blood of Frankenstein see Dracula vs. Frankenstein

Blood of Nostradamus see La Sangre de Nostradamus

Blood of the Vampire. (Universal/Eros, 1958). Great Britain. Directed by Henry Cass. Script by Jimmy Sangster. Director of Photography, Geoffrey Seaholme (Color). Music, Stanley Black. Editor, Douglas Myers. Starring Donald Wolfit (Callistratus), Vincent Ball (Dr. John), Barbara Shelley (Madeleine), Victor Maddern (Carl), John Le Mesurier (Chief Justice), Milton Reid. 85 minutes.

Blood of the Vampire (Philippines) see Dugo ng Vampira

Blood Relations see Bloedverwanten

The Blood Spattered Bride see La Novia Ensangrentada

Blood Thirst. (Chevron, 1971). Philippines. Directed by Newt Arnold. Script by N.I.P. Dennis. Director of Photography, Herme Santos (Color). Starring Robert Winston [Adam Roarke], Katherine Henryk, Yvonne Nelson, Vic Diaz, Eddie Infante.

Bloodthirsty Eyes see Chi o Suu Me

Blood Ties. (Fox-TV/Shapiro, 1991). USA. MOW. Produced by Gene Corman. Directed by Jim McBride. Script by Richard Shapiro. Director of Photography, Alfonso Beato (Color). Production Designer, Lisa Fischer. Music, Brad Fiedel. Editor, Stephen Semel. Starring Harley Venton (Harry), Michelle Johnson (Celia), Kim Johnston-Ulrich (Amy), Jason London (Cody), Patrick Bauchau (Eli), Bo Hopkins (Vampire Hunter). 92 minutes.

The Bloodless Vampire. (Journey, 1965). Philippines. Directed by Michael du Pont. Starring Charles Macauley, Helen Thompson.

Bloodlust. (Windhover, 1992). Australia. Produced, Written, Edited, and Directed by Richard Wolstencroft and Jon Hewitt. Director of Photography, Gary Ravenscroft (Color). Production Designer, Nicolas Barclay. Music, Ross Hazeldine. Starring Jane Stuart Wallance (Lear), Kelly Chapman (Frank), Robert J. O'Neill (Tad), Phil Motherwell (Brother Ben), Paul Moder. 87 minutes.

Bloodlust: Subspecies III see Bloodstone: Subspecies II

Bloodstone: Subspecies II and Bloodlust: Subspecies III. (Full Moon, 1993). USA. Produced by Vlad Paunescu and Oana Paunescu. Written and Directed by Ted Nicolaou. Director of Photography, Vlad Paunescu. Production Designer, Radu Corciova. Music, Aman and Portis Kosinski. Editor, Bert Glatstein. Starring, Anders Hove (Radu), Denice Duff (Michelle), Kevin Blair (Mel), Melanie Shatner (Rebecca), Michael Denish (Porfessor Popescu), Pamela Gordon (Mummy). II: 87 minutes.

Bloodsuckers (Great Britain) see Incense for the Damned

Bloodsuckers (Italy) see La Isla de la Muerte

The Bloody Vampire see El Vampiro Sangriento

The Body Beneath. (Cinemedia/Nova, 1970). Great Britain. Written, Photograhed, and Directed by Andy Milligan (Color). Starring Gavin Read (Father Alexander), Jackie Skarvellis (Susan Ford), Colin Gordon (Graham Ford), Berwick Kaler (Spool), Susan Heard (Alicia Ford). 85 minutes.

Bram Stoker's Dracula. (1974) see Dracula

Bram Stoker's Dracula. (Columbia/Zoetrope/Osiris, 1992). USA. Produced by Francis Ford Coppola, Fred Fuchs, and Charles Mulvehill. Directed by Coppola. Script by James V. Hart, based on the novel by Bram Stoker. Director of Photography, Michael Ballhaus (Color). Production Designer, Thomas Sanders. Music, Wojciech Kilar. Editor, Nicholas C. Smith. Starring Gary Oldman (Dracula), Winona Ryder (Mina/Elisabeta), Anthony Hopkins (Van Helsing), Keanu Reeves (Harker), Richard E. Grant (Dr. Seward), Cary Elwes (Lord Holmwood), Sadie Frost (Lucy), Tom Waits (Renfield), Bill Campbell (Morris). 130 minutes.

Brides of Dracula. (Hammer, 1960). Great Britain. Produced by Anthony Hinds. Directed by Terence Fisher. Script by Jimmy Sangster, Peter Bryan, and Edward Percy. Director of Photography, Jack Asher (Color). Production Designer, Bernard Robinson, Thomas Goswell. Music, Malcolm Williamson. Editors, Jim Needs, Alfred Cox. Starring Peter Cushing (Van Helsing), Yvonne Monlaur (Marianne), Freda Jackson (Greta), David Peel (Baron Meinster), Martita Hunt (Baroness Meinster), Andree Melly (Gina), Mona Washbourne (Frau Lang), Henry Oscar (Lang). 85 minutes.

Bring Me the Vampire see Echenme al Vampiro

Buffy, the Vampire Slayer. (20th Century-Fox/SandollarKuzui, 1992). USA. Produced by Kaz Kuzui and Howard Rosenman. Directed by Fran Rubel Kuzui. Script by Joss Whedon. Director of Photography, James Hayman (Color). Production Designer, Lawrence Miller. Music, Carter Burwell. Editors, Camilla Toniolo, Jill Savitt. Starring Kristy Swanson (Buffy), Donald Sutherland (Merrick), Paul Reubens (Amilyn), Rutger Hauer (Lothos, the Vampire), Luke Perry (Pike) David Arquette (Benny). 86 minutes.

Caged Virgins see Vierges et Vampires

The Cake of Blood see Pastel de Sangre

Captain Kronos&endash;Vampire Hunter (Kronos). (Hammer, 1972). Great Britain. Produced by Albert Fennell and Brian Clemens. Written and Directed by Clemens. Director of Photography, Ian Wilson (Color). Production Designer, Robert Jones. Music, Laurie Johnson. Editor, James Needs. Starring Horst Janson (Kronos), Caroline Munro (Carla), Shane Briant (Paul Durward), John Carson (Dr. Marcus), John Carter (Prof. Grost), Lois Daine (Sara). 91 minutes.

Capulina Contra los Vampiros. (Panorama, 1972). Mexico. Directed by Rene Cardona. (Color). Starring Gaspar Henaine.

Caperucita y Pulgarcito contra los Monstruos (Tom Thumb and Little Red Riding Hood vs. the Monsters). (Azteca, 1962). Mexico. Directed by Roberto Rodriquez. Script by Rodriquez, Sergio Magana, Fernando M. Ortiz, and A.T. Portillo. Director of Photography, R. Solano (Color). Music, Raúl Lavista. Starring María Garcia (Little Red Riding Hood), José Moreno, Cesareo Quesades. 90 minutes.

Carmilla. (Showtime/ThinkEntertainment, 1989). USA. Produced by Bridget Terry. Directed by Gabrielle Beaumont. Script by Jonathan Furst based on the novella by J. Sheridan Le Fanu. Director of Photography, Ron Vargas (Color). Music, Rick Conrad. Editor, Dick Darling, Chris Cooke. Starring Ione Skye (Marie), Meg Tilly (Carmilla), Roddy McDowall (Inspector), Roy Dotrice (Marie's father). 60 minutes.

Carne de Tu Carne (Flesh of Your Flesh). (Producciones Visuales, 1984). Columbia. Produced by Berta del Carvajál and Fernando Barón. Directed by Carlos Mayolo. Script by Elsa Vasquez, J. Nieto, and Mayolo. Director of Photography, Luís Gabriel Beristain (Color). Production Designer, Miguel Gonzalez. Music, Mario Gomez Vignes. Editors, Luís Ospina, Karen Lamassone. Starring Adriana Herran (Margareth), David Guerrero (Andres Alfonso), Josue Angel (Enrique). 85 minutes.

Carry on Screaming. (SigmaIII/Anglo-Amalgamated/WarnerPathe, 1966). Great Britain. Produced by Peter Rogers. Directed by Gerald Thomas. Script by Talbot Rothwell. Director of Photography, Peter Rogers (Color). Production Designer, Bert Davey. Music, Eric Rogers. Editor, Rod Keys. Starring Kenneth Williams, Harry Corbett, Dennis Blake, Joan Sims, Jon Pertwee, Fenella Fielding (Vampire). 87 minutes.

The Case of the Full Moon Murders (The Case of the Smiling Stiffs). (Lobster Enterprises/Dana Films, 1973). USA. Produced by Sean Cunningham and Bud Talbot. Directed by Cunningham. Script by Jerry Hayling. Director of Photography, Gus Graham (Color). Music, Bud Fanton, Jacques Urbont. Editor, Stephen Miner. Starring Harry Reems, Bud Talbot, Fred Lincoln, Ron Browne, Cathy Walker (Vampire), Jean Jennings. 74 minutes.

El Castillo de los Monstruos. (Sotomayor, 1958). Mexico. Directed by Julian Soler. Script by Fernando Galiana and Carlos Orellana. Director of Photography, Victor Herrera. Starring German Robles (Vampire), Clavillazo, Evangelina Elizondo, Carlos Orellana. 85 minutes.

Castle of the Monsters see El Castillo de los Monstruos

Casual Relations. (1973). USA. Produced, Written, Directed, and Edited by Mark Rappaport. Directors of Photography, Rappaport and Alan Raymond (Color and Black-and-White). Music, Jim Burton. Starring Mel Austin (Vampire), Sis Smith (Model), Paula Barr, Adrienne Claiborne, Peter Campus, Alan Dahl. 80 minutes. [Note: Contains a film within a film: "A Vampire's Love" and excerpted footage from Nosferatu (1922)]

Il Cavaliere Costante Nicosia Demoniaco Ovvero Dracula in Brianza (Dracula in the Provinces). (Coralta Cinematografica, 1975). Italy. Produced by R. Marini. Directed by Lucio Fulci. Script by Fulci, Pupi Avati, Bruno Corbucci, and Mario Amendola. Director of Photography, Sergio Salvati (Color). Production Designer, P. Basile. Music, Franco Bixio. Starring Lando Buzzanca, Moira Orfei, Sylva Koscina, Christa Linder, Rossano Brazzi, Valentina Cortese, Ciccio Ingrassia, John Steiner (Dragulescu). 100 minutes.

Cave of the Living Dead see Der Fluch der Grünen Augen

Cemetery Girls see El Gran Amor del Conde Drácula

Ceremonia Sangrienta (Blood Ceremony, The Legend of Blood Castle, Ritual of Blood). (X Films/Luís Films, 1973). Spain/Italy. Produced by José María Gonzalez Sinde. Directed by Jorge Grau. Script by Grau, Juan Tebar, and Sandro Continenza. Director of Photography, Fernando Arribas (Color/Scope). Music, Carlo Savina. Editor, Pedro Del Rey. Starring Lucia Bose (Erzebeth Bathory), Karl Ziemmer (Karl), Ewa Aulin (Miriam), Ana Farra, Silvano Tranquilli, Lola Gaos, Franca Grey, Angel Menendez. 102 minutes.

Chanoc contra el Tigre y el Vampiro (Chanoc [or Chano] vs. the Tiger and the Vampire). (Azteca, 1971). Mexico. Directed by Gilberto Martinez Solares. Script by Raúl Martinez Solares and Rafael Perez Grovas. Starring Tin-Tan [German Valdes], Gregorio Casal, Aurora Cavel.

Chanoc vs. the Tiger and the Vampire see Chanoc contra el Tigre y el Vampiro

Chappaqua. (Rooks Prods., 1966). USA. Written and Directed by Conrad Rooks. Director of Photography, Robert Frank (Color). Production Designer, Regis Pagniez. Music, Ravi Shankar. Editor, Kenout Peltier. Starring Jean-Louis Barrault, Conrad Rooks, William S. Burroughs, Allen Ginsberg. 92 minutes.

El Charro de las Calaveras (The Rider of the Skulls). (Azteca, 1967). Mexico. Directed by Alfredo Salazar. Starring Dagoberto Rodriquez, David Silva, Alicia Caro.

Les Chemins de la Violence (Lips of Blood). (Les Films de L'Epée/Gemini, 1972). France. Produced by Michel Grimaud. Directed by Ken Ruder. Director of Photography, Raymond Heil (Color). Starring Michel Flynn, Richard Vitz, Georges Rigaud, Jacques Bernard, Catherine Frank, Sandra Reeves. 71 minutes.

Chi o Suu Bara (The Evil of Dracula). (Toho, 1975). Japan. Produced by Fumio Tanaka. Directed by Michio Yamamoto. Script by Ei Ogawa and Masaru Takasue. Director of Photography, Kazutami Hara (Color/Scope). Production Designer, Kazuo Satsuya. Music, Riichiro Manabe. Editor, Michiko Ikeda. Starring Toshio Kurosawa, Mariko Mochizuki, Shin Kishida, Kunie Tanaka, Katsuhiko Sasaki, Yunosuke Ito. 87 minutes.

Chi o Suu Me (Lake of Dracula, Dracula's Lust for Blood, Bloodthirsty Eyes). (Toho, 1971). Japan. Directed by Michio Yamamoto. Script by Ei Ogawa and Katsu Takeura. Director of Photography, Rokuro Nishigaki (Color/Scope). Starring Mori Kishida, Midori Fujita, Osahide Takahari, Sanae Emi, Kaku Takashima. 82 minutes.

Chi o Suu Ningyo (The Night of the Vampire, Vampire Doll). (Toho, 1970). Japan. Produced by Tomoyuki Tanaka, Fumio Tanaka. Directed by Michio Yamamoto. Script by Ei Ogawa and Hiroshi Nagano. Director of Photography, Kazutami Hara (Color/Scope). Production Designer, Y. Honda. Music, R. Manabe. Starring Kayo Matsuo, Akira Nakao, Yukiko Kobayashi, Yoko Minazaki, Atsuo Nakamura. 71 minutes.

Children of the Night. (Fangoria/RCA-Columbia, 1992). USA. Produced by Christopher Webster. Directed by Tony Randel. Script by Webster, Randel, and Nicolas Falacci based on a screenplay by William Hopkins. Director of Photography, Richard Michalak (Color/Scope). Production Designer, Kim Hix. Music, Daniel Licht. Editor, Rick Roberts. Starring Karen Black (Karen Thompson), Peter De Luise (Mark Gardner), Ami Dolenz (Lucy Barrett), Maya McLaughlin (Cindy Thompson), Evan MacKenzie (Frank Aldin), David Sawyer (Czakyr), Garrett Morris (Matty). 90 minutes.

City of the Walking Dead see Incubo sulla Citta Contaminata

La Comtesse aux Sein Nus see La Comtesse Noire

La Comtesse Noire (The Loves of Irina, La Comtesse aux Seins Nus, The Bare Breasted Countess, The Last Thrill, Erotikill, Jacula). (General Films/Eurocine, 1973). France/Belgium. Produced by Marius Lesouer, Pierre Querut. Directed by J. P. Johnson [Jesus Franco]. Script by P. Belair and David Kuhne [both Franco]. Director of Photography, Joan Vincent [Franco] (Color/Scope). Music, Daniel White. Editor, P. Querut. Starring Lina Romay (Countess), Jack Taylor, Alice Arno [Marie-France Broquet], Monica Swinn, Jess Franck [Franco], Luis Barboo (Servant), Jean-Pierre Bouyxou (Dr. Orloff), Raymond Hardy [Ramon Ardid]. 101 minutes. [Note: also released as Les Avaleuses, a hardcore version, with most of the vampirism excised]

El Conde Drácula (Count Dracula, Vampyr). (Towers of London/Fenix Films/Filmar Cinematográfica/Corona Film, 1971). Spain/Italy/West Germany. Produced by Harry Alan Towers. Directed by Jesus Franco. Script by Franco and Augusto Finochi. Adapted by Carlo Fadda, M.G. Cuccia, Peter Welbeck [Harry Alan Towers] based on the novel by Bram Stoker. Director of Photography, Manuel Merino (Color). Production Designer, Karl Schneider. Music, Bruno Nicolai. Starring Christopher Lee (Dracula), Herbert Lom (Van Helsing), Klaus Kinski (Renfield), Frederick Williams (Harker), Maria Rohm (Mina), Soledad Miranda (Lucy), Jack Taylor (Dr. Seward), Paul Muller (Quincy Morris), Teresa Gimpera, Emma Cohen. 98 minutes.

El Conde Frankenhausen see El Vampiro Sangriento

Condemned to Live (Cohen Prods./Invincible, 1935). USA. Produced by Maury M. Cohen. Directed by Frank Strayer. Script by Karen De Wolf. Director of Photography, M.A. Anderson. Editor, Roland D. Reed. Starring Ralph Morgan, Maxine Doyle, Russell Gleason, Mischa Auer, Lucy Beaumont, Carl Stockdale. 67 minutes.

Contes Immoraux (Immoral Tales). (Argos, 1974). France. Written, Edited, and Directed by Walerian Borowczyk. Director of Photography, Bernard Daillencourt, Guy Durban, Michel Zolat, Noël Very (Color). Production Designer, Borowczyk. Music, Maurice Le Roux, Borowczyk. Starring Lise Danvers, Paloma Picasso (Countess Bathory), Pascale Christophe, Fabrice Luchini, Charlotta Alexandra. 103 minutes.

Count Down&endash;Son of Dracula (Son of Dracula, Count Downe, Young Dracula). (Apple Films/Cinemation, 1974). Great Britain. Produced by Ringo Starr. Directed by Freddie Francis. Script by Jay Fairbanks. Starring Harry Nilsson (Count Down[e]), Ringo Starr (Merlin), Freddie Jones (Dr. Frankenstein), Dennis Price (Van Helsing), Peter Frampton, Keith Moon, John Bonham (Count's band). 90 minutes. (Color).

Count Dracula see El Conde Drácula

Count Dracula and His Vampire Bride see Satanic Rites of Dracula

Count Dracula. (BBC, 1978). Great Britain. Produced by Morris Barry. Directed by Phillip Saville. Script by Gerald Savory based on the novel by Bram Stoker. Director of Photography, Peter Hall (Color). Production Designer, Michael Young. Music, Kenyon EmrysRoberts. Editors, Richard Bedford, Ron Waldron. Starring Louis Jourdan (Dracula), Frank Finlay (Van Helsing), Jack Shepard (Renfield), Bosco Hogan (Harker), Susan Penhaligon (Lucy), Judi Bowker (Mina), Mark Burns (Seward). 151 minutes.

Count Dracula, the True Story. (Documentary, 1979). Canada. Directed by Yurek Filjalkowski.

Count Erotica, Vampire. (Lobo, 1971). USA. Directed by Tony Teresi. Script by Antonio Teritoni and Hans Klepper. Director of Photography, Ron Pitts (Color). Starring John Peters, Mary Simon.

Count Yorga, Vampire. (American International, 1970). USA. Produced by Michael Macready. Written and Directed by Bob Kelljan. Director of Photography, Arch Archambault (Color). Music, William Marx. Editor, Tony De Zarraga. Starring Robert Quarry (Count Yorga), Roger Perry (Dr. Hayes), Michael Murphy (Paul), Michael Macready (Michael), Donna Anders (Donna), Judith Lang (Erica), Edward Walsh (Brudah), Marsha Jordan, George Macready (Narrator). 90 minutes.

Countess Dracula. (Hammer, 1971). Great Britain. Produced by Alexander Paul. Directed by Peter Sasdy. Script by Jeremy Paul from a story by Sasdy, Paul, and Gabriel Ronay. Director of Photography, Ken Talbot (Color). Production Designer, Philip Harrison. Music, Harry Robinson. Editor, Henry Richardson. Starring Ingrid Pitt (Countess Elisabeth Nadasdy), Nigel Green (Captain Dobi), Sandor Eles (Imre Toth), Maurice Denham (Master Fabio), Patience Collier (Julia), Peter Jeffrey (Captain Balogh), Lesley-Anne Down (Ilona), Leon Lissek (Sergeant), Jessie Evans (Rosa), Nike Arrighi (Gypsy). 93 minutes.

Countess Dracula (Italy) see Il Plenilunio delle Vergini

Creatures of Evil see Dugo ng Vampira

Creatures of the Prehistoric Planet (Horror of the Blood Monsters, Vampire Men of the Lost Planet). (Independent International, 1969). USA. Produced and Directed by Al Adamson. Script by Sue McNair. Director of Photography, Leslie (Laszlo) Kovacs (Color). Music, M. Valarde. Starring John Carradine, Robert Dix, Vicki Volante. [Released in 1971 with added footage and re-editing as Horror of the Blood Monsters or Vampire Men of the Lost Planet.]

Crime Doctor's Courage. (Columbia, 1944). USA. Produced by Rudolph C. Flothow. Directed by George Sherman. Script by Eric Taylor, based on the radio program. Director of Photography, L. W. O'Connell. Production Designer, John Datu. Editor, Dwight Caldwell. Starring Warner Baxter (Dr. Robert Ordway), Hillary Brooke (Kathleen), Jerome Cowan (Jeffers Jerome), Robert Scott (Bob), Lloyd Corrigan (John Massey). 70 minutes.

La Cripta e l'Incubo (La Maldición de los Karnstein, The Crypt of Horror, Terror in the Crypt, The Curse of the Karnsteins). (Hispamer/Mec, 1963). Italy/Spain. Produced by William Mulligan. Directed by Thomas Miller [Camillo Mastocinque]. Script by Julian Berry {Ernesto Gastaldi], Robert Bohr [Bruno Valeri], José L. Monter, and María del Carmen Martinez Roman based on Carmilla by J. Sheridan Le Fanu. Directors of Photography, Giuseppe Aquari, Julio Ortas. Music, Carlo Savina. Starring Christopher Lee (Count Karnstein), Audr[e]y Amber [Adriana Ambesi] (Laura), Ursula Davis (Lyuba), José Campos, Vera Valmont, Nela Conjiu, José Villasante, Angela Minervini. 84 minutes.

The Crypt of Horror see La Cripta e l'Incubo

Crypt of the Living Dead see La Tumba de la Isla Maldita

Le Culte du Vampire (The Cult of the Vampire). (ABC, 1971). France. Written and Directed by Jean Rollin. Starring Willy Braque, Louise Dhour, Eric Loosfeld.

Curse of Dracula see The Return of Dracula

The Curse of Dracula. ((NBC, 1979, episodes in the Cliffhangers television series). USA. Starring Michael Nouri, Stephen Johnson, Carol Baxter.

Curse of Nostradamus see La Maldición de Nostradamus

Curse of the Blood Ghouls see La Strage dei Vampiri Curse of the Devil see El Retorno de Walpurgis

The Curse of the Karnsteins see La Cripta e l'Incubo Curse of the Undead. (Universal, 1959). USA. Produced by Joseph Gershenson. Directed by Edward Dein. Script by Edward Dein and Mildred Dein. Director of Photography, Ellis Carter. Production Designer, Alexander Golitzen, Robert Clatworthy. Music, Irving Gertz, Milton Rosen. Editor, George Gittens. Starring Eric Fleming (Preacher Dan Young), Kathleen Crowley (Dolores Carter), Michael Pate (Drake Robey), John Hoyt (Dr. John Carter), Bruce Gordon (Buffer), Jimmy Murphy (Tim Carter), Helen Kleeb (Dora). 79 minutes.

Curse of the Vampire (Malaya) see Anak Pontianak

Curse of the Vampire see La Llamada del Vampiro

Curse of the Vampires see Dugo ng Vampira

Curse of the Walking Dead see Die Schlangengrube und das Pendel

Dance of the Damned. (Concorde/New Classics, 1989). USA. Produced by Andy Ruben. Directed by Katt Shea Ruben. Script by Andy Ruben and Katt Shea Ruben. Director of Photography, Phedon Papamichael (Color). Production Designer, Stephen Greenberg. Music, Gary Stockdale. Editor, Carole Kravetz. Starring Starr Andreeff (Jodi), Cyril O'Reilly (Vampire), Deborah Ann Nassar (Stripper), Maria Ford (Stripper). 83 minutes.

Dance of the Vampires (The Fearless Vampire Killers or Pardon Me, but Your Teeth Are in My Neck). (RansohoffPolanski Productions/Cadre Films/Filmways, 1967). Great Britain. Produced by Gene Gutowski. Directed by Roman Polanski. Script by Polanski and Gerard Brach. Director of Photography, Douglas Slocombe (Color). Production Designer, Fred Carter. Music, Krzystof Komeda. Editor, Alistair McIntyre. Starring Jack MacGowran (Prof. Abronsius), Sharon Tate (Sarah), Alfie Bass (Yoine Shagal), Ferdy Mayne (Count Krolock), Terry Downes (Koukol), Roman Polanski (Alfred), Jessie Robbins (Rebecca), Fiona Lewis (Magda), Iain Quarrier (Herbert). 98 minutes [Original British version was 118 minutes. Martin Ransohoff recut, redubbed, and altered sound effects and music on the 98-minute version. He also added a cartoon at the beginning.]

Dark Shadows. (ABC, 1968-1971). USA. Television series. Produced by Dan Curtis.

Dark Shadows. (NBC/Dan Curtis/MGM-UA, 1991). USA. Twopart MOW and series. Produced by Dan Curtis. Starring Ben Cross, Barbara Steele.

Daughter of Darkness. (MOW, CBS/King Phoenix Ent., 1990). USA. Produced by Andras Hamori. Directed by Stuart Gordon. Script by Andrew Laskos. Director of Photography, Mark Ivan (Color). Production Designer, Tamas Hornyanszky. Starring Mia Sara, Anthony Perkins (Vampire), Jack Coleman, Robert Reynolds, Mari Kiss. 120 minutes.

Daughter of Dracula see A Filha de Dracula

Daughters of Darkness (France) see Le Rouge aux Lèvres

Daughters of Darkness (Great Britain) see Vampyres

Daughters of Dracula see Vampyres

Dead Men Walk. (PRC/Pathe, 1942). USA. Produced by Sigmund Neufeld. Directed by Sam Newfield. Script by Fred Myton. Director of Photography, Jack Greenhalgh. Editor, Holbrook N. Todd. Starring George Zucco, Mary Carlisle, Ned Young, Dwight Frye, Fern Emmett, Robert Strange. 64 minutes.

Deafula. (Signscope, 1975). USA. Produced by Gary R. Holmstrum. Directed by Peter Wechsberg. Script by Wechsberg. Starring Peter Wechsberg, James Randall, Dudley Hemstreet, Lee Darrel, Gary R. Holmstrum (Dracula). 90 minutes.

Death on a Barge. (Episode of the Night Gallery television series, NBC, 1973). USA. Directed by Leonard Nimoy. Script by Hallstead Wells. Starring Robert Pratt, Lesley Warren, Lou Antonio, Brooke Bundy, Jim Boles.

The Deathmaster. (American International, 1972). USA. Produced by Fred Sadoff. Directed by Ray Danton. Script by R.L. Grove. Director of Photography, Wilmer C. Butler (Color). Music, Bill Marx. Editor, Harold Lime. Starring Robert Quarry (Khorda), Bill Ewing (Pico), Brenda Dickson (Rona), John Fiedler (Pop), Betty Anne Rees (Esslin), William Jordan (Monk), Le Sesne Hilton (Barbado), John Lasell (Detective). 88 minutes.

Def by Temptation. (Orpheus/Bonded Filmworks/Troma, 1990). USA. Written, Produced, and Directed by James Bond III. Director of Photography, Ernest Dickerson (Color). Production Designer, David Carrington. Music, Paul Lawrence. Editor, Li-Shin Yu. Starring James Bond III (Joel), Kadeem Hardison ("K"), Cynthia Bond (Temptation), Bill Nunn (Dougy), Minnie Gentry (Grandma), Melba Moore (Mme. Sonya). 101 minutes.

The Demon Planet see Terrore nello Spazio

Dendam Pontianak (Revenge of the Vampire). (Keris, 1957). Malaya. Directed by B.N. Rao. Starring Maria Menado (Vampire), M. Maarof.

Devil's Commandment see I Vampiri

Devil's Mistress. (Holiday/WGW, 1966). USA. Written and Directed by Orville Wanzer. Director of Photography, Teddy Gregory (Color). Starring Joan Stapleton (Leah), Arthur Resley.

Devil's Plaything see Veil of Blood

Devil's Wedding Night see Il Plenilunio delle Vergini

Devils of Darkness. (Planet/20th Century-Fox, 1965). Great Britain. Produced by Tom Blakeley. Directed by Lance Comfort. Script by Lyn Fairhust. Director of Photography, Reg Wyer. Music, Bernie Fenton. Editor, John Trumper. Starring William Sylvester, Hubert Noel (Count Sinistre), Tracy Reed, Carole Gray, Diana Decker, Rona Anderson, Victor Brooks. 90 minutes.

Dinner with a Vampire. (Dania/Devon/ReiItalia, 1988). Italy. Directed by Lamberto Bava. Script by Dardano Sachetti and Bava from a story by Luciano Martino. Director of Photography, Gianfranco Trasunto. Production Designer, Antonello Geleng. Music, Simon Boswell and Mario Tagliaferri. Editor, Daniele Alabiso. Starring George Hilton, Patrizia Pellegrino, Riccardo Rossi, Valeria Milillo, Yvonne Scio, Daniele Aldrovondi.

Disciple of Death. (Heritage/Chromage, 1972). Great Britain. Produced by Tom Parkinson and Chuston Fairman. Directed by Parkinson. Script by Parkinson and Fairman. Director of Photography, William Brayne (Color). Starring Mike Raven, Marguerite Hardiman, Ronald Lacey, Virginia Wetherell, Stephen Bradley, Nicholas Amer, George Belbin. 84 minutes. Disciples of Dracula. (First-West, 1975). USA. Starring Ervin Cartwright.

Doctor in the Nude, see Traitement de Choc

Dr. Terror's Gallery of Horrors (Return from the Past, The Blood Drinkers, The Blood Suckers). (American General, 1967). USA. Directed by David L. Hewitt. Script by Gary Heacock, David Prentiss, and Russ Jones. Director of Photography, Austin McKinney (Color). Starring Lon Chaney, Jr., John Carradine, Rochelle Hudson, Roger Gentry, Mitch Evans, Russ Jones. 82 minutes.

Dr. Terror's House of Horrors. (Gallery of Horrors) (Amicus, 1964). Great Britain. Produced by Milton Subotsky and Max J. Rosenberg. Directed by Freddie Francis. Script by Subotsky. Director of Photography, Alan Hume (Color/Scope). Music, Tubby Hayes. Editor, Thelma Connell. Starring Peter Cushing (Dr. Shreck). 1. "Werewolf": Neil McCallum, Ursula Howells, Peter Madden. 2. "Creeping Vine": Alan Freeman, Ann Bell, Bernard Lee. 3. "Voodoo": Roy Castle, Kenny Lynch, Harold Lang. 4. "Crawling Hand": Christopher Lee, Michael Gough, Isla Blair, Judy Cornwell. 5. "Vampire": Donald Sutherland, Max Adrian, Jennifer Jayne, Irene Richmond. 98 minutes. Does Dracula Really Suck? see Dracula and the Boys Double Possession see Ganja and Hess

Dracula. (Russia, 1920). [Purported early, unlicensed adaptation]

Dracula. (Universal, 1931). USA. Produced by Carl Laemmle, Jr. Directed by Tod Browning. Script by Garrett Fort with additional dialogue by Dudley Murphy based the play by John Balderston and Hamilton Deane and the treatment by Louis Bromfield, adapted from the novel by Bram Stoker. Director of Photography, Karl Freund. Production Designers, Charles D. Hall; (associates) Herman Rosse, John Hoffman. Music, Tchaikovsky (Swan Lake), Wagner (Die Meistersinger), Schubert (Unfinished Symphony). Editor, Milton Carruth. Starring Béla Lugosi (Dracula), David Manners (John Harker), Helen Chandler (Mina Seward), Dwight Frye (Renfield), Edward Van Sloan (Van Helsing), Herbert Bunston (Dr. Seward), Charles Gerrard (Martin), Frances Dade (Lucy), Joan Standing (Briggs). 78 minutes.

Drácula. (Universal, 1931). USA. Produced by Carl Laemmle, Jr. and Paul Kohner (associate). Directed by George Melford. Spanish version of the script adapted by B[altazar] Fernandez Cue. Director of Photography, George Robinson. Production Designer, Charles D. Hall. Editor, Arturo Tavares. Starring Carlos Villar[ias] (Dracula), Lupita Tovar (Eva [Mina]), Pablo Alvarez Rubio (Renfield), Eduardo Arozemena (Van Helsing), Barry Norton (Juan Harker). 103 minutes. [Spanish language version of the Browning/Lugosi film] Dracula. (NBC, Matinee Theater, 1957). USA. Starring John Carradine.

Dracula (Horror of Dracula). (Hammer, 1958). Great Britain. Produced by Anthony Hinds. Directed by Terence Fisher. Script by Jimmy Sangster based on the novel by Bram Stoker. Director of Photography, Jack Asher (Color). Production Designer, Bernard Robinson. Music, James Bernard. Editor, James Needs, Bill Lenny. Starring Peter Cushing (Dr. Van Helsing), Christopher Lee (Dracula), Michael Gough (Arthur), Melissa Stribling (Mina), Carol Marsh (Lucy), Olga Dickie (Gerda), John Van Essen (Jonathan), Valerie Gaunt (Vampire Bride). 82 minutes.

Dracula. (Episode of the Mystery and Imagination series). (Thames, 1965). Great Britain. Produced by Raymond Collier. Directed by Patrick Dromgoole. Script by Charles Graham based on the novel by Bram Stoker. Production Designer, David Marshall. Music, Paul Lewis. Starring Corin Redgrave (Jonathan Harker), Denholm Elliott (Dracula), Suzanne Neve (Mina), Susan George (Lucy Weston), Bernard Archard (Van Helsing), James Maxwell (Dr. Seward), Joan Hickson (Mrs. Weston). 90 minutes.

Dracula. (CBC, 1973). Canada. MOW. Directed by Jack Nixon Browne. Script by Rod Coneybeare. Starring Norman Walsh, Blair Brown, Nehemiah Persoff.

Dracula (Bram Stoker's Dracula). (Curtis Prods., 1974). USA. Produced and Directed by Dan Curtis. Script by Richard Matheson, based on the novel by Bram Stoker. Director of Photography, Oswald Morris (Color). Production Designer, Trevor Williams. Music, Robert Cobert. Editor, Richard A. Harris. Starring Jack Palance (Dracula), Nigel Davenport (Van Helsing), Simon Ward (Arthur Holmwood), Fiona Lewis (Lucy Westenra), Penelope Horner (Mina Murray), Murray Brown (Jonathan Harker), Pamela Brown (Mrs. Westenra). 100 minutes.

Dracula. (Mirisch/UA, 1979). USA. Produced by Walter Mirisch. Directed by John Badham. Script by W. D. Richter based on the novel by Bram Stoker and the play by John Balderston and Hamilton Deane. Director of Photography, Gilbert Taylor (Color/Scope). Production Designer, Peter Murton. Music, John Williams. Editor, John Bloom. Starring Frank Langella (Dracula), Laurence Olivier (Van Helsing), Donald Pleasance (Seward), Kate Nelligan (Lucy), Trevor Eve (Harker), Jan Francis (Mina Van Helsing), Tony Haygarth (Renfield). 109 minutes.

Dracula and the Boys (Does Dracula Really Suck?, Dracula, Does He...?). (Laurence Merrick Prods., 1969). USA. Directed by Laurence Merrick.

Dracula and Son see Dracula, Père et Fils

Dracula A.D. 1972. (Hammer/Warner Bros., 1972). Great Britain. Produced by Josephine Douglas. Directed by Alan Gibson. Script by Don Houghton. Director of Photography, Richard Bush (Color). Production Designer, Don Mingaye. Music, Michael Vickers. Editor, James Needs. Starring Christopher Lee (Dracula), Peter Cushing (Van Helsing), Stephanie Beacham (Jessica Van Helsing), Michael Coles (Inspector Murray), Christopher Neame (Johnny Alucard), William Elis (Joe Mitchum), Marsha Hunt (Gaynor), Caroline Munro (Laura), Philip Miller (Bob). 95 minutes.

Dracula Blows His Cool see Graf Dracula Beisst Jetzt in Oberbayern

The Dracula Business. (BBC, 1974). Great Britain. Television documentary. Directed by Anthony de Latbiniere.

Dracula Cerca Sangue de Vergine e...Mori de Sete (Dracula Vuole Vivere: Cerca Sangue de Vergine, Blood for Dracula, Andy Warhol's Dracula). (CC Champion/Jean Yanne&endash;Jean Pierre Rassam/Warhol Prods., 1973). Italy/France. Produced by Andrew Braunsberg. Directed by Paul Morrissey and (uncredited) Anthony Dawson [Antonio Margheriti]. Script by Morrissey. Director of Photography, Luigi Kueveillier (Color). Production Designer, Enrico Job. Music, Claudio Gizzi. Editor, Ted Johnson. Starring Udo Kier (Dracula), Joe Dallesandro (Mario), Vittorio de Sica (Marquis), Maxime McKendry (Marquisa), Arno Juerging (Anton), Milena Vukotic (Esmeralda). 90 minutes.

Dracula Contra Frankenstein(The Screaming Dead, Dracula, Prisonnier de Frankenstein). (Ferrix/Comptoir Francais du Film, 1972). Spain/France. Produced by Robert de Nesle and Arturo Marcos. Written and Directed by Jesus Franco. Director of Photography, José Climent (Color/Scope). Music, Daniel White and Bruno Nicolai. Starring Howard Vernon (Dracula), Dennis Price (Dr. Frankenstein), Alberto Dalbes, Britt Nichols, Anne Libert [Josiane Gibert], Mary Francis. 87 minutes.

Dracula, Does He...? see Dracula and the Boys

Dracula Exotica. (VCA, 1981). Written and Produced by K. Schwartz. Directed by Warren Evans. Starring Jamie Gillis (Dracula), Vanessa del Rio, Samantha Fox.

Dracula, Father and Son see Dracula, Pere et Fils

Dracula Has Risen from the Grave. (Hammer/Warner Bros., 1968). Great Britain. Produced by Aida Young. Directed by Freddie Francis. Script by John Elder [Anthony Hinds]. Director of Photography, Arthur Grant (Color). Production Designer, Bernard Robinson. Music, James Bernard. Editor, Spencer Reeve. Starring Christopher Lee (Dracula), Rupert Davies (Monsignor), Veronica Carlson (Maria), Barbara Ewing (Zena), Barry Andrews (Paul), Ewan Hooper (Priest), Marion Mathie (Anna), Michael Ripper (Max). 92 minutes.

Dracula Hunts Frankenstein see El Hombre Que Vino de Ummo

Dracula in Istanbul see Drakula Istanbulda

Dracula in the Provinces see Il Cavaliere Costante Nicosia Demoniaco Ovvero Dracula in Brianza

Dracula 90 (Dracula, the Series) (RHI/Cinexus/Blair, 1990-91). USA. Syndicated televison series. Produced by Robert Halmi, Jr. and David Patterson. Directed by Alan Eastman, Allan King, René Bonniere, Randy Bradshaw, Jeff Woolnough. Scripts by William Laurin, Glenn Davis, Phil Bedard, Larry Lalonde, Peter Meech, Stu Wooley. Starring Geordie Johnson (Dracula/Alexander Alucard}, Joe Roncetti (Chris Townsend), Jacob Tierney (Max Townsend), Bernard Behrens (Uncle Gustav Helsing), Mia Kirshner (Sophie Metternich).

Dracula, Père et Fils (Dracula, Father and Son, Dracula and Son). (Gaumont/Production 2000, 1976). France. Written and Directed by Eduardo Molinaro. Director of Photography, Alain Levent (Color). Production Designer, Jacques Bufnoir. Music, Vladimir Cosma. Editor, Robert Isnardon. Starring Christopher Lee (Dracula), Bernard Menez (Son), Marie-Hélène Breillat (Nicole), Catherine Breillat (Wife), Anna Gael (Woman). 105 minutes.

Dracula, Prince of Darkness. (Hammer/Warner Bros., 1965). Great Britain. Produced by Anthony Nelson Keys. Directed by Terence Fisher. Script by John Sansom from an idea by John Elder [Anthony Hinds]. Director of Photography, Michael Reed (Color/Scope). Production Designers, Don Mingaye, Bernard Robinson. Music, James Bernard. Editor, Chris Barnes. Starring Christopher Lee (Dracula), Barbara Shelley (Helen), Andrew Keir (Father Sandor), Francis Matthews (Charles), Suzan Farmer (Diana), Charles Tingwell (Alan), Thorley Walters (Ludwig), Philip Latham (Klove), Walter Brown (Brother Mark). 90 minutes.

Dracula, Prisonnier de Frankenstein see Dracula contra Frankenstein

Dracula Rises from the Coffin. (Tai Chang, Inc., 1982). South Korea. Produced by Lim Won Sik. Directed by Lee Hyoung Pyo. Script by Lee Hee Woo. Director of Photography, Lee Sung Sub (Color). Starring Kang Yong Suk, Park Yang Rae. 92 minutes.

Dracula Rising. (Concorde/New Horizons, 1993). USA. Produced by Roger Corman. Directed by Fred Gallo. Script by Rodman Flender and Daniella Purcell. Director of Photography, Ivan Varimazov (Color). Music, Ed Tomney. Editor, Glenn Garland. Starring Christopher Atkins (Vlad), Stacey Travis (Theresa), Doug Wert (Alec). 80 minutes

Dracula Sucks (Dracula's Bride). (Backstreet Prods./Kodiak Films, 1979). USA. Produced by Darryl A. Marshak. Directed by Philip Morris [Marshak]. Script by Marshak, David J. Kern, William Margold, and Mitch Morrill. Director of Photography, Bruce Edwards [Hanania Baer] (Color/Scope). Production Designer, Richard Kingsley. Music, Lionel Thomas. Editor, Nettie Peña. Starring Jamie Gillis (Dracula), Annette Haven (Mina), Serena (Lucy Webster), John Leslie (Seward), Paul Thomas (Harker), Kay Parker (Dr. Seward), Detlef van Berg (Van Helsing). 82 minutes. Dracula Tan Exarchia. (Allagi Films, 1983). Color. Greece. Directed by Nikos Zervos. Script by Zervos, Yannis Panousis, and Vangelis Cotronis. Starring Kostas Soumas, Yannis Panousis, Vangelis Cotronis. 84 minutes.

Dracula: The Bloodline Coninues see La Saga de Los Drácula

Dracula, the Dirty Old Man. (Boyd Prods., 1969). USA. Produced by Whit Boyd. Written and Directed by William Edwards. Director of Photography, William Troiam (Color). Starring Vince Kelly (Count Dracula/Alucard), Ann Hollis.

Dracula vs. Frankenstein (Blood of Frankenstein, Revenge of Dracula). (Independent International, 1971). USA. Produced by Al Adamson and Samuel M. Sherman. Directed by Adamson. Script by William Pugsley and Sam M. Sherman. Directors of Photography, Gary Graver, Paul Glickman (Color). Starring J. Carrol Naish (Dr. Frankenstein), Lon Chaney, Jr. (Groton, the Zombie), Zandor Vorkov [Roger Engel] (Dracula), Russ Tamblyn, Jim Davis, Anthony Eisley, Regina Carrol. 90 minutes.

Dracula vs. Frankenstein (Spain/West Germany/Italy) see El Hombre Que Vino de Ummo

Dracula Vuole Vivere: Cerca Sangue de Vergine see Dracula Cerca Sangue de Vergine e...Mori de Sete

Dracula's Blood Bride see Fracchia contro Dracula

Dracula's Bride see Dracula Sucks

Dracula's Daughter. (Universal, 1936). USA. Produced by E.M. Asher. Directed by Lambert Hillyer. Script by Garrett Fort and John Balderston suggested by Oliver Jeffries based on the story, "Dracula's Guest," by Bram Stoker. Director of Photography, George Robinson. Production Designer, Albert D'Agostino. Music, Heinz Roemheld. Editor, Milton Carruth. Starring Otto Kruger (Dr. Jeffrey Garth), Gloria Holden (Countess Maria Zaleska/Countess Dracula), Edward Van Sloan (Van or Von Helsing), Marguerite Churchill (Janet Blake), Irving Pichel (Sandor), Gilbert Emery (Sir Basil), Hedda Hopper (Lady Hammond), Nan Grey (The Model). 69 minutes.

Dracula's Dog (Zoltan&endash;Hound of Dracula). (Vic/Crown, 1977). USA. Produced by Albert Band and Frank Ray Perilli. Directed by Band. Script by Perilli. Director of Photography, Bruce Logan (Color). Music, Andrew Belling. Editor, Harry Keramidas. Starring Michael Pataki (Michael Drake), José Ferrer (Inspector Branco), Reggie Nalder (Veidt-Smit), Jan Shutan (Maria Drake), Libbie Chase (Linda Drake), John Levin (Steve Drake). 90 minutes. [Note: a film featuring the non-traditional creature, the vampiric dog of the title]

Dracula's Great Love see El Gran Amor del Conde Drácula

Dracula's Last Rites see Last Rites

Dracula's Lust for Blood see Chi o Suu Me

Dracula's Lusterne Vampire (Dracula's Vampire Lust). (Monarex, 1970). Switzerland. Directed by Mario D'Alcala. Starring Des Roberts.

Dracula's Saga see La Saga de los Drácula

Dracula's Vampire Lust see Dracula's Lusterne Vampire

Dracula's Virgin Lovers see El Gran Amor del Conde Drácula

Dracula's Widow. (DeLaurentiis, 1989). USA. Produced by Stephen Traxler. Directed by Christopher Coppola. Script by Coppola and Kathryn Ann Thomas. Director of Photography, Giuseppi Macari (Color). Production Designer, Alexandra Kicenik. Music, James Campbell. Editor, Tom Siter. Starring Sylvia Kristel (Vanessa, Dracula's Widow), Josef Sommer (Lt. Lannon), Lenny Van Dohlen (Raymond Everett), Marc Coppola (Brad), Stefan Schnabel (Van Helsing). 86 minutes.

Dragula (Moss Prods., 1973). USA. Directed by James Moss. Starring W. Casey Donovan, Walter Kent.

Drakula. (Hungary, 1921). Directed by Károly Lajthay. [Early, unlicensed adaptation of which no known prints survive]

Drakula Istanbulda (Dracula in Istanbul) (1952). Turkey. Directed by Mehmet Muhtar. Script by Umit Deniz from The Impaling Voivode by Ali Riza Seyfi and the novel by Bram Stoker. Starring Atif Kaptan (Drakula).

Drakulita. (Hemisphere, 1969). Philippines. Directed by Consuelo Osorio. Starring Lito Legaspi, Gina Laforteza, Joseph Gallego, Rosanna Ortiz.

A Dream of Vampires see Um Sonho de Vampiros

Dugo ng Vampira (Curse of the Vampires, Creatures of Evil). (Hemisphere/Scepter, 1970). Philippines. Produced by Amalia Muhlach. Directed by Gerardo de Leon. Script by Ben Feleo and Pierre L. Salas from a story by Feleo. Director of Photography, Mike Accion (Color). Music, Tito Arevalo. Starring Amalia Fuentes, Eddie Garcia, Romeo Vasquez, Johnny Monteiro, Rosario del Pilar. 90 minutes.

Echenme al Vampiro (Throw me to the Vampire, Bring Me the Vampire). (Clasa-Mohme, 1964). Mexico. Produced by Mario Garcia Camberos. Directed by A. E. Crevenna. Script by Alfredo Ruanova from a story by Camberos. Director of Photography, F. Colin. Starring Carlos Riquelme, Hector Godoy, Mantequilla, Borolas.

The Empire of Dracula see El Imperio de Drácula

L'Empreinte de Dracula see El Retorno de Walpurgis

Die Erbin des Dracula see Vampyros Lesbos

Ercole al Centro della Terra (Hercules in the Center of the Earth, Hercules in the Haunted World). (SPA Cinematografica, 1961). Italy. Produced by Achille Piazzi. Directed by Mario Bava. Script by Alessandro Continenza, Bava, Giorgio Prosperi, and Duccio Tessari. Directors of Photography, Bava, Ubaldo Terzano (Color/Scope). Production Designer, Franco Lolli. Music, Armando Trovajoli. Editor, Mario Serandrei. Starring Reg Park (Hercules), Leonora Ruffo (Deianira), Christopher Lee (Lichas/Lico), Giorgio Ardisson (Theseus), Ida Galli, Ely Draco, Marisa Belli. 90 minutes; 77 minutes (U.S.).

Erotikill see La Comtesse Noire

Every Home Should Have One (Think Dirty). (Example, 1970). Great Britain. Directed by Jim Clark. Script by Marty Feldman, Barry Took, Denis Norden. Director of Photography, Ken Hodges (Color). Starring Marty Feldman, Barry Took, Julie Ege. 94 minutes. (Very short vampire sequence).
The Evil of Dracula see Chi o Suu Bara

Evils of the Night. (Shapiro/Mars, 1985). USA. Produced and Directed by Marti Rustam. Script by Rustam and Phillip Dennis Connors. Director of Photography, Don Stern (Color). Music, Robert O. Ragland. Editor, Henri Chapro. Starring Neville Brand (Kurt), Aldo Ray (Fred), John Carradine (Leader), Tina Louise (Cora), Julie Newmar. 85 minutes.

El Extraño Amor de los Vampiros (The Strange Love of the Vampires, Night of the Walking Dead). (Richard Films, 1975). Spain. Directed by Leon Klimovsky. Script by Juan José Daza, Carlos Pumares, and Juan José Porto. Director of Photography, Miguel Mila (Color/Scope). Starring Emma Cohen, Carlos Ballesteros, Vicky Lusson, Rafael Hernandez, Barta Barry, Mari Paz Pondal, Roberto Camardiel. 91 minutes.

Face of Marble. (Monogram, 1946). USA. Produced by Jeffrey Bernard. Directed by William Beaudine. Script by Michael Jacoby based on a story by William Thiele and Edmund Hartman. Director of Photography, Harry Neumann. Production Designer, David Milton. Music, Edward Kay. Editor, William Austin. Starring John Carradine (Prof. Randolph), Claudia Drake (Elaine Randolph), Robert Shayne (David Conklin), Maris Wrixon (Linda), Thomas E. Jackson (Inspector Norton), Rosa Rey (Maria). 70 minutes. [Note: another non-traditional film featuring a vampiric dog]

Fangs of the Vampire see La Nipote del Vampiro

Fascination. (Les Films ABC/COMEX, 1979). France. Produced by Joe de Lara. Directed by Jean Rollin. Directors of Photography, Georges Fromentin, D. Lacambe (Color). Music, Philippe D'Aram. Editor, Dominique Saint-Cyr. Starring Brigitte Lahaie (Eva), Franca Mai (Elisabeth), Jean-Marie Lemaire (Marc), Fanny Magier, Miriam Watteau, Alain Plumey, Muriel Montosse. 80 minutes.

The Fearless Vampire Killers, or Pardon Me, but Your Teeth Are in My Neck see Dance of the Vampires

The Female Vampire see Onna Kyuketsuki

Les Femmes Vampires see Le Viol du Vampire

Ferat Vampire. (Barrandov, 1982). Czechoslovakia. Directed by Juraj Herz. Script by Herz and Jan Fleischer based on a story by Josef Nesvadba. Director of Photography, R. Valenta (Color). Production Designer, V. Labsky. Music, Petr Hapka. 90 minutes. Fiend. (Cinema Ent., 1980). USA. Written, Edited, and Directed by Don Dohler. Directors of Photography, Dohler, R. Geiwitz (Color). Production Designer, Mark Supensky. Music, Paul Woznicki. Starring Don Leiffert. 93 minutes.

A Filha de Dracula (La Fille de Dracula, Daughter of Dracula, La Hija de Drácula). (Interfilme/Comptoir Francais du Film, 1972). France/Portugal. Produced by Victor de Costa. Directed by Jesus Franco. Script by Franco based on Carmilla by J. Sheridan Le Fanu. Director of Photography, José Climent. Music, Rene Silviano. Starring Howard Vernon (Count Karnstein), Britt Nichols (Maria Karnstein), Soledad Miranda, Alberto Dalbes, Luis Barboo, Jesus Franco, Daniel White. 87 minutes.

La Fille de Dracula see A Filha de Dracula

First Man into Space. (MGM/Amalgamated, 1959). Great Britain. Produced by John Croydon. Directed by Robert Day. Script by John C. Cooper and Lance Z. Hargreaves. Director of Photography, Geoffrey Faithfull. Music, Buxton Orr. Editor, Peter Mayhew. Starring Marshall Thompson (Commander Prescott), Marla Landi (Tia), Bill Edwards (Lt. Prescott), Robert Ayres (Capt. Richards), Bill Nagy (Wilson). 78 minutes. [Note: another non-traditional film featuring a vampiric alien creature aboard a space craft]

Flesh of Your Flesh see Carne de Tu Carne

Der Fluch der Grünen Augen (The Curse of the Green Eyes, Night of the Vampires, Cave of the Living Dead). (Objectiv/Triglav, 1963). West Germany/Yugoslavia. Directed by Akos von Rathony. Script by C.V. Rock from an idea by Rathony. Director of Photography, Saric Hrvoj. Production Designer, Ivan Pengov. Editor, Klaus Dudenhofer. Starring Adrian Hoven (Inspector Doren), Erika Remberg (Maria), Carl Mohner (Der Arzt), Wolfgang Preiss (Prof. Adelsberg), Karin Field (Karin), Emmerich Schrenk, John Kitzmiller. 85 minutes.

Forbidden Femininity see Sexy Proibitissimo

Forever Knight. (Paragon/Tri-Star/CBS, 1992-93). USA/Canada. Televison series. Produced by Richard Borchiver. Created by James Parriott and Barney Cohen. Starring Geraint Wyn Davies, Gary Farmer, Catherine Disher, Nigel Bennett.

Fracchia Contro Dracula (Dracula's Blood Brides). (1985). Italy. Directed by Neri Parenti. Starring Paolo Villaggio, Gigi Reder, Edmund Purdom.

Frankenstein, El Vampiro, y Cia (Frankenstein, the Vampire and Co.). (Calderon, 1961). Mexico. Directed by Benito Alazraki. Script by Alfredo Salazar. Starring Manuel "Loco" Valdes, José Jasso, Nora Vetran, Arturo Castro. Director of Photography, Enrique Wallace. 80 minutes.

Frankenstein's Bloody Terror see La Marca del Hombre Lobo

Fright Night. (Columbia, 1985). USA. Produced by Herb Jaffe. Written and Directed by Tom Holland. Director of Photography, Jan Kiesser (Color). Production Designer, John De Cuir, Jr. Music, Brad Fiedel. Editor, Kent Beyda. Starring Chris Sarandon (Jerry Dandridge), William Ragsdale ((Charley Brewster), Amanda Bearse (Amy), Roddy McDowall (Peter Vincent), Stephen Geoffreys (Evil Ed), Jonathan Stark (Billy Cole). 105 minutes.

Fright Night Part 2. (Tri-Star/Vista, 1988). USA. Produced by Herb Jaffe and Mort Engelberg. Directed by Tommy Lee Wallace. Script by Tim Metcalfe, Miguel Tejada-Flores, and Wallace.

irector of Photography, Mark Irwin (Color/Scope). Production Designer, Dean Tschetter. Music, Brad Fiedel, Don Great, Alan Ett. Editors, Jay Lash Cassidy, Jonathan P. Shaw, Duwayne Dunham. Starring Julie Carmen (Regine, Vampiress), Roddy McDowall (Peter Vincent), William Ragsdale (Charley Brewster), Traci Lin (Alex), Jonathan Gries (Louie), Russell Clark (Belle). 104 minutes.

Frightmare. (Saturn, 1982). USA. Produced by Patrick Wright, Tallie Wright. Written and Directed by Norman Thaddeus Vane. Director of Photography, Joel King (Color). Music, Jerry Moseley. Editor, Douglas Jackson. Starring Luca Bercovici (Saint), Ferdinand Mayne (Conrad Ragzoff, Vampire), Nita Talbot, Jennifer Starret, Barbara Pilavin, Carlene Olson. 88 minutes.

Le Frisson des Vampires (Vampire Thrills, Shudder of the Vampire). (Les Films Modernes, 1970). France. Written and Directed by Jean Rollin. Director of Photography, Jean-Jacques Rénon (Color). Production Designer, Michel Delesalle. Music, Groupe Acanthus. Starring Sandra Jul[l]ien, Jean-Marie Durand, Michel Délahaye, Jacques Robiolles, Marie-Pierre, Kuelan Herca, Dominique. 95 minutes.

Full Moon of the Virgins see Il Plenilunio delle Vergini

Gallery of Horrors see Dr. Terror's House of Horrors

Ganja and Hess (Double Possession, Blood Couple, Black Evil, Black Vampire). (Kelly-Jordan Enterprises/Heritage, 1973). USA. Produced by Chiz Schultz. Written and Directed by Bill Gunn. Director of Photography, James E. Hinton (Color). Production Designer, Tom John. Music, Sam Waymon. Editor, Victor Kanefsky. Starring Duane Jones (Dr. Hess), Marlene Clark (Ganja), Bill Gunn (George Meda), Leonard Jackson (Archie), Mabel King (Queen Helga), Sam Waymon (Rev. Williams). 112 minutes. [Note: Blood Couple and other alternate titles are releases of a re-edited version by Fima Noveck [F.H. Novikov] which incorporates several scenes cut from the original but is severely abridged to 80 total minutes. Noveck is credited as Director on all alternate versions]

Garu, the Mad Monk. (Maipix, 1970). Great Britain. Photographed and Directed by Andy Milligan (Color). Script by Milligan based on a story by M.A. Isaacs. Production Designer, Lillian Greneker. Starring Neil Flanagan (Father Garu), Jacqueline Webb (Olga), Judith Isral (Nadja), Julia Willis. 57 minutes.

Gebissen Wird nur Nachts (Happening der Vampire, The Vampire Happening). (Aquila, 1970). West Germany. Produced by Pier A. Caminnecci. Directed by Freddie Francis. Script by August Rieger and Karl Heinz Hummel. Director of Photography, Gerard Vandenburg (Color). Music, Jerry Van Rooyen. Starring Ferdy Mayne (Dracula), Pia Degermark, Yvor Murillo. 102 minutes.

Geek Maggot Bingo. (Weirdo Prods., 1983). USA. Produced, Written, Photographed (Color), Designed, Edited, and Directed by Nick Zedd. Starring Robert Andrews, Brenda Bergman, Richard Hell, Donna Death (Vampire). 73 minutes.

Genie of Darkness see Nostradamus y el Genio de las Tinieblas

The Ghastly Orgies of Count Dracula see Riti Magie Nere e Segrete Orge de Trecento

Goke: Body Snatcher from Hell see Kyuketsuki Gokemidoro

Goliath and the Vampires see Maciste contro il Vampiro

Graf Dracula Beisst Jetzt in Oberbayern (Dracula Blows His Cool). (Lisa/Barthonia Films, 1979). West Germany. Produced by Martin Friedman. Directed by Carlo Ombra. Script by Gruenbach and Rosenthal. Director of Photography, Heinz Hoelscher (Color). Music, Gerhard Heinz. Starring Gianni Garko (Dracula), Betty Verges (Countess Olivia), Giacomo Rizzo, Linda Grondier, Bea Fielder, Ralf Walter, Ellen Umlauf (Ellen Van Helsing). 97 minutes.

El Gran Amor del Conde Drácula (Dracula's Great Love, Cemetery Girls, Dracula's Virgin Lovers). (Janus Films/Eva Films, 1972). Spain. Produced by Francisco Lara Polop. Directed by Javier Aguirre. Script by Aquirre, Jacinto Molina, and A. Insua. Director of Photography, R.P. Cubero (Color). Production Designer, CuberoGalicia. Music, Carmelo Belona. Editor, Petra Denieva. Starring Paul Naschy [Jacinto Molina] (Dracula), Haydee Politoff, Rossana Yanni, Vic Winner [Victor Alcazar], Mista Miller, Ingrid Garbo. 91 minutes.

Grave of the Vampire. (Entertainment Pyramid/Millenium, 1974). USA. Produced by Daniel Cady. Directed by John Hayes. Script by David Chase. Director of Photography, Paul Hipp (Color). Production Designer, Earl Marshall. Editor, Ron Johnson. Starring William Smith (James Eastman), Mike Pataki (Caleb Croft/Prof. Lockwood), Lynn Peters (Anne), Dianne Holden (Anita), Jay Adler (Zack), Kitty Vallacher (Leslie), Jay Scott, Lieux Dressler, Inga Neilsen. 95 minutes.

Graveyard Shift. (Cinema Ventures/Lightshow Communications, 1987). USA. Produced by Michael Bockner. Written and Directed by Gerard Ciccoriti. Director of Photography, Robert Bergman (Color). Music, Nicholas Pike. Editors, Robert Bergman, Norman Smith. Starring Silvio Oliviero (Stephen Tepes), Helen Papas (Michelle), Cliff Stoker (Eric Hayden), Dorin Ferber (Gilda), Dan Rose (Robert Kopple). 89 minutes.

Graveyard Shift II:The Understudy. (Cinema Ventures, 1989). USA. Produced by Stephen R. Flaks, Arnold H. Bruck. Written and Directed by Gerard Ciccoriti. Director of Photography, Barry Stone (Color). Production Designer, Ciccoriti. Music, Philip Stern. Editor, Neil Grieve. Starring Wendy Gazelle (Camilla), Mark Soper (Matthew), Silvio Oliviero (Vampire Baissez), Ilse Von Glatz (Ash). 88 minutes.

Guess What Happened to Count Dracula? (Merrick Int., 1971). USA. Produced by Leo Rivers. Written and Directed by Laurence Merrick. Director of Photography, Bob Caramico (Color). Production Designer, Mike Minor. Music, Des Roberts. Editor, George Watters. Starring Des Roberts (Count), Claudia Barron, John Landon. 80 minutes.

The Halloween That Almost Wasn't. (The Night Dracula Saved the World) (ABC, 1979). USA. MOW. Produced by Coleman Jacoby. Directed by Bruce Bilson. Script by Gaby Monet. Starring Judd Hirsch (Dracula). 90 minutes. Color.

The Hand of Night (Beast of Morocco). (Schoenfield/Associated British Pathe, 1965). Great Britain. Produced by Harry Field. Directed by Frederick Goode. Script by Bruce Stewart. Director of Photography, William Jordan (Color). Production Designer, Peter Moll. Music, John Shakespeare. Editor, Fred Ives. Starring William Sylvester (Paul Carver), Diane Clare (Chantal), Edward Underdown (Gunther), Terence de Marney (Omar), Alizia Gur (Marisa). 72 minutes.

Hannah, Queen of the Vampires see La Tumba de la Isla Maldita

Happening der Vampire see Gebissen Wird nur Nachts

Hard Times for Vampires see Tempi Duri per i Vampiri

The Hardy Boys and Nancy Drew Meet Dracula. (ABC/Universal, 1977, Two one-hour episodes of the television series). USA. Starring Parker Stevenson, Shaun Cassidy, Pamela Sue Martin, Lorne Greene, Paul Williams.

Haunted Castle see Le Manoir du Diable

Hercules in the Center of the Earth see Ercole al Centro della Terra

Hercules in the Haunted World see Ercole al Centro della Terra

Heritage of Dracula see Vampyros Lesbos

La Hija de Drácula see A Filha de Dracula

The Historical Dracula: Facts Behind the Fiction. (Documentary, 1976). USA/Romania. Directed by Ian Boston.

El Hombre Que Vino de Ummo (Dracula vs. Frankenstein, Dracula Hunts Frankenstein, Assignment Terror). (Producciones Jaime Prades/Eichberg Film/International Jaguar, 1969). Spain/Italy/West Germany. Produced by Jaime Prades. Directed by Tulio Demichelli and (uncredited) Hugo Fregonese. Script by Jacinto Molina. Director of Photography, Godofredo Pacheco (Color/Scope). Starring Michael Rennie, Karin Dor, Craig Hill, Paul Naschy [Jacinto Molina], Patty Shepard. 89 minutes.

The Horrible Orgies of Count Dracula see Riti Magie Nere e Segrete Orge de Trecento

The Horrible Sexy Vampire see El Vampiro de la Autopista

Horror of the Blood Monsters see Creatures of the Prehistoric Planet Horror of Dracula see Dracula (1958)

House of Dark Shadows. (Curtis Prods./MGM, 1970). USA. Produced and Directed by Dan Curtis. Script by Sam Hall and Gordon Russell. Director of Photography, Arthur Ornitz (Color). Production Designer, Trevor Williams, Ken Fitzpatrick. Music, Robert Cobert. Editor, Arline Garson. Starring Jonathan Frid (Barnabas Collins), Grayson Hall (Dr. Julia Hoffman), Kathryn Leigh Scott (Maggie Evans), Roger Davis (Jeff Clark), Nancy Barrett (Carolyn Stoddard), John Karlen (Willie), Thayer David (Prof. Stokes), Joan Bennett (Elizabeth Stoddard). 97 minutes.

House of Dracula. (Universal, 1945). USA. Produced by Paul Malvern. Directed by Erle C. Kenton. Script by Edward T. Lowe. Director of Photography, George Robinson. Production Designer, John B. Goodman, Martin Obzina. Music, Edgar Fairchild. Editor, Russell Schoengarth. Starring John Carradine (Dracula/Baron Latoes), Lon Chaney, Jr. (Lawrence Talbot), Onslow Stevens (Dr. Edelman), Martha O'Driscoll (Miliza), Lionel Atwill (Inspector), Glenn Strange (The Monster), Jane Adams (Nina). 67 minutes.

House of Frankenstein. (Universal, 1944). USA. Produced by Paul Malvern. Directed by Erle C. Kenton. Script by Edward T. Lowe from a story by Curt Siodmak. Director of Photography, George Robinson. Production Designer, John B. Goodman, Martin Obzina. Music, H.J. Salter. Editor, Philip Cahn. Starring Boris Karloff (Dr. Niemann), J. Carrol Naish (Daniel), Lon Chaney, Jr. (Lawrence Talbot), John Carradine (Dracula), Anne Gwynne (Rita), Peter Coe (Carl), Lionel Atwill (Arnz), George Zucco (Lampini), Elena Verdugo (Ilonka). 70 minutes.

The House That Dripped Blood. (Amicus/Cinerama, 1970). Great Britain. Produced by Max J. Rosenberg and Milton Subotsky. Directed by Peter Duffell. Script by Robert Bloch. Director of Photography, Ray Parslow (Color). Production Designer, Tony Curtis. Music, Michael Dress. Editor, Peter Tanner. Starring 1. "Method for Murder": Denholm Elliott, Joanna Dunham, Tom Adams. 2. "Waxworks": Peter Cushing, Joss Ackland, Wolfe Morris. 3. "Sweets to the Sweet": Christopher Lee, Nyree Dawn Porter. 4. "The Cloak" (Vampire Story): Ingrid Pitt (Carla), Jon Pertwee (Paul Henderson). 101 minutes.

Howling VI: The Freaks. (Allied Lane, 1993). USA. Produced by Robert Pringle. Directed by Hope Perello. Script by Kevin Rock based on the Howling novels by Gary Branover. Director of Photography, Edward Pei (Color). Music, Patrick Gleeson. Editor, Adam Wolfe. Starring Brendan Hughes (Ian), Michelle Matheson (Elizabeth), Sean Gregory Sullivan (Winston), Antonio Fargas (Bellamy), Bruce Martin Payne (Harker), Carlos Cervantes (Sheriff). 102 minutes.

La Huella Macabra (The Macabre Mark). (Azteca, 1963). Mexico. Directed by Alfredo B. Crevenna. Starring Guillermo Murray, Rosa Carmina, Carmen Molina, Jaime Fernandez.

The Hunger. (MGM/UA, 1983). USA. Produced by Richard Shepherd. Directed by Tony Scott. Script by Ivan Davis and Michael Thomas based on the novel by Whitley Strieber. Director of Photography, Stephen Goldblatt (Color). Production Designer, Brian Morris. Music, Michael Rubini, Denny Jaeger. Editor, Pamela Bower. Starring David Bowie (John), Catherine Deneuve (Miriam), Susan Sarandon (Sarah), Cliff de Young (Tom Haver), Beth Ehlers (Alice Cavender). 97 minutes.

I, Desire. (ABC/Green/Epstein/Columubia, 1982). USA. MOW. Produced by Audrey Blasdel-Goddard. Directed by John L. Moxey. Script by Robert Foster. Director of Photography, Robert L. Morrison (Color). Production Designers, Fredric P. Hope, Ross Bellah. Music, Don Peake. Editor, Donald R. Rode. Starring David Naughton (David Balsiger), Dorian Harewood (Det. Van Ness), Marilyn Jones (Cheryl Gillen), Barbara Stock (Mona), Arthur Rosenberg (Milton King), James Victor (Dr. Herrera). 97 minutes.

I Married a Vampire. (Troma/Full Moon, 1983). USA. Produced by Jay Raskin and Vicky Prodromidou. Written and Directed by Jay Raskin. Director of Photography, Oren Rudavsky (Color). Music, Steve Monahan. Starring Rachel Golden, Brendan Hickey. Immoral Tales see Contes Immoraux

El Imperio de Drácula (The Empire of Dracula, Las Mujeres de Drácula). (Vergara, 1967). Mexico. Produced by Luís Enrique Vergara. Directed by Federico Curiel. Script by Ramon Obón. Director of Photography, Alfredo Uribe (Color/Scope). Starring Ethel Carrillo, Eric del Castillo, Cesar del Campo, Lucha Villa. 90 minutes.

In Search of Dracula. (Documentary, 1971). Sweden. Directed by Calvin Floyd, Tony Forsberg. Narrated by Christopher Lee.

In the Midnight Hour see Midnight Kiss

Incense for the Damned (Bloodsuckers, Vampire Sacrifice). (Chevron/Paragon/Titan/Lucinda, 1970). Great Britain. Produced by Graham Harris. Directed by Michael Burrowes [Robert Hartford-Davis]. Script by Julian More from Doctors Wear Scarlet by Simon Raven. Director of Photography, Desmond Dickinson (Color/Scope). Music, Bobby Richards. Starring Peter Cushing (Dr. Walter Goodrich), Patrick Macnee (Major Derek Longbow), Patrick Mower (Richard), Alex Davion (Tony), Johnny Sekka (Robert), Madeline Hinde (Penelope). 87 minutes.

Incubo sulla Citta Contaminata (Nightmare City, City of the Walking Dead, Invasion of the Atomic Zombies). (Dialchi Film/Lotus Film, 1980). Italy/Spain. Produced by Diego Alchimede, Luís Mendez. Directed by Umberto Lenzi. Script by Antonio Corti, Piero Regnoli, and Luís María Delgado. Director of Photography, Hans Burman (Color). Starring Hans Stiglitz, Laura Trotter, Mel Ferrer, Francisco Rabal, Maria Rosaria Omaggio, Sonia Viviani. 92 minutes.

The In-Laws of Dracula see Mga Manuggang ni Dracula

The Inn of the Flying Dragon (The Sleep of the Dead, Ondskans Vardshus). (National Films Studios of Ireland/Dragon/Aspekt, 1981). Ireland/Sweden. Produced by Rudolf Hertzog. Directed by Calvin Floyd. Script by Yvonne and Calvin Floyd based on a story by J. Sheridan Le Fanu, "The Room in the Dragon Volant." Directors of Photography, Jiri Tirl and Tony Forsberg (Color/Scope). Starring Per Oscarsson, Patrick Magee, Marilu Tolo, Brendan Price, Curt Jurgens. 93 minutes.

Innocent Blood. (Warner Bros., 1992). USA. Produced by Lee Rich, Leslie Belzberg. Directed by John Landis. Script by Michael Wolk. Director of Photography, Mac Ahlberg (Color). Production Designer, Richard Sawyer. Music, Ira Newborn. Editor, Dale Bedwin. Starring Anne Parillaud (Marie, Vampire), David Proval (Lenny), Rocco Sisto (Gilly), Chazz Palminteri (Tony), Anthony La Paglia (Joe), Robert Loggia (Sal), Don Rickles (Emmanuel). 115 minutes.

Innocents from Hell see Alucarda La Invasión de los Muertos

(The Invasion of the Dead). (Azteca, 1972). Mexico. Directed by Rene Cardona. Starring The Blue Demon, Jorge Mistral, Cesar Silva, C. Linder. La Invasión de los Vampiros (Invasion of the Vampires). (Tele-Talia/Sono, 1962). Mexico. Produced by Rafael Perez Grovas. Written and Directed by Miguel Morayta. Director of Photography, Raúl M. Solares. Starring Carlos Agosti (The Vampire, Count Frankenhausen), Bertha Moss, Rafael Etienne, Tito Junco, David Reynoso, Fernando "Mantequilla" Soto. 78 minutes.

Invasion of the Atomic Zombies see Incubo sulla Citta Contaminata

The Invasion of the Dead see La Invasión de los Muertos

Invasion of the Vampires see La Invasión de los Vampiros

La Isla de la Muerte (Bloodsuckers, Isle of the Damned). (Orbita/Tefi, 1966). Spain/West Germany. Produced by Geroge Ferrer. Directed by Ernest Von Theumer [Mel Welles]. Script by Welles, Ira Meltcher, Stephen Schmidt. Director of Photography, Cecilio Paniagua (Color/Scope). Starring Cameron Mitchell, Elisa Montes, George Martin, Kay Fisher, Matilde Sampredro. 88 minutes. [Note: A non-traditional film featuring vampire trees]

Island of the Damned see Traitement de Choc Isle of the Damned see La Isla de la Muerte

Jacula see La Comtesse Noire

The Jitters. (Skouras, 1989). USA. Produced and Directed by John M. Fasano. Script by Jeff McKay and Sonoko Kondo. Director of Photography, Paul Mitchnick (Color). Starring Sal Viviano, Marilyn Tokuda, James Hong, Frank Dietz.

Jonathan. (Iduna Films, 1970). West Germany. Produced by Ullrich Steffen. Written and Directed by Hans W. Geissendorfer. Director of Photography, Robby Muller (Color). Production Designer, Hans Gailling. Music, Roland Kovac. Editor, Wolfgang Hedinger. Starring Jurgen Jung (Jonathan), Hans Dieter Jendreyko (Josef), Paul Albert Krumm (The Count), Thomas Astan (Thomas), Ilse Kunkele (Lena's Mother), Oskar von Schaab (Professor). 103 minutes.

El Jovencito Drácula (Young Dracula). (Los Films del Mediterraneo, 1975). Spain. Produced by Carlos Benito Parra. Directed by Carlos Benpar [Carlos Benito Parra] and Jorge Gigo. Script by Benpar, José Domenech, and Patricio Raoran. Director of Photography, Tomas Pladevall (Color/Scope). Starring Carlos Benpar, Susanna Estrada, Victor Israel, Marina Ferri, Veronica Miriel, Norma Kerr. 95 minutes.

Kiss Me Quick. (Fantasy Films, 1964). USA. Directed by Russ Meyer. Starring Jackie DeWitt, Althea Currier, Frank Coe.

Kiss of the Vampire. (Hammer, 1963). Great Britain. Produced by Anthony Hinds. Directed by Don Sharp. Script by John Elder [Anthony Hinds]. Director of Photography, Alan Hume (Color). Production Designer, Don Mingaye, Bernard Robinson. Music, James Bernard. Editor, James Needs. Starring Clifford Evans (Prof. Zimmer), Noel Willman (Ravna), Edward de Souza (Gerald Harcourt), Jennifer Daniel (Marianne), Barry Warren (Carl), Jaquie Wallis (Sabena), Isobel Black (Tania), Peter Madden (Bruno), Vera Cook (Anna). 87 minutes.

Kronos see Captain Kronos&endash;Vampire Hunter

Kung Fu Vampire Buster see Mr. Vampire

Kyuketsu Dukorosen (Living Skeleton). (Shochiku, 1968). Japan. Produced by Shiro Kido. Directed by Hiroshi Matsuno. Script by Kikuma Shimoizaka and Kyuzo Kobayashi. Director of Photography, Masayuki Kato (Scope). Production Designer, K. Morita. Music, N. Nishiyama. Starring Kikko Matsuoka, Kyuzo Kobayashi, Akira Nishimura, Masumi Okada, Nobuo Kaneko. 81 minutes.

Kyuketsu Ga (Vampire Moth). (Toho, 1956). Japan. Directed by Nobuo Nakagawa. Script based on the novel by Seishi Yokomizo. Starring Ryo Ikebe, Akio Kobori, Asami Kuji, Kyoko Anzai, Kinuto Ito. 88 minutes. [Note: another in the menagerie of nontraditional vampires, as indicated by the English-language title]

Kyuketsuki Dorakyura Kobe Ni Arawaru: Akuma Wa Onna Utsukushiku Suru (The Vampire Dracula Comes to Kobe: Evil Makes Beautiful Women). (1979). Japan. MOW. Directed by Hajime Sato. Starring Masumi Okada (Dracula), Kei Taguichi. Kyuketsuki Gokemidoro (Goke: Body Snatcher from Hell). (Shochiku, 1968). Japan. Directed by Hajime Satô. Script by Susumu Takaku and Kyûzô Kobayashi. Director of Photography, Shizuo Hirase (Color/Scope). Production Designer, Tadataka Yoshino. Music, Shinsuke Kikuchi. Starring Hideo Ko, Terio Yoshida, Tomomi Sato, E. Kitamura. 84 minutes.

Lady Dracula. (TV 13/IFV Prods., 1977). West Germany. MOW. Produced by Guenther Sturm and Kurt Kodal. Directed by FranzJoseph Gottlieb. Script by Redis Read. Director of Photography, Ernst W. Kalinke (Color). Starring Evelyne Kraft, Christine Buchegger, Brad Harris, Theo Lingen, Eddi Arent, Walter Giller. 86 minutes.

Lake of Dracula see Chi o Suu Me

The Last Man on Earth. (Associated Producers, Inc./Produzioni La Regina/American International, 1964). Italy/USA. Produced by Robert L. Lippert. Directed by Sidney Salkow. Script by Logan Swanson and William P. Leicester from the novel I Am Legend by Richard Matheson. Director of Photography, Franco Delli Colli. Production Designer, Giorgio Giovannini. Music, Paul Sawtell, Bert Shefter. Editor, Gene Ruggiero. Starring Vincent Price (Robert Morgan), Franca Bettoia (Ruth), Emma Danieli (Virginia), Giacomo Rossi Stuart (Ben Cortman), Umberto Rau. 86 minutes. [Another non-traditional concept from Matheson's novel which treats vampirism as a plague-like disease]

Last Rites (Dracula's Last Rites). (New Empire/Cannon, 1980). USA. Produced by Domonic Paris and Kelly Van Horn. Directed by Domonic Paris. Script by Paris and Ben Donnelly. Director of Photography, Paris (Color). Music, Paul Jost, George Small. Editor, Elizabeth Lombardo. Starring Patricia Lee Hammond, Gerald Fielding, Victor Jorge, Michael Lally, Mimi Weddell. 88 minutes.

The Last Thrill see La Comtesse Noire

Legacy of Satan. (Damiano Prods., 1973). USA. Written and Directed by Gerard Damiano. (Color). Starring Lisa Christian. 68 minutes.

The Legend of Blood Castle see Ceremonia Sangrienta

The Legend of the Seven Golden Vampires (The Seven Brothers meet Dracula). (Hammer/Shaw Bros., 1974). Great Britain/Hong Kong. Produced by Don Houghton. Directed by Roy Ward Baker. Script by Houghton. Directors of Photography, John Wilcox, Roy Ford (Color/Scope). Production Designer, Johnson Tsau. Music, James Bernard. Starring Peter Cushing (Van Helsing), Julie Ege (Vanessa), David Chiang (Hsi Ching), Shih Szu (Mai Kwei), Robin Stewart (Leyland), Robert Hanna. 110 minutes.

The Legendary Curse of Lemora (Lemora&endash;Lady Dracula, Lemora&endash;A Child's Tale of the Supernatural). (Blackfern, 1973). USA. Produced by Robert Fern. Directed by Richard Blackburn. Script by Blackburn and Fern. Director of Photography, Robert Caramico (Color). Production Designer, Sterling Franck. Music, Daniel Neufeld. Starring Lesley Gibb (Lemora), Cheryl [Rainbeaux] Smith (Lila), William Whiton, Hy Pyke, Maxine Ballantyne, Richard Blackburn (Reverend). 90 minutes.

The Lemon Grove Kids Meet the Green Grasshoppper and the Vampire Lady from Outer Space. (Steckler, 1963). USA. Directed by Ted Rotter. Starring R.D. Steckler, Carolyn Brandt.

The Lemon Grove Kids Meet the Monsters. (Morgan-Steckler, 1966). USA. Directed by Ray Steckler. Script by Jim Harmon, Ron Haydock. (Color).

Lemora&endash;Lady Dracula see The Legendary Curse of Lemora

Lemora&endash;A Child's Tale of the Supernatural see The Legendary Curse of Lemora

Leonor. (Arcadie Productions/Films 66/Uranus/Goya/TransEuropa, 1975). Spain/France/Italy. Directed by Juan Buñuel. Script by Buñuel, Philippe Nuridzany, Pierre Maintigneux, Jean Claude Carriere and C.B. Wood. Director of Photography, Luciano Tovoli (Color). Starring Michel Piccoli, Liv Ullmann, Ornella Muti, Antonio Ferrandis. 100 minutes.

Lesbian Vampires see Vampyros Lesbos

Lèvres de Sang. (Off Productions/Scorpion 5/Nordia, 1975). France. Produced by Jean-Marc Ghanassia. Directed by Jean Rollin. Script by Jean Rollin and Jean-Loup Philippe. Director of Photography, J.F. Robin (Color). Music, D.W. Lepauw. Starring Jean-Loup Philippe, Anne Briand, Nathalie Perrey, Willy Braque, Paul Biscaglia, Cathy Castel, Pony Castel, Martine Grimaud, Anita Berglund. 90 minutes.

Lifeforce. (Tri-Star/Golan-Globus, 1985). USA. Produced by Menahem Golam and Yoram Globus. Directed by Tobe Hooper. Script by Dan O'Bannon and Don Jakoby based on the novel, The Space Vampires, by Colin Wilson. Director of Photography, Alan Hume (Color). Production Designer, John Graysmark. Music, Henry Mancini. Editor, John Grover. Starring Mathilda May (Space Vampire), Steve Railsback (Carlsen), Peter Firth (Caine), Frank Finlay (Fallada), Patrick Stewart (Dr. Armstrong), Michael Gothard (Bukovsky). 101 minutes. [Note: a nontraditional film featuring "space vampires"]

Lips of Blood see Les Chemins de la Violence

The Living Dead Girl see La Morte Vivante Living Skeleton see Kyuketsu Dukorosen

La Llamada del Vampiro (Aquellare de Vampiros, Curse of the Vampyr). (Lacy/Sesena/Arco, 1971). Spain. Produced by Ricardo Vazquez. Directed by Joseph de Lacy [José María Elorietta]. Script by Enrique Gonzalez Macho, de Lacy. Director of Photography, Juan Ruíz Romero (Color). Starring Beatríz Lacy, Nicholas Ney, Diana Sorel, Inés Skorpio. 102 minutes.

London After Midnight. (MGM, 1927). USA. Produced and Directed by Tod Browning. Script by Waldemar Young from a story by Browning. Director of Photography, Merritt B. Gerstad. Production Designers, Cedric Gibbons, Arnold Gillespie. Editor, Harry Reynolds. Starring Lon Chaney (Inspector Burke/"Vampire"), Henry B. Walthall (Sir James Hamlin), Marceline Day (Lucille), Conrad Nagel, Polly Moran. 75 minutes.

The Lost Boys. (Warner Bros., 1987). USA. Produced by Harvey Bernhard. Directed by Joel Schumacher. Script by Janice Fischer, James Jeremias, and Jeffrey Boam from a story by Fischer and Jeremias. Director of Photography, Michael Chapman (Color/Panavision). Production Designer, Bo Welch. Music, Thomas Newman. Editor, Robert Brown. Starring Jason Patric (Michael Emerson), Corey Haim (Sam Emerson), Dianne Wiest (Lucy Emerson), Barnard Hughes (Grandpa), Edward Herrmann (Max), Kiefer Sutherland (David), Jami Gertz (Star), Corey Feldman (Edgar), Jamison Newlander (Alex). 97 minutes.

Love at First Bite. (Simon Prods./AIP, 1979). USA. Produced by Joel Freeman. Directed by Stan Dragoti. Script by Robert Kaufman. Director of Photography, Edward Rosson (Color). Production Designer, Serge Krizman. Music, Charles Bernstein. Editors, Mort Fallick, Allan Jacobs. Starring George Hamilton (Dracula), Susan Saint James (Cindy), Richard Benjamin (Dr. Jeff Rosenberg), Dick Shawn (Lt. Ferguson), Arte Johnson (Renfield), Sherman Hemsley (Rev. Mike). 96 minutes.

Love Bites (The Reluctant Vampire). (Waymar/Moviestore, 1993). USA. Produced by Wayne Marmorstein. Written and Directed by Malcolm Marmorstein based on his play. Director of Photography, Stephen Lighthill. Production Designer, Mayne Schuyler Berke. Music, Mark Koval. Editor, Robert Gordon. Starring Adam Ant (Zachary Simms), Kimberly Foster (Kendall Gordon), Roger Rose (Dwight Putnam), Michelle Forbes (Nerissa), Philip Bruns (Vinnie Helsting), Judy Tenuta (Sgt. Farfalloni). 94 minutes.

The Loves of Irina see La Comtesse Noire

The Lurking Vampire see El Vampiro Aecheca

Lust for a Vampire. (Hammer/MGM/EMI, 1971). Great Britain. Produced by Harry Fine. Directed by Jimmy Sangster. Script by Tudor Gates based on Carmilla by J. Sheridan Le Fanu. Director of Photography, David Muir (Color). Production Designer, Don Mingaye. Music, Harry Robinson, Frank Godwin. Editor, Spencer Reeve. Starring Ralph Bates (Giles Barton), Barbara Jefford (Countess), Suzanna Leigh (Janet), Michael Johnson (Richard Lestrange), Yutte Stensgaard (Mircalla), Mike Raven (Count Karnstein), Helen Christie (Miss Simpson), David Healy (Pelley), Pippa Steele (Susan), Luan Peters (Trudi). 95 minutes.

The Macabre Mark see La Huella Macabra

O Macabro Dr. Scivano. (Natus, 1971). Brazil. Produced by Faustino Correia Campos, Raúl Calhado, and Laercio Silva. Directed by Calhado and Rosalvo Cacador. Script by Calhado. Directora of Photography, W. Silva and Calhado (Color). Production Designer, Napoleao Resendo. Starring Raúl Calhado, Luiz Lime, Oswaldo de Souza, Henricao, Lauro Sawaya. 72 minutes.

Maciste contro il Vampiro (Maciste vs. the Vampire, Goliath and the Vampires). (Ambrosiana Cinematografica, 1961). Italy. Produced by Dino De Laurentiis and Paolo Moffa. Directed by Giacomo Gentilomo and Sergio Corbucci. Script by Sergio Corbucci, Duccio Tessari. Director of Photography, Alvaro Maniori (Color/Scope). Editor, Eraldo Da Roma. Starring Gordon Scott (Maciste [Goalith in English language Version]), Gianna Maria Canale (Astra), Leonora Ruffo (Giulia), Annabella Incontrera (Magda), Rocco Vitolazzi, Jacques Sernas. 92 minutes.


Maciste vs. the Vampire see Maciste contro il Vampiro


The Mad Love of a Hot Vampire. (Martex, 1971). USA. Starring Jim Parker, Jane Bond, Kim Kim.


Mad Monster Party. (English Videocraft International/Embassy, 1967). Great Britain. Directed by Jules Bass. Script by Len Korobkin and Harvey Kurtzman (Color). Starring Puppets with the voices of Boris Karloff, Phyllis Diller. 94 minutes.


Mágia (Magic). (Corvin, 1917). Hungary. Directed by Alexander Korda. Script by K. Sztrokay, F. Karinthy. Starring Mihály Várkonyi.

The Magic Christian. (Grand, 1969). Directed by Joseph McGrath. Script by Terry Southern, Peter Sellers, Joseph McGrath from the book by Southern. Director of Photography, Geoffrey Unsworth (Color). Production Designer, A. Gorton. Music, Ken Thorne. Editor, Kevin Connor. Starring Christopher Lee (Ship's Vampire), Peter Sellers, Ringo Starr, Raquel Welch. 93 minutes.

La Maldición de los Karnsteins see La Cripta e L'Incubo

La Maldición de Nostradamus (The Curse of Mostradamus). (Bosas Priego, 1960). Mexico. Directed by Federico Curiel. Script by Carlos Taboada, Alfredo Ruanova. Director of Photography, Fernando Colin. Editor, Joseph Munguia. Starring German Robles (Nostradamus), Domingo Soler, Julio Aleman. 78 minutes.

The Male Vampire see Onna Kyuketsuki

Malenka the Vampire see La Nipote del Vampiro

Mama Dracula. (Valisa Films/Radio Television Belge Francaise/SND, 1979). Belgium. Produced by Boris Szulzinger. Directed by Boris Szulzinger. Script by Szulzinger and Marc-Henri Wajnberg. Director of Photography, Willy Kurant (Color). Music, Roy Budd. Starring Maria Schneider, Louise Fletcher (Countess), Marc-Henri Wajnberg, Alex Wajnberg, Jimmy Shuman, Jess Hahn, Michel Israel. 90 minutes.

Le Manoir du Diable (The Haunted Castle, The Manor of the Devil). (Star, 1896). France. Directed by George Mélèes.

La Marca del Hombre Lobo (Mark of the Wolfman, Frankenstein's Bloody Terror). (Maxper, 1969). Spain. Directed by Enrique L. Eguiluz. Script by Jacinto Molina. Director of Photography, Emilio Foriscot (Color, 3-D, 70mm). Production Designer, José Luís R. Ferrer. Music, Angel Arteaga. Starring Paul Naschy [Jacinto Molina], Dianik Zurakowska, Manuel Manzaneque, Rosanna Yanni, Julian Ugarte. 133 minutes.


Filmography, Part Two
Mark of the Vampire. (MGM, 1935). USA. Produced by E.J. Mannix. Directed by Tod Browning. Script by Guy Endore and Bernard Schubert, from the story by Browning. Director of Photography, James Wong Howe. Production Designer, Cedric Gibbons. Editor, Ben Lewis. Starring Béla Lugosi (Count Mora), Lionel Barrymore, Elizabeth Allan, Lionel Atwill, Jean Hersholt, Henry Wadsworth, Donald Meek, Jessie Ralph, Carole Borland. 62 minutes. [A remake of London after Midnight.]

Mark of the Wolfman see La Marca del Hombre Lobo

Martin. (Braddock Associates/Libra/Laurel Group, 1976). USA. Produced by Richard Rubinstein. Written, Edited, and Directed by George Romero. Director of Photography, Michael Gornick (Color). Music, Donald Rubinstein. Starring John Amplas (Martin), Lincoln Maazel (Cuda), Christine Forrest (Christina), Elayne Nadeau (Mrs. Santim), Tom Savini (Arthur), Sarah Venable (Housewife). 95 minutes.

Mary, Mary, Bloody Mary. (Translor Films/Proa, 1974). USA/Mexico. Produced by Henri Bollinger and Robert Yamin. Directed by Juan L. Moctezuma. Script by Malcolm Marmorstein based on a story by Don Rico and Don Henderson. Director of Photography, Miguel Garzon (Color). Music, Tom Bahler. Editor, Federico Landeros. Starring Christina Ferrare, John Carradine, David Young, Helena Rojo, Arturo Hansel, Enrique Lucero. 101 minutes.

La Maschera del Demonio (Black Sunday, Mask of the Demon, Revenge of the Vampire). (Galatea/Jolly/American sInternational, 1960). Italy. Produced by Massimo de Rita. Directed by Mario Bava. Script by Bava, Ennio de Concini, Marcello Coscia, and Mario Serandrei from the story "The Vij" [or "Viy"] by Nikolai Gogol. Director of Photography, Mario Bava, Ubaldo Terzano. Production Designer, Giorgio Giovannini. Music, Roberto Nicolosi (Italian version); Les Baxter (US version). Editor, Mario Serandrei. Starring Barbara Steele (The Witch Princess, Asa/Katia), John Richardson (Dr. Gorobec), Ivo Garrani (Katia's Father), Andrea Checchi (Dr. Choma), Arturo Dominici (Javutich), Enrico Olivieri (Katia's Brother), Clara Bindi (Innkeeper), Germana Dominici (Innkeeper's Daughter). 84 minutes.

Mask of the Demon see La Maschera del Demonio

Men of Action Meet the Women of Dracula. (Villanueva, 1969). Philippines. Directed by Artemio Marquez. Starring Dante Varona, Eddie Torrente, Ruben Obligacion.

Mga Manuggang ni Dracula (The Secrets of Dracula, The In-Laws of Dracula). (Hemisphere, 1964). Philippines.

The Midnight Hour. (ABC, 1985). USA. MOW Produced by Ervin Zavada. Directed by Jack Bender. Script by Bill Bleich. Director of Photography, Rexford Metz (Color). Music, Brad Fiedel. Starring Shari Belafonte, LeVar Burton, Peter De Luise, Kevin McCarthy, Lee Montgomery. 96 minutes.

Midnight Kiss (In The Midnight Hour). (Overseas, 1993). USA. Produced by Manette Rosen and Marion Zola. Directed by Joel Bender. Script by John Weidner and Ken Lamplugh. Director of Photography, Alan Caso (Color). Production Designer, Don Day. Music, Emilio Kauderer. Editors, Mark Helfrich, Joel Bender. Starring Michelle Owens (Carrie Blass), Michael McMillen (Dennis Blass), Gregory A. Greer (the Vampire), Robert Miano (Capt. Nicoletti), B.J. Gates (Willis), Michael Shawn (Ross), Darla Grant (Carol). 89 minutes.

Mr. and Mrs. Dracula. (ABC, 1980). USA. Televison series. Written and Produced by Robert Klane. Directed by Doug Rogers. Starring Dick Shawn (Dracula), Carol Lawrence, Barry Gordon.

Mr. Vampire. (II, III, IV, New Mr Vampire I and II, Kung Fu Vampire Buster). (Six part "hopping vampire" series, Golden Harvest, 1985 (I), 1986 (II), 1987 (III), 1988 (IV). Hong Kong. Directed by Liu Kun-Wai (I), Sung Kan Shing (II), Wang Kee Hung (III), Xen Lung Ting (New I), Mason Ching (New II). Starring Ricky Hui (I, IV and New I), Richard Ng (III), Chin Sui-ho, Lam Ching-ying.

The Monster Club. (Chips Prods./ITC/Sword and Sorcery, 1980). Great Britain. Produced by Milton Subotsky. Directed by Roy Ward Baker. Script by Edward and Valerie Abraham from stories by Ronald Chetwynd Hayes. Director of Photography, Peter Jessop (Color). Production Designer, Tony Curtis. Music, Douglas Gamley, John Giorgiadis, Alan Hankshaw. Editor, Peter Tanner. Starring Vincent Price, Donald Pleasance, John Carradine, Stuart Whitman, Britt Ekland, Simon Ward. 97 minutes.

The Monster Squad. (Tri- Star/Taft/Barish, 1987). USA. Produced by Jonathan A. Zimbert. Directed by Fred Dekker. Script by Shane Black and Dekker. Director of Photography, Bradford May (Color/Scope). Production Designer, Albert Brenner. Music, Bruce Broughton. Editor, James Mitchell. Starring Andre Gower (Sean Crenshaw), Robby Kiger (Patrick), Stephen Macht (Del Crenshaw), Duncan Regehr (Count Dracula), Tom Noon (Frankenstein's Monster). 82 minutes.

The Monsters Demolisher see Nostradamus y el Destructor de Monstruos

La Morte Vivante (The Living Dead Girl). (Les Films ABC/Films Aleriaz/Films du Yaka, 1982). France. Produced by Sam Selsky. Written and Directed by Jean Rollin. Director of Photography, Max Monteillet (Color). Music, Philippe d'Aram. Starring Marina Pierro, Françoise Blanchard, Mike Marshall, Carina Barone, Fanny Magier, JeanPierre Bouyxou. 98 minutes.

Il Mostro dell'Opera see Il Vampiro dell'Opera

Et Mourir de Plaisir (Blood and Roses). (E.G.E. Films/Documento Films/Paramount, 1960). France/Italy. Produced by Raymond Eger. Directed by Roger Vadim. Script by Vadim and Roger Vailand, adapted by Claude Brule and C. Martin from Carmilla by J. Sheridan Le Fanu. Martin. Director of Photography, Claude Renoir (Color/Scope). Production Designer, Jean Andre. Music, Podromines. Editor, Victoria Mericanton. Starring Mel Ferrer (Leopoldo De Karnstein), Elsa Martinelli (Georgia Monteverdi), Annette Vadim (Carmilla Von Karnstein), Jacques-René Chauffard (Dr. Verari), Marc Allégret (Judge Monteverdi), Alberto Bonucci (Carlo), Serge Marquand (Giuseppe). 87 minutes (later cut to 74 minutes).

Las Mujeres de Drácula see El Imperio de Drácula

El Mundo de los Vampiros (The World of the Vampires). (Cinematográfica ABSA, 1960). Mexico. Produced by Abel Salazar. Directed by Alfonso Corona Blake. Script by Javier Torya and Ramon Obon from a story by Raúl Zenteno. Director of Photography, Jack Draper. Starring Mauricio Garces, Silvia Fournier, Erna Martha Bauman, José Baviera. 85 minutes.

Munster, Go Home. (Universal, 1966). USA. Produced by Joe Connelly, Bob Mosher. Directed by Earl Bellamy. Script by G. Tibbles, Connelly, and osher. Director of Photography, Benjamin Kline (Color). Starring John Carradine, Yvonne De Carlo, Al Lewis, Fred Gwynne, Butch Patrick, Debbie Watson, Hermione Gingold. 96 minutes.

The Munsters. (CBS, 1964- 1966). USA. Televison Series. Produced by Joe Connelly and Bob Mosher. Starring Fred Gwynne (Herman), Yvonne De Carlo (Lily), Al Lewis (Grandpa).

The Munsters' Revenge. (NBC/Universal, 1980). USA. Produced by Don Nelson and Arthur Alsberg. Directed by Don Weis. Script by Nelson and Alsberg. Director of Photography, Harry L. Wolf (Color). Production Designer, James Martin Bachman. Music, Vic Mizzy. Editor, Frederic Baratta. Starring Fred Gwynne, Al Lewis, Yvonne DeCarlo, Jo McDonnell, K.C. Martel. 120 minutes.

The Munsters Today. (MCA Television, 1988-1990). Syndicated television series. USA. Produced by Bryan Joseph. Starring John Schuck (Herman), Lee Meriwether (Lily), James Marsden, Hilary Van Dyke, Howard Morton.

My Best Friend Is a Vampire. (Kings Road, 1988). Produced by Dennis Murphy. Directed by Jimmy Huston. Script by Tab Murphy. Director of Photography, James Bartle (Color). Production Designer, Michael Molly. Music, Steve Dorff. Editor, Janice Hampton. Starring Rene Auberjonois (Modoo), Robert Sean Leonard (Jeremy Capello), Evan Mirand (Ralph), Cheryl Pollak (Darla Blake), Fannie Flagg (Mrs. Capello). 90 minutes.

My Grandpa Is a Vampire. (Republic, 1993). USA/New Zealand. Directed by David Blyth. Starring Al Lewis. Color.

The Naked Vampire see La Vampire Nue


National Lampoon's Class Reunion. (20th CenturyFox/ABC, 1982). USA. Produced by Matty Simmons. Directed by Michael Miller. Script by John Hughes. Director of Photography, Phil Lathrop (Color). Production Designer, Dean Edward Mitzner. Music, Peter Bernstein, Mark Goldenberg. Editor, Richard C. Meyer, Ann Mills. Starring Gerrit Graham, Michael Lerner, Fred McCarren, Miriam Flynn, Stephen Furst, Marya Small. 84 minutes.

Near Dark. (De Laurentiis/Feldman-Meeker, 1987).USA. Produced by Steven-Charles Joffe. Directed by Kathryn Bigelow. Script by Eric Red and Bigelow. Director of Photography, Adam Greenberg (Color). Production Designer, Stephen Altman. Music, Tangerine Dream. Editor, Howard Smith. Starring Jenny Wright (Mae), Adrian Pasdar (Caleb Colton), Lance Henriksen (Jesse), Bill Paxton (Severen), Jenette Goldstein (Diamondback), Joshua Miller (Homer), Tim Thomerson (Loy Colton). 94 minutes.

New Mr. Vampire see Mr. Vampire

Nick Knight. (CBS Pilot/Universal, 1989). USA. Directed by Farhad Mann. Script by James D. Parriott from a story by Parriott and Barney Cohen. Producers, Parriott, Barry Weitz, and Roberta Becker Siegel. Starring Rick Springfield, Robert Harper, John Kapelos, Laura Johnson, Michael Nader.

The Night Dracula Saved the World see The Halloween That Almost Wasn't

Night Gallery. (NBC, 1970-1972). USA. Produced by William Sackheim. Creator-Host: Rod Serling. Television series with several vampire episodes including "How To Cure the Common Vampire," "The Devil Is Not Mocked," and "The Funeral." See also Death on a Barge

Night of the Devils see La Notte dei Diavoli

The Night of the Vampire see Chi o Suu Ningyo

Night of the Vampire see Der Fluch der Grünen Augen

Night of the Walking Dead see El Extraño Amor de los Vampiros

The Night Stalker. (Curtis Films/ABC, 1972). USA. MOW. Produced by Dan Curtis. Directed by John L. Moxey. Script by Richard Matheson. Director of Photography, Michael Hugo (Color). Music, Robert Colbert. Editor, Desmond Marquette. Starring Darren McGavin (Carl Kolchak), Carol Lynley (Gail Foster), Simon Oakland (Vincenzo), Ralph Meeker (Bernie), Claude Akins (Sheriff Butcher), Charles McGraw (Chief Masterson), Barry Atwater (Janos Skorzeny), Kent Smith (D.A.). 75 minutes.

Nightlife. (Universal, 1989). USA. Produced by Robert T. Skodis. Directed by Daniel Taplitz. Script by Taplitz and Anne Beatts from a story by Beatts. Director of Photography, Peter Fernberger. Music, Dana Kaproff. Editor, Edward Abroms. Starring Maryam D'Abo (Angelique), Ben Cross (Vlad), Keith Szarabajka (Dr. Zuckerman), Camilla Saviola (Rosa), Jesse Corti, Glenn Shadix, Oliver Clark. 91 minutes.


Nightmare City see Incubo sulla Citta Contaminata

Nightmare in Blood. (PFE/Xeromega, 1975). USA. Produced by John Stanley and Kenn Davis. Directed by John Stanley. Script by Stanley and Davis. Director of Photography, Charles Rudnick (Color).Editor, Alfred Katzman. Starring Jenny Walton, Barrie Youngfellow, Kerwin Matthews (Prince Zaroff), Jerry Walter, Dan Caldwell. 90 minutes.

La Nipote del Vampiro (The Niece of the Vampire, Malenka the Vampire, La Sobrina del Vampiro, Fangs of the Vampire). (Triton/Victory, 1968). Spain/Italian. Written and Directed by Amando de Ossorio. Director of Photography, Fulvio Testi. Music, Carlo Savina. Starring Anita Ekberg (Silvia/Malenka), John Hamilton, Diane Lorys, Julian Ugarte, Audrey Ambert [Adriana Ambesi]. 94 minutes.

No Such Thing As A Vampire. (Episode of the Dead of Nighttelevision series also aired as Trilogy of Terror, NBC, 1977). USA. Produced and Directed by Dan Curtis. Script by Richard Matheson. (Color). Production Designer, Trevor Williams. Music, Robert Cobert. Starring Horst Bucholz, Ed Begley, Jr., Joan Hackett, Patrick Macnee, Lee Montgomery, Anjanette Comer, Elisha Cook, Jr., Ann Doran. 74 minutes.

La Noche de los Diablos see La Notte dei Diavoli

La Noche de Hombre Lobo see El Retorno del Hombre Lobo

La Noche de las Orgias de los Vampiros (Vampire's Night Orgy, Orgy of the Vampires). (International Amusements/Atlantida/Frade, 1973). Spain. Directed by Leon Klimovsky. Script by Gabriel Antonio. Director of Photography, Antonio Ballesteros (Color/Scope). Editors, Antonio Ramirez de Loaysa, Federico Vich. Starring Helga Line, Jack Taylor, John Richard, Charo Soriano, David Aller, Dianik Zurakowska. 85 minutes.

La Noche de Walpurgis (The Night of Walpurgis, The Werewolf vs. the Vampire Woman, Blood Moon). (Plata Films/Western International/Ellma Enterprises, 1970). Spain/West Germany. Produced by Salvadore Romero. Directed by Leon Klimovsky. Script by James Molin [Jacinto Molina] and Robert Oliver [Hans Munkell]. Director of Photography, Leo Williams [Leopoldo Villaseñor] (Color/Scope). Production Designer, Ludwig Orny. Music, Anton Abril. Editor, Tony Gimm. Starring Paul Naschy [Jacinto Molina] (Waldemar), Gaby Fuchs, Patty Shepard (Countess), Barbara Capell, Yelena Samarina, Andres Resino. 88 minutes.

Nocturna. (Compass/Bonet, l979). USA. Directed by Harry Tampa. Script by Tampa and Nai Bonet. Director of Photography, Mac Ahlberg (Color). Production Designers, Jack Krueger, Steve De Vita. Music, Reid Whitelaw, Norman Bergen. Starring Nai Bonet, John Carradine (Dracula), Yvonne De Carlo (Jugulia), Brother Theodore, Adam Keefe, John Blyth Barrymore. 83 minutes.

Le Nosferat ou les Eaux Glacées du Calcul Egoiste. (Les Films du Groupe de Chambre, 1974). Belgium. Written and Directed by Maurice Rabinowicz. Director of Photography, Jean-Jacques Mathy (Color). Starring Veronique Peynet, Maite Nahyr, Martine Bertrand, Guy Pion, Quentin Milo. 100 minutes.

Nosferatu, Eine Symphonie des Grauens (A Symphony of Horrors). (Prana Film, 1922). Germany. Directed by F. W. Murnau. Script by Henrik Galeen from Dracula by Bram Stoker. Director of Photography, Fritz Arno Wagner. Production Designer, Albin Grau. Starring Max Schreck (Graf Orlof/Nosferatu), Alexander Granach (Knock, an estate agent), Gustav von Wangenheim (Hutter, his assistant), Greta Schroeder (Ellen, Hutter's wife), G.H. Schnell (Harding), Ruth Landshoff (Annie), John Gottowt (Professor Bulwer). 65 minutes.

Nosferatu: Phantom der Nacht. (Herzog/Gaumont, 1979). West Germany/France. Produced and Directed by Werner Herzog. Script by Herzong based on the motion picture by Murnau and Galeen and Dracula by Bram Stoker. Director of Photography, Jorg SchmidtReitwein (Color). Production Designer, Henning Von Gierke. Music, Popol Voh. Editor, Beate Mainka- Jellinghaus. Starring Klaus Kinski (Nosferatu), Isabelle Adjani (Lucy Harker), Bruno Ganz (Jonathan Harker), Jacques Dufilho (Captain), Roland Topor (Renfield), Walter Laderigast (Van Helsing). 106 minutes.

Nosferatu in Venice. (Medusa, 1981). Italy. Produced, Written, and Directed by Augusto Caminito. Starring Klaus Kinski (Nosferatu), Donald Pleasance, Barbara De Rossi, Yorgo Voyagis, Anne Knecht, Christopher Plummer.

Nostradamus and the Destroyer of Monsters see Nostradamus y el Destructor de Monstruos

Nostradamus and the Genie of Darkness see Nostradamus y el Genio de las Tinieblas

Nostradamus y el Destructor de Monstruos (Nostradamus and the Destroyer of Monsters, The Monsters Demolisher). (Bosas Priego, 1962). Mexico. Produced by Victor Parra. Directed by Federico Curiel. Script by Alfredo Ruanova and Carlos Taboada. Director of Photography, Fernando Colin. Editor, Joseph J. Munguia. Starring Germán Robles (Nostradamus), Julio Alemán, Domingo Soler, Aurora Alvarado. 77 minutes.

Nostradamus y el Genio de Tinieblas (Nostradamus and the Genie of Darkness, Genie of Darkness). (Bosas Priego, 1960). Mexico. Directed by Federico Curiel. Script by Carlos Taboada and Alfredo Ruanova. Director of Photography, Fernando Colin. Editor, Joseph J. Munguia. Starring German Robles (Nostradamus), Domingo Soler. 77 minutes.

Not of This Earth. (Allied Artists, 1956). USA. Produced and Directed by Roger Corman. Script by Charles Griffith and Mark Hanna. Director of Photography, John Mescall. Music, Ronald Stein. Editor, Charles Gross. Starring Paul Birch (Paul Johnson), Beverly Garland (Nadine), Morgan Jones (Harry Sherbourne), William Roerick (Dr. Rochelle), Jonathan Haze (Jeremy), Dick Miller (Joe Piper). 67 minutes. [Note: a non-traditional film featuring extra terrestrial blood drinkers]

Not of This Earth. (Concorde, 1988). USA. Produced and Directed by Jim Wynorski. Script by P.J. Robertson and Wynorski based on the script by Charles Griffith and Mark Hanna. Director of Photography, Zoran Hockstatter (Color). Production Designer, Hayden Yates. Editor, Kevin Tent. Starring Traci Lords (Nadine), Arthur Roberts (Alien), Lenny Juliano (Jeremy) Ace Mask (Dr. Rochelle). 80 minutes. [A remake]

La Notte dei Diavoli (Night of the Devils, La Noche de los Diablos). (Filmes Cinematográfica/Due Cinematografica/Copernices, 1972). Italy/Spain. Produced by Luigi Mariani. Directed by Giorgio Ferroni. Script by Romano Migliorini, Gianbattista Mussetto, and Eduardo Brochero based on Alexis Tolstoy's "The Wurdalak." Director of Photography, Manuel Berenguer (Color/Scope). Production Designer, Galicia Liverani. Music, Giorgio Gaslini. Starring Agostina Belli, Mark Roberts, Cinzia de Carlos, Teresa Gimpera, Umberto Raho, William Vanders. 91 minutes.

La Novia Ensangrentada (The Blood-Spattered Bride, 'Til Death Us Do Part). (Morgan Films, 1972). Spain. Produced by José Lopez Moreno. Directed by Vicente Aranda. Script by Aranda based on Carmilla by J. Sheridan Le Fanu. Director of Photography, Fernando Arribas (Color). Production Designer, J. A. Solér. Music, A.P. Olea. Editor, Pablo G. Del Amo. Starring Simon Andreu (He/Husband), Maribel Martin (Susan), Alexandra Bastedo (Carmilla/Mircalla), Dean Selmier (Doctor), Monserrat Julio (Maid), Angel Lombarte (Servant), María Rosa Rodriquez (Carol). 102 minutes.

The Nude Vampire see La Vampire Nue

Old Dracula see Vampira

The Omega Man. (Warner Bros./Seltzer Prods., 1970). USA. Produced by Walter Seltzer. Directed by Boris Sagal. Script by John William Corrington and Joyce H. Corrington from the novel I Am Legend by Richard Matheson. Director of Photography, Russell Metty (Color/Scope). Production Designers, Arthur Loel, Walter M. Simmonds. Music, Ron Grainer. Editor, William Ziegler. Starring Charlton Heston (Neville), Anthony Zerbe (Mathias), Rosalind Cash (Lisa), Paul Koslo, Lincoln Kilpatrick. 98 minutes. [Non-traditional plague-vampires from the Matheson novel]

Once Bitten. (Goldwyn, 1985). USA. Produced by Dimitri Villard, Robby Wald, and Frank E. Hilderbrand. Directed by Howard Storm. Script by David Hines, Jeffrey Hause, and Jonathan Roberts. Director of Photography, Adam Greenberg (Color). Production Designer, Gene Rudolf. Music, John Du Prez. Editor, Marc Grossman. Starring Lauren Hutton (Countess), Jim Carrey (Mark Kendall), Karen Kopins (Robin), Cleavon Little (Sebastian), Thomas Ballatore (Jamie). 93 minutes.

Ondskans Vardshus see The Inn of the Flying Dragon

Onna Kyuketsuki (The Female Vampire, Vampire Woman, The Male Vampire). (Shin Toho, 1959). Japan. Produced by Mitsuga Okura. Directed by Nobuo Nakagawa. Script by Shin Nakazawa and Katsuyoshi Nakatsu, from a novel by Yoichiro Tachibana. Director of Photography, Yoshimi Hirano (Scope). Starring Shigeru Amachi, Yoko Mihara, Keinosuke Wada, Junko Ikeuchi. 81 minutes.

Orgy of the Vampires see La Noche de las Orgias de Vampiros

Pale Blood. (Noble Entertainment Group, 1992). USA. Produced by Omar Kaczmarczyk and Michael W. Leighton. Directed by V.V. Dachin Hsu. Script by Takashi Matsuoka and Hsu. Director of Photography, Gerry Lively (Color). Production Designer, Shane Nelsen. Music, Jan A.P. Kaczmarek. Editor, Michael Kewley and Stewart Schill. Starring George Chakiris (Michael Fury), Wings Hauser (Van Vandemeer), Pamela Ludwig (Lori), Diana Frank (Jenny), Darcy DeMoss (Cherry). 93 minutes.

Pastel de Sangre (Cake of Blood). (P.C. Tiede, 1972). Spain. Written and Directed by José María Valles, Emilio Martinez Lazaro, Francisco Bellmunt, and Jaime Chavarrí. Director of Photography, Luís Cuadrado (Color/Scope). Starring Marta May, Charo Lopez, Marisa Paredes, Romy, Julian Ugarte, Carlos Otero, Luís Ciges, Jaime Chavarrí. (4 episodes). 89 minutes.

Planet of Blood see Queen of Blood

Planet of the Vampires (Italy) see Terrore nello Spazio

Planet of Vampires (USA) see Queen of Blood

Playgirls and the Vampire see L'Ultima Preda del Vampiro

Il Plenilunio delle Vergini (Full Moon of the Virgins, Devil's Wedding Night, Countess Dracula). (Virginia Cinematografica, 1973). Italy. Produced by Ralph Zucker. Directed by Paul Solvay [Luigi Batzella]. Script by Zucker and Alan Harris [Walter Bigari]. Director of Photography, Aristide Massaccesi (Color/Scope). Starring Sara Bay [Rosalba Neri] (Countess), Mark Damon, Frances Davis [Francesca Romana Davila], Miriam Barrios [Esmeralda Barros], Stan Papps [Xiro Papas]. 85 minutes.

El Pobrecito Drácula. (Mezquiriz, 1976). Spain. Directed by Juan Fortuny. Starring Joe Rigoli.

A Polish Vampire in Burbank. (Pirro Prods., 1986). USA. Produced, Directed, Written and Edited by Mark Pirro. Director of Photography, Craig Bassuk. Music, George Gross, Sergio Bandera. Starring Mark Pirro (Dupa), Eddie Deezen (Sphincter), Lori Sutton (Dolores Lane), Bobbi Dorsch (Misty), Hugh O. Fields (Papa), Marya Gant (Yvonne). 83 minutes.

Pontianak (The Vampire). (Keris, 1957). Malaya. Starring Maria Menado.

Pontianak Gua Musang (The Vampire of the Cave). (Keris, 1964). Malaya. Directed by B.N. Rao. Starring Suraya Haron.

Pontianak Kembali (The Vampire Returns). (Keris, 1963). Malaya. Directed by R. Estellia. Starring Maria Menado.

Prehistoric Planet see Queen of Blood

The Promise of Red Lips see Le Rouge aux Lèvres

Pura Sangre (Pure Blood). (Luís Ospina Films, 1983). Columbia. Edited and Directed by Luís Ospina. Script by Ospina and Alberto Quiroga. Director of Photography, Ramon Suarez (Color). Production Designer, Karen Lamassone. Music, Gabriel and Bernardo Ossa. Starring Florina Lemaitre (Florencia), Carlos Mayolo (Perfecto), Humberto Arango (Ramon), Luís Alberto Garcia (Adolfo), Gilberto Forero (El Monstruo). 98 minutes.

Pure Blood see Pura Sangre

Queen of Blood (Planet of Blood, Planet of Vampires, Prehistoric Planet). (American International, 1966). USA. Produced by George Edwards. Directed by Curtis Harrington. Script by Harrington from the story "The Veiled Woman." Director of Photography, Vilis Lapenieks (Color). Production Designer, Albert Locatelli. Music, Leornard Morand. Editor, Leo Shreve. Starring Basil Rathbone (Dr. Farraday), Florence Marly (Queen Velana), Judi Meredith (Laura James), John Saxon (Allan Brenner), Dennis Hopper (Paul Grant), Forrest J. Ackerman (Dr. Forrester), Terry Lee. 79 minutes. [Note: a nontraditional film featuring "space vampires"]

Queen of the Vampires see Le Viol du Vampire

Rape of the Vampires see Le Viol du Vampire Red Blooded American Girl. (SC Entertainment/Prism, 1990). Canada. Produced by Paco Alvarez and Nicolas Stiliadis. Directed by David Blyth. Script by Alan Moyle. Director of Photography, Ludek Bogner (Color). Production Designer, Ian Brock. Music, Jim Manzie. Editor, Nick Rotundo. Starring Heather Thomas (Paula), Andrew Stevens (Owen Augustus), Lydie Denier (Rebecca), Christopher Plummer (Dr. Alcore), Kim Coates (Dennis). 95 minutes.

La Reine des Vampires see Le Viol du Vampire

The Reluctant Vampire see Love Bites

Requiem pour un Vampire see Vierges et Vampires

El Retorno de Walpurgis. (Curse of the Devil, L'Empreinte de Dracula) (Dalmata, 1973). Spain. Directed by Carlos Aured. Script by Jack Moll [Jacinto Molina]. Director of Photography, Francisco Sanchez (Color). Starring Paul Naschy [Jacinto Molina] (Waldemar), Maritza Olivares, Fabiola Falcón, Vidal Molina, María Silva, Patty Shepard (Countess). 87 minutes.

El Retorno del Hombre Lobo (The Return of the Wolfman, La Noche de Hombrelobo). (Dalmata Films, 1980). Spain. Produced by Modesto Perez Redondo. Written and Directed by Jacinto Molina. Director of Photography, Alejandro Ulloa (Color). Starring Paul Naschy [Jacinto Molina], Silvia Aguilar, Azucena Hernandez, Julia Saly, Beatríz Elorietta, Pilar Alcón, Pepe Ruíz. 97 minutes.

Return of Count Yorga. (American International, 1971). USA. Produced by Michael Macready. Directed by Bob Kelljan. Script by Kelljan and Yvonne Wilder. Director of Photography, Bill Butler (Color). Production Designer, Vince Cresceman. Music, Bill Marx. Editor, Fabien Todjmann. Starring Robert Quarry (Count Yorga), Mariette Hartley (Cynthia), Roger Perry (David), Yvonne Wilder (Jennifer), Tom Toner (Rev. Thomas), Craig Nelson (Policeman), Philip Frame (Tommy), George Macready (Professor). 96 minutes.

Return of Dracula (Curse of Dracula). (Levy Gardner Prods./UA, 1958). USA. Produced by Jules V. Levy, Arthur Gardner. Directed by Paul Landres. Script by Pat Fielder. Director of Photography, Jack MacKenzie. Production Designer, James Vance. Music, Gerald Fried. Editor, Sherman Rose. Starring Francis Lederer (Dracula/Bellac), Norma Eberhardt (Rachel), Ray Stricklyn (Tim), Jimmie Baird (Mickey Mayberry), Greta Granstedt (Cora Mayberry). 77 minutes.

The Return of the Vampire. (Columbia, 1943). USA. Produced by Sam White. Directed by Lew Landers. Script by Griffin Jay from an idea by Kurt Neumann, with additional dialogue by by Randall Faye. Directors of Photography, John Stumar, L.W. O'Connell. Music, Mario Castelnuovo-Tedesco. Editor, Paul Borofsky. Starring Béla Lugosi (Armand Tesla), Frieda Inescort (Lady Jane Ainsley), Nina Foch (Nicki Saunders), Roland Varno (John Ainsley), Miles Mander (Sir Frederick), Matt Willis (Andreas Obry). 69 minutes.

A Return to Salem's Lot. (WB/Larco, 1987). USA. Produced by Paul Kurta. Directed by Larry Cohen. Script by Cohen and James Dixon based on the Stephen King novel 'Salem's Lot. Director of Photography, Daniel Pearl (Color). Production Designer, Richard Frisch. Music, Michael Minard. Editor, Armond Leibowitz. Starring Michael Moriarity (Dad), Samuel Fuller (Van Meer), Andrew Duggan (Judge), Evelyn Keyes, Ronee Blakley, June Havoc. 95 minutes.

Revenge of Dracula see Dracula vs. Frankenstein

Revenge of the Vampire (Italy) see La Maschera del Demonio

Revenge of the Vampire (Malaya) see Dendam Pontianak

Revival of Dracula see Il Risveglio di Dracula

The Rider of the Skulls see El Charro de las Calaveras

Il Risveglio di Dracula (Revival of Dracula). (1968). Italy. Directed by U. Paolessi. Script by L. Mauri. Starring Gabby Paul, Gill Chadwick.

Riti Magie Nere e Segrete Orge de Trecento (The Reincarnation of Isabel, The Ghastly Orgies of Count Dracula, The Horrible Orgies of Count Dracula, Black Magic Rites-Reincarnations). (GRP, 1973). Italy. Written and Directed by Ralph Brown [Renato Polselli]. Director of Photography, Ugo Brunelli (Color/Scope). Music, Gianfranco Reverberi, Romolo Forlai. Starring Mickey Hargitay, Rita Calderon, Max Dorian, Consolata Moschera, Marcello Bonini, W. Darni. 100 minutes.

Ritual of Blood see Ceremonia Sangrienta

Rockula. (Cannon, 1990). USA. Produced by Jeffery Levy. Directed by Luca Bercovici. Script by Levy and Christopher Verwiel. Director of Photography, John Schwartzman (Color). Production Designer, Jane Ann Stewart. Music, Hilary Bercovici. Editor, Maureen O'Connell. Starring Dean Cameron (Ralph), Toni Basil (Phoebe), Tawny Fere (Mona), Thomas Dolby (Stanley), Susan Tyrrell (Chuck). 91 minutes.

Le Rouge aux Lèvres (The Promise of Red Lips, Daughters of Darkness). (Showking/Cine Vog.Maya/Roxy Films/Mediterranea Films/Gemini/Marion Films, 1970). Belgium/France/West Germany/Spain. Produced by Paul Collet and Alain C. Guilleaume. Directed by Harry Kumel. Script by Pierre Drouot, Harry Kumel, and J.J. Amiell. Director of Photography, Edward van der Enden (Color). Production Designer, Françoise Hardy. Music, François de Roubaix. Editors, Gust Verschueren, Denis Bonan. Starring Delphine Seyrig (Countess Elizabeth Bathory), Daniele Ouimet (Valerie), John Karlen (Stefan), Andrea Rau (Ilona), Paul Esser (Porter), George Jamin (The Man), Fons Rademakers (The Mother). 96 minutes.

Le Sadique aux Dents Rouges. (Cinevision, 1971). Belgium. Directed by Jean-Louis Van Belle. Director of Photography, J. Crévin (Color). Music, Raymond Legrand. Starring Jane Clayton, Albert Simono, Daniel Moosman. 80 minutes.

La Saga de los Drácula (The Saga of the Draculas, Dracula's Saga, Dracula: The Bloodline Continues). (Profilmes/Brandon, 1972). Spain. Produced by José Antonio Perez Giner. Directed by Leon Klimovsky. Script by Erika Zsell and Lazarus Kaplan. Director of Photography, Francisco Sanchez (Color/Scope). Production Designer, G. Andres. Editor, Antonio Ramirez. Music, Bach. Starring Helga Line, Tina Saenz, Tony Isbert, Narcisco Ibanez- Menta (Dracula), Cristiana Suriana, María Kost, J.J. Paladino. 102 minutes.

Salem's Lot. (Miniseries in Two Parts, CBS/WB, 1980). USA. Produced by Richard Kobritz. Directed by Tobe Hooper. Script by Paul Monash from the novel by Stephen King. Director of Photography, Jules Brenner (Color). Production Designer, Mort Rabinowitz. Music, Harry Sukman. Editors, Carroll Sax, Tom Pryor. Starring David Soul (Ben Mears), James Mason (Richard Straker), Lance Kerwin (Mark Petrie), Bonnie Bedelia (Susan Norton), Lew Ayres (Jason Burke), Ed Flanders (Dr. Norton), Kenneth McMillan (Constable Gillespie), Geoffrey Lewis (Mike), Reggie Nalder (Mr. Barlow). 190 minutes [released in a 110 minute version for Cable television and Videocassette].

Samson vs. the Vampire Women see Santo contra las Mujeres Vampiras

La Sangre de Nostradamus (Blood of Nostradamus). (Bosas Priego, 1960). Mexico. Produced by Victor Parra. Directed by Federico Curiel. Script by Carlos Taboada and Alfredo Ruanova. Director of Photography, Fernando Colin. Editor, Joseph J. Munguia. Starring German Robles (Nostradamus), Julio Aleman, Domingo Soler. 98 minutes.

Sangre de Virgenes (Blood of the Virgins). (Azteca, 1968). Mexico. Produced by Orestes Trucco. Directed by Emilio Vieyra. Starring Gloria Prat, Ricardo Bauleo, Rolo Puente, Susana Beltran.

Santo and Dracula's Treasure see El Vampiro y el Sexo

El Santo contra el Baron Brakola (Santo against Baron Brakola). (Vergara, 1965). Mexico. Directed by José Diaz Morales. Starring Santo [Rodolfo Guzmán Huerta], Fernando Oses, Susana Robles.

Santo contra las Mujeres Vampiras (Santo vs. the Vampire Women, Samson vs. the Vampire Women). (TeleCineRadio, 1962). Mexico. Directed by Alfonso Corona Blake. Script by Blake from a story by A. Orellana, F. Oses, and R.G. Travesí. Director of Photography, Manuel Gonzalez. Production Designer, Roberto Silva. Music, Raúl Lavista. Starring Santo [Rodolfo Guzman Huerta], Lorena Velazquez, María Duval, Jaime Fernandez, Augusto Benedico, Ofelia Montesco.

Santo en la Venganza de las Mujeres Vampiro (Santo in the Revenge of the Vampire Women, La Venganza de las Mujeres Vampiro). (Cinemat Flama, 1968). Mexico. Produced by Garcia Besne. Directed by Federico Curiel. Script by Besne and Fernando Oses. Director of Photography, José Ortiz Ramos (Color). Production Designer, Alberto Lopez. Music, Gustavo Carreon. Editor, María Salazar. Starring Santo [Rodolfo Guzmán Huerta], Gina Roman, Norma Lazareno, Aldo Monti, Victor Junce, Patricia Ferrer. 90 minutes.

Santo y Blue Demon contra Dracula y el Hombre Lobo (Santo and the Blue Demon vs. Dracula and the Wolf Man). (Cinematográfica Calderon, 1973). Mexico. (Color). Starring Santo [Rodolfo Guzmán Huerta], Aldo Monti, Agustin Martinez Solares.

El Santo y Blue Demon contra los Monstruos (Santo and the Blue Demon vs. the Monsters). (Sotomayor, 1969). Mexico. Directed by Gilberto Martinez Solares. (Color). Starring Santo [Rodolfo Guzmán Huerta], Resortes, Heydi Blue.

Satan's Black Wedding. (World Video, 1975). USA. Produced by Tamara Brown. Written and Directed by Philip Miller. Director of Photography, Paul Rogers (Color). Production Designer, Carl Le Master. Music, Roger Stein. Editor, Jack Fletcher. Starring Lisa Milano, Ray Miles, Greg Braddock.

Satan's Sisters see Vampyres

Satanic Rites of Dracula. (Count Dracula and his Vampire Bride) (Columbia/Warner, 1974). Great Britain. Produced by Roy Skeggs. Directed by Alan Gibson. Script by Don Houghton. Director of Photography, Brian Probyn (Color). Production Designer, Lionel Conch. Music, John Cacavas. Editor, Chris Barnes. Starring Christopher Lee (Dracula), Peter Cushing (Van Helsing), Michael Coles (Inspector Murray), Freddie Jones (Prof. Keeley), Joanna Lumley (Jessica Van Helsing), Richard Vernon (Colonel Matthews), William Franklyn. 87 minutes.

Scars of Dracula. (Hammer/EMI/MGM, 1970). Great Britain. Produced by Aida Young. Directed by Roy Ward Baker. Script by John Elder [Anthony Hinds]. Director of Photography, Moray Grant (Color). Production Designer, Scott MacGregor. Music, James Bernard. Editor, James Needs. Starring Christopher Lee (Dracula), Dennis Waterman (Simon), Jenny Hanley (Sarah), Christopher Matthews (Paul), Patrick Troughton (Klove), Michael Gwynn (Priest), Wendy Hamilton (Julie), Anoushka Hempel (Tania). 96 minutes.

Die Schlangengrube und das Pendel (The Snake Pit and the Pendulum, The Blood Demon, The Curse of the Walking Dead, The Torture Chamber of Dr. Sadism, Le Vampire et Le Sang des Vierges). (Constantin, 1967). West Germany. Produced by Wolfgang Kuehnlenz. Directed by Harald Reinl. Script by Manfred R. Kohler. Directors of Photography, Ernst W. Kalinke, Dieter Liphardt (Color/Scope). Production Designers, Gabriel Pellon, W. M. Achtmann. Music, Peter Thomas. Editor, Hermann Heller. Starring Christopher Lee, Lex Barker, Karin Dor, Carl Lange. 85 minutes.

Scream and Scream Again. (American International, 1970). Great Britain. Produced by Max J. Rosenberg and Milton Subotsky. Directed by Gordon Hessler. Script by Christopher Wicking from the novel by Paul Saxon. Director of Photography, John Coquillon (Color). Production Designer, Bill Constable. Music, Dave Whittaker. Editor, Peter Elliot. Starring Vincent Price (Dr. Browning), Christopher Lee (Freemont), Peter Cushing (Benedek), Judy Huxtable (Sylvia), Alfred Marks (Supt. Bellaver), Michael Gothard (Keith). 94 minutes.

Scream, Blacula, Scream. (American International, 1973). USA. Produced by Joseph T. Naar. Directed by Bob Kelljan. Script by Joan Torres, Raymond Koenig, and Maurice Jules from a story by Torres. Director of Photography, Isidore Mankofsky (Color). Production Designer, Alfeo Boccicchio. Music, Bill Marx. Editor, Fabien Tordjmann. Starring William Marshall (Mamuwalde/Blacula), Don Mitchell (Justin), Pam Grier (Lisa), Michael Conrad (Sheriff Dunlop), Richard Lawson (Willis), Lynn Moody (Denny), Janee Michelle (Gloria), Barbara Rhoades (Elaine). 95 minutes.

The Screaming Dead see Dracula contra Frankenstein

The Secrets of Dracula see Mga Manuggang ni Dracula

The Seven Brothers meet Dracula see The Legend of the Seven Golden Vampires

Sex and the Vampire see Le Viol du Vampire

Sex Express. (Blackwater, 1975). Great Britain. Written and Directed by Derek Ford. Director of Photography, G. Glover (Color). Production Designer, E. Konkel. Music, De Wolfe. Starring Heather Deeley, James Lister (Vampire). 50 minutes.

Sexy Interdit see Sexy Proibitissimo

Sexy Proibitissimo (Forbidden Femininity, SexySuper Interdit, Sexy Interdit). (Gino Nordini Produzioni, 1963). Italy. Written and Directed by Marcello Martinelli. Director of Photography, Adalberto Albertini (Color). 87 minutes.

Sexy-Super Interdit see Sexy Proibitissimo

Shock Treatment see Traitement de Choc

Shudder of the Vampire see Le Frisson des Vampires

El Signo del Vampiro see Vampyros Lesbos

Sisters of Satan see Alucarda

Slaughter of the Vampires see La Strage dei Vampiri

The Sleep of the Dead see The Inn of the Flying Dragon

The Snake Pit and the Pendulum see Die Schlangengrube und das Pendel

La Sobrina del Vampiro see La Nipote del Vampiro

Son of Darkness: To Die For II. (Trimark/Arrowhead/Lee Caplin/Greg H. Sims, 1991). USA. Produced by Richard Weinman. Directed by David F. Price. Script by Leslie King. Director of Photography, Gerry Lively (Color). Music, Mark McKenzie. Editor, Barry Zetlin. Starring Rosalind Allen (Nina), Steve Bond (Tom), Scott Jacoby (Martin), Michael Praed (Max Schreck/Vlad Tepish), Amanda Wyss (Celia). 96 minutes.

Son of Dracula. (Universal, 1943). USA. Produced by Ford Beebe. Directed by Robert Siodmak. Script by Eric Taylor from a story by Curt Siodmak. Director of Photography, George Robinson. Production Designer, John B. Goodman, Martin Obzina. Music, Hans J. Salter. Editor, Saul Goodkind. Starring Lon Chaney, Jr. (Count Alucard/Dracula), Louise Albritton (Katherine Caldwell), George Irving (Colonel Caldwell), Robert Paige (Frank Stanley), Frank Craven (Dr. Brewster), J. Edward Bromberg (Prof. Lazlo), Evelyn Ankers (Claire Caldwell), Samuel S. Hinds (Judge Simmons). 78 minutes.

Son of the Vampire see Anak Pontianak


Um Sonho de Vampiros (A Dream of Vampires, The Vampire's Dream). (Servicine-Servicos Cinematograficos/U.C.B.Uniao/R.P.I. Filmes Brasileiros, 1968). Brazil. Written, Produced, and Directed by Ibere Cavalcanti. Director of Photography, Renato Neumann (Color). Production Designer, Maria Augusta. Music, Joao Silverio Trevisan. Editor, Nello Melli. Starring Ankito (Dr. Pan), Irma Alvarez (The Vampire), Janet Chermont (Rosinha), Sonelio Costa (Camillo), Augusto Maia Filho (Death), Janira Santiago. 80 minutes.

Spermula. (Film and Co., 1976). France. Written and Directed by Charles Matton. Director of Photography, Jean-Jacques Flori (Color/Scope). Music, José Bartel. Starring Udo Kier, Dayle Haddon (Spermula), Georges Geret, Ginette Leclerc, Isabelle Mercanton. 88 minutes. [Space vampires]

La Strage dei Vampiri (Slaughter of the Vampires, Vampire, Homme ou Femme?, Curse of the Blood Ghouls). (Dino Sant'Ambrogio/Mercury/Pacemaker, 1962). Italy. Written and Directed by Roberto Mauri. Director of Photography, Ugo Brunelli. Production Designer, Giuseppe Ranieri. Music, Aldo Piga. Editor, Jenner Menghi. Starring Walter Brandt (Count), Graziella Granata (Louise), Dieter Eppler, Alfredo Rizzo, Paolo Solvay. 84 minutes.

The Strange Love of the Vampires see El Extraño Amor de los Vampiros

Subspecies. (Full Moon, 1991). USA/Romania. Produced by Charles Band. Directed by Ted Nicolaou. Script by Jackson Barr and David Pabian based on an idea by Band. Director of Photography, Vlad Paunescu (Color). Production Designer, Lucian Nicolau. Editors, Bert Glatstein, William Young. Starring Michael Watson (Stefan), Laura Tate (Michelle), Anders Hove (Radu), Michelle McBride (Lillian), Irina Movila (Maria), Ivan Rado (Karl). 90 minutes.

Subspecies II and III see Bloodstone

Sumpah Pontianak (The Vampire's Curse). (Keris, 1958). Malaya.

Sundown: The Vampire in Retreat. (Vestron, 1990). USA. Produced by Jeff Richard. Directed by Anthony Hickox. Script by Hickox and John Burgess. Director of Photography, Levie Isaacs (Color/Scope). Production Designer, David Brian Miller. Music, Richard Stone. Editor, Chris Cibelli. Starring David Carradine (Count Mardulak), Jim Metzler (David Harrison), Morgan Brittany (Sarah), Maxwell Caulfield (Shane), M. Emmet Walsh (Milt), Deborah Foreman (Sandy), Bruce Campbell (Van Helsing), John Ireland (Jefferson), Maxwell Caulfield (Shane). 104 minutes.

Tale of a Vampire. (Tsuburaya Eizo/State Screen, 1992). Great Britain/Japan. Produced by Simon Johnson. Directed by Shimako Sato. Script by Sato and Jane Corbett from a story by Sato. Director of Photography, Zubin Mistry (Color). Production Designer, Alice Normington. Music, Julian Joseph. Editor, Chris Wright. Starring Julian Sands (Alexander d'Hiver), Suzanne Hamilton (Anne/Virginia Clemm), Kenneth Cranham (Edgar), Marion Diamond (Denise), Michael Kentor (Newspaper Man). 103 minutes.

Tales from the Crypt. (HBO, 1990-1991). USA. Cable television series with several vampire episodes including "The Reluctant Vampire." Produced by Gilbert Adler. Directed by Elliot Silverstein. Script by Terry Black based on a story by William Gaines. Starring Malcolm McDowell (Vampire), Sandra Searles Dickinson, George Wendt, Michael Berryman (Van Helsing). 23 minutes.

A Taste of Blood. (Creative Film Enterprises, 1967). USA. Produced by Herschell Gordon Lewis. Directed by Herschell Gordon Lewis. Script by Donald Stanford. Director of Photography, Andy Romanoff (Color). Starring Bill Rogers, Elizabeth Wilkinson, Thomas Wood, Otto Schlesinger. 120 minutes.

Taste the Blood of Dracula. (Hammer/Warner Bros., 1969). Great Britain. Produced by Aida Young. Directed by Peter Sasdy. Script by John Elder [Anthony Hinds]. Director of Photography, Arthur Grant (Color). Production Designer, Scott MacGregor. Music, James Bernard. Editor, Chris Barnes. Starring Christopher Lee (Dracula), Geoffrey Keen (William Hargood), Gwen Watford (Martha Hargood), Linda Hayden (Alice Hargood), Peter Sallis (Samuel Paxton), Anthony Corlan (Paul Paxton), Isla Blair (Lucy Paxton), John Carson (Jonathan). 95 minutes.

Teen Vamp. (New World, 1988). Produced by Jim McCullough. Written and Directed by Samuel Bradford. Director of Photography, Richard Mann (Color). Music, Robert Sprayberry. Starring Clu Gulager (Reverend), Karen Carlson (Mom), Angie Brown (Connie), Beau Bishop (Murphy), Mike Lane, Edd Anderson. 90 minutes.

Tempi Duri per i Vampiri (Hard Times for Vampires, Uncle Was a Vampire). (Maxima/Cei Incom/Montflour Films, 1959). Italy. Produced by Mario Cecchi Gori. Directed by Steno [Stefano Vanzina]. Script by Edoardo Anton, Dino Verde, and Alessandro Continenza. Director of Photography, Marco Scarpelli (Color/Scope). Production Designer, Andrea Tomassi. Starring Renato Rascel (Osvaldo Lambertenghi), Sylva Koscina (Carla), Christopher Lee (Vampire), Lia Zoppelli (Letizia), Kay Fisher, Susanna Loret, Carl Wery. 95 minutes.

The Tenderness of the Wolves see Die Zärtlichkeit der Wölfe

Tendre Dracula (Tender Dracula, Vampire). (Malle Prods., 1973). France. Directed by Pierre Grunstein. Script by Justin Lenoir, Harold Brav, and Grunstein. Director of Photography, JeanJacques Tarbes. Production Designer, Jean Gourmelin. Music, Karl Heinz Schafer. Editor, Anne-Marie Deshayes. Starring Peter Cushing (MacGregor), Miou Miou (Marie), Alida Valli (Heloise), Bernard Menez, Nathalie Courval, Stephane Shandour. 86 minutes.

Terror in Outer Space see Terrore nello Spazio

Terror in the Crypt see La Cripta e l'Incubo

Terrore nello Spazio (Terror in Outer Space, Planet of the Vampires, The Demon Planet). (Italian International Film/Castilla Cooperativa, 1965). Italy/Spain. Produced by Fulvio Lucisano. Directed by Mario Bava. Script by Bava, Alberto Bevilacqua, Rafael J. Salvia, Antonio Roman, and Callisto Cosulich from a story by Renato Pestriniero; Ib Melchior and Louis Heyward (U.S. version). Director of Photography, Antonio Rinaldi (Color/Scope). Production Designer, Giorgio Giovannini. Music, Gino Marinuzzi, Jr., Antonio Perez Olca. Editor, Antonio Gimeno. Starring Barry Sullivan (Markary), Norma Bengeli (Sonya), Angel Aranda (Wess), Evi Marandi (Tiona). 87 minutes. [Non-traditional space vampires]

Theatre of Death (Blood Fiend). (Hemisphere/Pennea, 1966). Great Britain. Produced by Michael Smedley Aston. Directed by Samuel Gallu. Script by Ellis Kadison and Roger Marshall. Director of Photography, Gilbert Taylor (Color/Scope). Production Designer, Peter Proud. Music, Elizabeth Lutyens. Editor, Barrie Vince. Starring Christopher Lee (Philippe Darvas), Lelia Goldoni (Daria), Jenny Till (Nicole), Ivor Dean (Inspector), Julian Glover. 91 minutes.

Think Dirty see Every Home Should Have One

Thirst. (FG Films/New South Wales Film Corp/Greater Union Org., 1979). Australia. Produced by Anthony I. Ginnane. Directed by Rod Hardy. Script by John Pinkney. Director of Photography, Vincent Monton (Color). Production Designers, Jon Dowding, Jill Eden. Music, Brian May. Editor, Phil Reid. Starring Chantal Contouri (Kate Davis), David Hemmings (Dr. Fraser), Henry Silva (Dr. Gauss), Max Phipps (Hodge), Shirley Cameron (Mrs. Barker), Rod Mullinar (Derek). 96 minutes.

The Thirsty Dead (Blood Cult of Shangri-La). (World/Rochelle/International Amusements, 1974). USA/Philippines. Directed by Terry Becker. Director of Photography, Nonong Rasca (Color). Starring John Considine, Jennifer Billingsley, Tani Guthrie, Judith McConnell. 96 minutes.

The Three Faces of Fear see I Tre Volti della Paura

Thriller. (NBC, 1960). USA. Host: Boris Karloff. Produced by Hubbell Robinson. Television series with a vampire episode entitled "Masquerade" starring Tom Poston and John Carradine.

Throw Me to the Vampire see Echenme al Vampiro

'Til Death Us Do Part see La Novia Ensangrentada

To Die For. (Entertainment/Lee Caplin/Skouras/Arrowhead/Sims 1989). USA. Produced by Barin Kumar. Directed by Deren Sarafian. Script by Leslie King. Director of Photography, David Boyd (Color). Production Designer, Greg Oehler. Music, Cliff Eidelman. Starring Brendan Hughes (Vlad Tepish), Sydney Walsh (Kat Wooten), Amanda Wyss (Celia Katt), Scott Jacoby (Martin). 90 minutes.

To Sleep with a Vampire. (Concorde/New Horizons, 1993). USA. Produced by Mike Elliott. Directed by Adam Friedman. Script by Patricia Harrington ([Carolyn Gail] from the uncredited screenplay by Katt Shea and Andy Ruben). Director of Photography, Michael Crain (Color). Production Designer, Stuart Blatt. Music, Nigel Holton. Editor, Lorne Morris. Starring Scott Valentine (Jacob, the Vampire), Charlie Spradling (Nina), Richard Zobel (Cabbie), Ingrid Vold (Stripper #1), Stephanie Hardy (Stripper #2). [A remake of Dance of the Damned]

Tom Thumb and Little Red Riding Hood vs. the Monsters see Caperucita y Pulgarcito contra los Monstruos

Tore Ng Diyablo (Tower of the Devil). (Santiago, 1969). Philippines. Directed by Lauro Pacheco. Script by José Flores Sibal from the comic book by Nela Morales. (Color). Music, Pablo Vergara. Starring Jimmy Morato, Pilar Pilapil, Rodolfo Garcia, Lucita Soriano. 90 minutes.

The Torture Chamber of Dr. Sadism see Die Schlangengrube und das Pendel

Tower of the Devil see Tore Ng Diyablo

Track of the Vampire (Filmgroup, 1966). USA/Yugoslavia. Produced by Jack Hill. Written and Directed by Hill, Stephanie Rothman and {unredited) Rados Novakovic. Executive Producer, Roger Corman. Director of Photography, Alfred Taylor. Music, Ronald Stein (supervisor) and (uncredited) Mark Lowry. Editors, Candace Kane and (uncredited) Mort Tubor. Starring William Campbell (Sordi), Marrisa Mathes (Daisy), Linda Saunders (Melizza), Sandra Knight (Donna), Jonathan Haze (Beatnik), Patrick Magee (body). 75 minutes. [Re-edited version of Blood Bath, itself a re- edited version of Portrait of Terror, with a few vampire scenes added]

Traitement de Choc (Shock Treatment, Doctor in the Nude, Island of the Damned). (New Line, 1973). France/Italy. Produced by Raymond Danon. Written and Directed by Alain Jessua. Director of Photography, Jacques Robin (Color). Production Designer, Yannis Kokos. Music, René Koering and Jessua. Editor, Hélène Piemmianikov. Starring Alain Delon (Dr. Devilers), Annie Girardot (Hélène Masson), Michel Duchaussoy (Dr. Bernard), Robert Hirsch (Jérôme). 90 minutes. [Note: a "Bathory"-type film in which blood is used to retain youth]

Transylvania Twist. (Concorde, 1990). USA. Produced by Alida Camp. Directed by Jim Wynorski. Script by R.J. Robertson. Director of Photography, Zoran Hochstatter (Color). Production Designer, Gary Randall. Music, Chuck Cirino. Editor, Nina Gilberti. Starring Robert Vaughn (Lord Byron Orlock, Vampire), Teri Copley (Marisa Orlock), Steve Altman (Dexter Ward), Ace Mask (Van Helsing), Becky LeBeau (Rita), Angus Scrimm (Stefan), Monique Gabrielle (Patricia). 82 minutes.

I Tre Volti della Paura (The Three Faces of Fear, Black Sabbath). (Galatea/Emmepi Cinematografica/Lyre/American International, 1963). Italy. Produced by Paolo Mercuri. Directed by Mario Bava. Script by Marcello Fondato, Bava, Alberto Bevilacqua, and Ugo Guerra based on stories by F.G. Snyder ("The Telephone"), Ivan [Alexis] Tolstoy ("The Wurdalak"), and Anton Chekhov [Bava] ("The Drop of Water"). Director of Photography, Ubaldo Terzano (Color). Production Designer, Giorgio Giovannini. Music, Roberto Nicolosi (Italian version): Les Baxter (US version). Editor, Mario Serandrei. Starring 1. "The Telephone": Michele Mercier (Rosy), Lidia Alfonsi (Mary). 2. "The Wurdalak": Boris Karloff (Gorca), Susy Andersen (Sdenka), Mark Damon (Vladimir), Glauco Onorato (Giorgio), Rika Dialina (Wife), Massimo Righi (Pietro). 3. "The Drop of Water": Jacqueline Pierreux (Helen), Miny Monti (The Maid). Boris Karloff introduces the episodes. 99 minutes. [The U.S. version altered the order of the stories by beginning with "The Drop of Water" and changed the dialogue in dubbing]

Trilogy of Terror see No Such Thing as a Vampire

La Tumba de la Isla Maldita (Hannah, Queen of the Vampires, Crypt of the Living Dead, Vampire Women, Young Hannah). (Orbita Films/Atlas/Coast 1973). Spain. Directed by Julio Salvador [English language prints credit Ray Danton]. Script by Julio Salvador [English language prints credit Wolf Schmidt, Lou Shaw, and Lois Gibson]. Director of Photography, Juan Gelpi (Color/Scope). Production Designer, Juan Alberto. Music, Phillip Lambro. Starring Andrew Prine, Teresa Gimpera, Mark Damon, Patty Shepard, Jack La Rue, Jr. 99 minutes.

Twins of Evil. (Hammer/Universal, 1971). Great Britain. Produced by Harry Fine and Michael Style. Directed by John Hough. Script by Tudor Gates based on the characters in Carmilla by J. Sheridan Le Fanu. Director of Photography, Dick Bush (Color). Production Designer, Roy Stannard. Music, Harry Robinson. Editor, Spencer Reeve. Starring Madeleine Collinson (Frieda Gelhorn), Mary Collinson (Maria Gelhorn), Peter Cushing (Gustav Weil), Kathleen Byron (Katy Weil), Dennis Price (Dietrich), Harvey Hall (Franz), Isobel Black (Ingrid), Damien Thomas (Count Karnstein), Katya Keith (Countess Mircalla). 87 minutes.

L'Ultima Preda del Vampiro (The Playgirls and the Vampire). (Tiziano Longo, 1960). Italy. Written and Directed by Piero Regnoli. Director of Photography, Ugo Brunelli, Aldo Greci. Music, Aldo Piga. Editor, Mario Arditti. Starring Lyla Rocco (Vera), Walter Brandi (Count Gabor Kernassy), Alfredo Rizzo (Lukas), Maria Giovannini (Katia). 85 minutes.

Uncle Was a Vampire see Tempi Duri per i Vampiri

Undying Love. (Slaughtered Lamb Prods., 1991). USA. Produced by Ed Walloga. Written and Directed by Greg Lamberson. Director of Photography, John Rosnell (Color). Music, Danny Sciarra, Mauro J. De Trizio. Editor, Lamberson. Starring Tommy Sweeney (Scott Kelly), Julie Lynch (Carmilla), Andrew Lee Barrett (Evan), Lee Kayman (Det. Wint), Mary Huner (Leslie). 76 minutes.

L'Urlo del Vampiro. (Pao Films, 1962). Italy. Directed by T. Fec. Starring F. Fioucci.

Vaarwel. (Cinema Films, 1973). Holland. Produced by Joseph Vliegen. Directed by Guido Pieters. Script by Pieters and Tom Ruys. Director of Photography, Theo van de Sande (Color). Music, Ennio Morricone. Editor, Ruys. Starring Pieke Dassen, Nettie Blanken (Vampire), Rik Bravenboer. 85 minutes.

Valerie a Tyden Divu (Valerie and the Week of Wonders). (Barrandov, 1969). Czechoslovakia. Directed by Jaromil Jires. Script by Ester Krumbachova. Director of Photography, Jan Curik (Color). Production Designer, Krumbachova. Music, Lubos Fiser. Starring Jaroslava Musil, Helena Anyzkova. 85 minutes.

Valley of the Zombies. (Republic, 1946). USA. Directed by Philip Ford. Script by D. McGowan and Stuart McGowan based on a story by Royal K. Cole and Sherman T. Lowe. Director of Photography, Reggie Lanning. Production Designer, Hilyard Brown. Music, Richard Cherwin. Editor, William P. Thompson. Starring Robert Livingston (Dr. Terry Evans), Adrian Booth (Susan Drake), Ian Keith (Ormand Murks), Thomas Jackson (Blair), Charles Trowbridge (Dr. Maynard). 56 minutes.

Vamp. (New World/Balcor, 1986). USA. Produced by Donald P. Borchers. Directed by Richard Wenk. Script by Wenk from a story by Borchers. Director of Photography, Elliot Davis (Color). Production Designer, Alan Roderick-Jones. Music, Jonathan Elias. Editor, Marc Grossman. Starring Grace Jones (Katrina, Vamp), Chris Makepeace (Keith), Sandy Baron (Vic), Robert Rusler (A.J.), Dedee Pfeiffer (Amaretto), Gedde Watanabe (Duncan). 94 minutes.

Vampir (1969). Spain. Written, Produced and Directed by Pedro Portabella. 66 minutes. [Documentary on the making of El Conde Drácula]

Vampira (Old Dracula, Vampirella). (World Film Services, 1974). Great Britain. Produced by Jack H. Wiener. Directed by Clive Donner. Script by Jeremy Lloyd. Director of Photography, Tony Richmond (Color). Production Designer, Philip Harrison. Music, David Whitaker. Editor, Bill Butler. Starring Teresa Graves (Countess Vampira), David Niven (Dracula), Peter Bayliss (Maltravers), Nicky Henson (Marc), Jennie Linden (Angela), Bernard Bresslaw (Pottinger), Linda Hayden (Helga), Veronica Carlson, Freddie Jones. 88 minutes.

Las Vampiras see Vampyros Lesbos

Las Vampiras (The Vampire Girls). (Vergara, 1968). Mexico. Produced by Luís Enrique Vergara. Directed by Federico Curiel. Script by Adolfo Torres Portillo, Curiel. Director of Photography, Alfredo Uribe (Color). Production Designers, Octavia Ocampo, José Mendez. Music, Gustavo César Carreón. Editor, Juan José Munquia. Starring John Carradine, Mel Mascaras, María Dubal, Martha Romero, Maura Monti. 90 minutes.
Vampire (France) see Tendre Dracula

Vampire. (ABC/MTM, 1979). USA. MOW. Produced by Gregory Hoblit. Directed by E.W. Swackhammer. Script by Steve Bochco and Michael Kozoll. Director of Photography, Dennis Dalzell (Color). Production Designer, James G. Hulsey. Music, Fred Karlin. Editor, Chris Nelson. Starring Richard Lynch (Anton Voytek, Vampire), Kathryn Harrold (Leslie), Jason Miller (John Rawlins), Barrie Youngfellow (Andrea Parker), Michael Tucker (Chris Bell), Jessica Walter (Nicole de Camp). 120 minutes.

The Vampire (Malaya) see Pontianak

The Vampire (Mexico) see El Vampiro

The Vampire. (UA/Gardner- Levy, 1957). USA. Produced by Jules Levy and Arthur Gardner. Directed by Paul Landres. Script by Pat Fielder. Director of Photography, Jack McKenzie. Production Designer, James Vance. Music, Gerald Fried. Editor, Johnny Faure. Starring John Beal (Dr. Paul Beecher), Kenneth Tobey (Buck), Lydia Reed (Betsy Beecher), Dabbs Greer (Dr. William Beaumont), Herb Vigran (George Ryan), Ann Staunton (Marion Wilkins). 75 minutes.

The Vampire (Episode of The Night Stalker television series, Universal, 1974). Produced by Cy Chermak. Directed by Don Weis. Script by David Chase from a story by Bill Stratton. Director of Photography, Ronald W. Browne. Music, Gil Melle. Production Designer, David Beal. Editors, John Elias, J. Howard Terrell. Starring, Darren McGavin (Carl Kolchak), Simon Oakland (Vincenzo), William Daniels (Lt. Matteo), Suzanne Charny (Katherine Rawlins), John Doucette (Sheriff Sample), Jan Murray (Ichabod Grace), Larry Storch (Swede), Kathleen Nolan (Fay Kruger). 51 minutes.

The Vampire and Sex see El Vampiro y el Sexo

The Vampire and the Ballerina see L'Amante del Vampiro

Vampire at Midnight. (Skouras, 1988). USA. Produced by Jason Williams and Tom Friedman. Directed by Gregory McClatchy. Script by Dulany Ross Clements based on a story by Williams and Friedman. Director of Photography, Daniel Yarussi (Color). Music, Robert Etoll. Editor, Kaye Davis. Starring Jason Williams (Roger Sutter), Gustav Vintas (Victor Radkoff), Leslie Milne (Jenny), Esther Alise (Lucia), Jeanie Moore (Amalia). 95 minutes.

Vampire Circus. (Hammer, 1971). Great Britain. Produced by Wilbur Stark. Directed by Robert Young. Script by Judson Kinberg from a story by George Baxt and Wilbur Stark. Director of Photography, Moray Grant (Color). Production Designer, Scott MacGregor. Music, David Whittaker. Editor, Peter Musgrave. Starring Adrienne Cori (Gypsy Woman), Laurence Payne (Mueller), Thorley Walters (Burgomaster), John Moulder Brown (Anton Kersh), Lynne Frederick (Dora Mueller), Elizabeth Seal (Gerta), Anthony Corlan (Emil), Richard Owens (Dr. Kersh), Domini Blythe (Anna Mueller), Robert Tayman (Count Mitterhouse), Mary Wimbush (Elvira). 87 minutes.

Vampire Cop (Panorama Entertainment, 1990). USA. Produced by Max Chesney and Faye Chesney. Written and Directed by Donald Farmer. Starring Melissa Moore, Ed Cannon, Terence Jenkins, Michelle Berman.

Le Vampire de Dusseldorf. (Rome-Paris Films/B. Perojo/Manoletti, 1964). France/Spain/Italy. Directed by Robert Hossein. Script by Hossein, Claude Desailly, and George and André Tabet. Director of Photography, Alain Levent. Starring Robert Hossein (Peter Kurten), Marie- France Pisier, Roger Dutoit, Annie Andersson, Paloma Valdes, Danick Patisson, Michel Dacquin. 86 minutes.

Vampire Doll see Chi o Suu Ningyo

Vampire Dracula Comes to Kobe see Kyuketsuki Dorakyura

Le Vampire et Le Sang des Vierges see Die Schlangengrube und das Pendel

A Vampire for Two see Un Vampiro para Dos

The Vampire Girls see Las Vampiras

The Vampire Happening see Gebissen Wird nur Nachts

Vampire, Homme ou Femme? see La Strage dei Vampiri

Vampire Hookers. (Caprican 3/Cosa Nueva, l979). USA/Philippines. Directed by Cirio Santiago. Script by Howard Cohen. (Color). Starring John Carradine, Bruce Fairbairn, Trey Wilson, Karen Stride. 78 minutes.

The Vampire Lovers. (Hammer/AIP, 1970). Great Britain. Produced by Harry Fine and Michael Style. Directed by Roy Ward Baker. Script by Tudor Gates based on Carmilla by J. Sheridan Le Fanu. Director of Photography, Moray Grant (Color). Production Designer, Scott MacGregor. Music, Harry Robinson. Editor, James Needs. Starring Ingrid Pitt (Carmilla Karnstein), Madeline Smith (Emma Morton), Peter Cushing (The General), Pippa Steele (Laura), George Cole (Mr. Morton), Dawn Addams (The Countess), Kate O'Mara (The Governess), Douglas Wilmer (Baron), Jon Finch (Carl), Ferdy Mayne (The Doctor). 90 minutes.

Vampire Men of the Lost Planet see Creatures of the Prehistoric Planet

Vampire Moth see Kyuketsu Ga

La Vampire Nue (The Naked Vampire, The Nude Vampire). (ABC Films, 1969). France. Produced and Directed by Jean Rollin. Script by Rollin and S.H. Mosti. Director of Photography, Jean-Jacques Renon (Color). Production Designer, Jio Berk. Music, Yvon Geraud, François Tusques. Starring Christine François, Olivier Martin, Maurice Lemaitre, Ly Letrong, Bernard Musson, Jean Aron, Ursule Pauly. 90 minutes.

The Vampire of Castle Frankenstein see El Vampiro de la Autopista

The Vampire of the Cave see Pontianak Gua Musang

The Vampire of the Highway see El Vampiro de la Autopista The Vampire of the Opera see Il Vampiro dell'Opera

Vampire People see The Blood Drinkers

The Vampire Returns see Pontianak Kembali

Vampire Sacrifice see Incense for the Damned

Vampire Thrills see Le Frisson des Vampires

Vampire Woman see Onna Kyuketsuki

Vampire Women see La Tumba de la Isla Maldita

Vampirella see Vampira

The Vampire's Coffin see El Ataud del Vampiro

The Vampire's Curse see Sumpah Pontianak

A Vampire's Dream see Um Sonho de Vampiros

The Vampire's Ghost. (Republic, 1945). USA. Produced by Rudy Abel. Directed by Lesley Selander. Script by Leigh Brackett and John K. Butler. Director of Photography, Robert Pittack, Ellis Thackeray. Production Designer, Russell Kimball. Music, Richard Cherwin. Editor, Tony Martinelli. Starring John Abbott (Webb Fallon), Peggy Stewart (Julie Vance), Grant Withers (Father Gilchrist), Charles Gordon (Roy Hendrick), Adela Mara (Lisa), Emmet Vogan (Thomas Vance), Roy Barcroft (Jim). 59 minutes.

Vampire's Kiss. (Hemdale, 1989). USA. Produced by Barbara Zitwer and Barry Shils. Directed by Robert Bierman. Script by Joseph Minion. Director of Photography, Stefan Czapsky (Color). Production Designer, Chris Nowak. Music, Colin Towns. Editor, Angus Newton. Starring Nicolas Cage (Peter Loew), Maria Conchita Alonso (Alva), Jennifer Beals (Rachel), Elizabeth Ashley (Dr. Glaser), Kasi Lemmons (Jackie), Bob Lujan (Emilio).105 minutes.

The Vampire's Lover see L'Amante del Vampiro

Vampire's Night Orgy see La Noche de las Orgias de los Vampiros

Vampires see Vij

Les Vampires en Ont Ras le Bol see Bloedverwanten

I Vampiri (The Devil's Commandment). (Titanus/Athena, 1956). Italy. Directed by Riccardo Freda and (uncredited) Mario Bava. Script by Piero Regnoli and Rik Sjöström [Riccardo Freda]. Director of Photography, Bava (Scope). Production Designer, Beni Montresor. Music, Roman Vlad and Franco Mannino. Editor, Roberto Cinquini. Starring Gianna Maria Canale (Marguerite/Duchess Gisele), Antonine Balpêtré (Dr. Du Grand), Paul Müller (Joseph), Carlo D'Angelo (Santel), Wandisa Guida (Laurette), Dario Michaelis (Valentin), Renato Tontini (Du Grand's assistant). 90 minutes. [Note: another "Bathory"type film in which blood gives eternal youth]

El Vampiro Aecheca The Lurking Vampire. (1962). Argentina. Script based on a story by William Irish [Cornell Woolrich]. Starring German Robles, Abel Salazar.

El Vampiro (The Vampire). (Salazar/Cinematográfica ABSA, 1956). Mexico. Produced by Abel Salazar. Directed by Fernando Mendez. Script by H. Rodriquez and Ramon Obón. Director of Photography, Rosario Solano. Production Designer, Gunther Gerzo. Music, Gustavo C. Carrión. Starring German Robles (Count Lavud/Duval), Ariadna Welter, Abel Salazar, July Danery, Joseph Chavez, Amado Zumaya. Mercedes Soler. 95 minutes.

El Vampiro de la Autopista (The Vampire of the Highway, The Vampire of Castle Frankenstein, The Horrible Sexy Vampire). (Cinefilms, 1969). Spain. Produced by Al Peppard. Written and Directed by Delavena [José Luís Madrid]. Director of Photography, Francisco Madurga (Color/Scope). Starring Valdemar Wohlfahrt, Patricia Loran, Luís Induni, Barta Barry, Adele Tauler, Anastasio Campoy. 91 minutes.

Il Vampiro dell'Opera (Il Mostro dell'Opera, The Vampire of the Opera). (NIF, 1964). Italy. Written and Directed by Renato Polselli. Starring John McDouglas [Giuseppe Addobati], Vittoria Prada, Marc Marian [Marco Mariani], Barbara Howard, Catla Cavelli. 80 minutes.

Un Vampiro para Dos (A Vampire for Two). (Belmar P.C./Bravo Murillo, 1965). Spain. Directed by Pedro Lazanga Sabater. Script by Lazanga Sabater and José María Palacio. Director of Photography, Eloy Molla (Scope). Starring Gracita Morales, José Luís Lopez Vazquez, Fernando Fernan Gomez, Trini Alonso, Goyo Lebreros. 85 minutes.

El Vampiro Sangriento (The Bloody Vampire, El Conde Frankenhausen).

(Tele-Talia, 1962). Mexico. Produced by Rafael Perez Grovas. Written and Directed by Miguel Morayta. Director of Photography, Raúl M. Solares. Music, Luís Hernandez Breton. Editor, Gloria Schoemann. Starring Carlos Agosti (Count Frankenhausen), Begona Palacios (Inés), Raúl Farell (Richard), Antonio Raxell, E. Martha Bauman (Countess Frankenhausen). 110 minutes.

Vampiro 2000. (1972). Italy. Directed by Riccardo Ghione. Starring Nino Castelnuovo, Dominique Boschero.

El Vampiro y el Sexo (The Vampire and Sex, Santo and Dracula's Treasure). (Cinematográfica Calderón, 1969). Mexico. Produced by Guillermo Calderon. Directed by Rene Cardona. Script by Alfredo Salazar. Director of Photography, Raúl Martinez Solares (Color). Music, Sergio Guerrera. Starring Santo [Rodolfo Guzmán Huerta], Noelia Noel, Aldo Monti, Carlos Agosti, Alberto Rojas, Roberto Rivera, Jorge Mondragón, Gina Moret. 81 minutes.

Los Vampiros de Coyoacan. (Agrasanchez, 1973). Mexico. Directed by Arturo Martinez.

Vampyr. (Tobis- Klangfilm, 1932). Germany/France. Produced by Carl Dreyer and Nicholas de Gunzburg. Directed by Dreyer. Script by Dreyer and Christen Jul based on Carmilla and other stories in the anthology In A Glass Darkly by J. Sheridan Le Fanu. Directors of Photography, Rudolph Maté, Louis Née. Production Designers, Hermann Warm, Hans Bittmann, Cesare Silvani. Music, Wolfgang Zeller. Starring Julian West [Baron Nicolas de Gunzburg] (David Gray), Maurice Schutz (Lord of the Manor), Sybille Schmitz (Leone), Rena Mandel (Gisele), Henriette Gerard (Marguerite), Jan Hieronimko (The Doctor), Albert Bras (The Servant), A. Babanini (His Wife). 65 minutes.

Vampyr (Spain) see El Conde Drácula

Vampyre. (Panorama Entertainment/Pagan, 1990). USA. Produced by Bruce G. Hallenbeck and Antonio Panetta. Written and Directed by Hallenbeck. Director of Photography, Panetta. Starring Randy Scott Rozler, Cathy Seyler, John Brent, Marilyn Semerad.

The Vampyre Orgy see Vampyres

Vampyres (Daughters of Darkness, The Vampyre Orgy, Blood Hunger, Satan's Daughters, Daughters of Dracula). (Essay Films, 1974). Great Britain. Produced by Brian Smedley-Aston. Directed by Joseph (Jose) Larraz. Script by Diana Daubeney. Director of Photography, Harry Waxman (Color/Scope). Production Designer, Ken Bridgeman. Music, James Clark. Editor, Geoff Brown. Starring Marianne Morris (Fran), Anulka (Miriam), Murray Brown (Ted), Brian Deacon (John), Sally Faulkner (Harriet), Bessie Love, Michael Byrne, Elliott Sullivan. 87 minutes.

Vampyres Lesbos (Die Erbin des Dracula, Las Vampiras, Lesbian Vampires, El Signo del Vampiro, Heritage of Dracula). (CCC Telecine/Fenix Films, 1970). Spain/West Germany. Produced by Arturo Marcos. Directed by Franco Manera [Jesus Franco]. Script by Franco and Jaime Chavarri. Director of Photography, Manuel Merino (Color). Music, Mannfred Hubler, Siegfried Schwab. Editor, Clarissa Anbach. Starring Susan Korda [Soledad Miranda], Dennis Price, Ewa Stroemberg, Paul Mueller, Hiedrin Kassim, Victor Feldman, Jesus Franco, Michael Berling. 92 minutes.

Vault of Horror. (Metromedia/Amicus, 1973). Great Britain. Produced by Max J. Rosenberg and Milton Subotsky. Directed by Roy Ward Baker. Script by Subotsky based on tales in William Gaines' comic books. Director of Photography, Denys Coop (Color). Production Designer, Tony Curtis. Editor, Oswlad Hafenrichter. Starring Daniel Massey, Anna Massey, Michael Craig, Curt Jurgens, Dawn Addams, TerryThomas, Glynis Johns, Tom Baker, Denholm Elliott. 93 minutes. (The first of the five tales is a vampire story).

Veil of Blood (Devil's Plaything). (Leisure Time/Monarex, 1973). Switzerland. Produced by Chris D. Nebe. Written and Directed by Joe Sarno. Director of Photography, S. Silverman (Color). Production Designers, Cleo Nora, Armin Ryf. Music, RalfSans Mueller. Editors, R.S. Fugunt, D. Preuss. Starring Nadia Senkowa, Untel Syring, Ulrike Butz, Nico Wolf. 88 minutes.

La Venganza de Las Mujeres Vampiro see Santo en la Venganza de las Mujeres Vampiro

Vierges et Vampires (Virgins and Vampires, Requiem pour un Vampire, Caged Virgins). (ABC Films, 1972). France. Produced by Sam Selsky. Written and Directed by Jean Rollin. Director of Photography, Renan Polles (Color). Starring Marie Pierre Castel, Mireille D'Argent, Philippe Gaste, Dominique, Michel De la Salle, Olivier François, Louise Dhour. 95 minutes.

Vij (Vampires). (Mosfilm, 1967). USSR. Directed by Constantin Erchov and Guerorgiu Kropatchov. Script by A. Ptouchko, Erchov, and Kropatchov based on the story by Gogol. (Color). Starring Natalia Varlei, Leonid Kouraviliev.

Le Viol du Vampire (The Rape of the Vampire, Les Femmes Vampires, Sex and the Vampire, La Reine des Vampires, Queen of the Vampires). (ABC Films, 1967). France. Produced by Sam Selsky. Written and Directed by Jean Rollin. Director of Photography, Guy Leblond, Antoine Harispe. Music, Yvon Geraud, François Tusques. Editor, Jean-Denis Bonan. Starring Bernard Letrou (Thomas), Solange Pradel (Solange), Ursule Pauly (Ursulle), Nicole Romain (Blind Vampire), Jacqueline Sieger. 100 minutes.

Virgins and Vampires see Vierges et Vampires

Voodoo Heartbeat. (Molina Prods., 1972). USA Directed by Charles Nizet. (Color). Starring R. Molina, Philip Ahn, Ern Dugo. 88 minutes.

Walpurgis Night see La Noche de Walpurgis

Waxwork. (Vestron/Filmrullen/Palla/Mario Sotela, 1988). USA. Produced by Staffan Ahrenberg. Written and Directed by Anthony Hickox. Director of Photography, Gerry Lively (Color). Production Designer, Gianni Quaranta. Music, Roger Bellon. Editor, Christopher Cibelli. Starring Deborah Foreman (Sarah), Zach Galligan (Mark), Michelle Johnson (China), Dana Ashbrook (Tony), Miles O'Keefe (Dracula). 97 minutes.

The Werewolf vs. the Vampire Woman see La Noche de Walpurgis

The World of the Vampires see El Mundo de los Vampiros

Young Dracula (Great Britain) see Count Down-Son of Dracula

Young Dracula (Spain) see El Jovencito Drácula

Young Hannah see La Tumba de la Isla Maldita

Die Zärtlichkeit der Wölfe (The Tenderness of the Wolves). (Tango Film, 1973). West Germany. Produced by Rainer Werner Fassbinder. Directed by Ulli Lommel. Script by Kurt Raab. Director of Photography, Jurgen Jorges (Color). Starring Kurt Raab (Fritz Haarmann), Jeff Roden, Margit Carstensen, Wolfgang Schreck, R. W. Fassbinder. 87 minutes.

Zoltan, Hound of Dracula see Dracula's Dog

A Zsarnok Szíve avagy Boccacio Magyarorzságon (The Tyrant's Heart or Boccacio in Hungary). (Magfilm/Italiana-Leone, 1981). Hungary/Italy. Directed by Miklós Jancsó). Script by Jancsó and Giovarina Gagliardo from stories by Boccaccio. Director of Photography, Janós Kende (Color). Starring Ninetto Davoli, László Gálffy, Theresa-Ann Savoy. 88 minutes.

horror films
Introduction
This guide is primarily for the film scholar whose interest is particularly inclined toward horror films, but the average student or patron can easliy use this book as well. The book is organized in three sections and several appendices which will be explained later.


The first section contains an alphabetical list by either author or editor. I have decided on not distinguishing the two. Editors are only listed if an item is a compilation of essays or articles. This index is organized via the primary editor or author, whereas additional editors or authors will be listed in their respective alphabetical location and be followed by a "SEE" and a reference number. The citations within this section are listed by author/editor followed by title, publisher and publication date. The next part of the reference lists the subjects which I have assigned to each source based on the subjects used by The Library of Congress. In many instances I have added additional subjects and changed others to fit the nature of this guide. On the first line of each reference, next to the reference number, I have included a letter grade ranging from A to D. Items receiving A, A- or B+ are the most informative, well written and entertaining, some of which include rare photographs. Items with the grade B are fairly well written with a good mixture of photographs and information. The grade of B- is often given to items with only parts of books pertaining to horror films, or to those items which contain too many photographs and not enough information. Items receiving grades of C+, C or C- typically contain only one or two parts of the book which deal with horror films, or which deal with less prominent horror issues (actors, directors, etc.), or which contained far too many photographs in comparison to content and information, or which are not as academic or well written. Receiveing the grade of D usually means that the item has only one chapter or part dealing with horror films which was rather weak in its overall inclusion of the genre or contains a filmography or bibliography pertaining to the horror film genre, making such items barely inclusions in this book.


The second section included is the Supplement '95 index which contains all of the items which were reviewed after the completion of the main author index. These items are included in the title and subject indexes indicated by the letter S after the reference number.


The third section of this guide is the title index which is an alphabetical list of titles forsaking "the," "a" and "an" followed by a reference number indicating where to go in the Author Index or Supplement '95 (which are followed by the letter S) for the information about a particular title.


The fourth section included is the subject index which is an alphabetical list of subjects followed by a series of reference numbers as to where to go in the Author Index or Supplement '95 (item numbers are followed by the letter S). In researching this book I have attempted to be as consistent as possible in assigning subjects.


Types of sources excluded are novels, novelizations, scripts, plays, anthologies, special effects oriented books, how-to books, solely science fiction film books (unless enough horror films are represented), letters or microfiche materials, books under 40 pages and books dealing with individuals who have limited association with macabre cinema or who are more known for other genres. I have included as much information as possible regarding horror actors, directors, screenwriters, producers and make-up artists. To my disappointment not enough prolific horror stars have books or parts of books (essays) written about them, so do not get angry, annoyed or frustrated when not finding a reference to a particular horror icon. In addition, items with the subject heading, via the Library of Congress, "History and Criticism" were assigned other subjects depending on the nature of the book. I have not itemized the chapter subjects as individual subjects headings.


Included are several appendices. Appendix A, "Newly Reviewed Items" contains items which were reviewed after the book was completed. They are given a rating from A to D and subjects but are not included in any of the indexes. Appendix B is a list of unreviewed items arranged alphabetically by author. Appendix C is a list of foreign language titles listed alphabetically by author. Translations of English language items are omitted whenever possible. Appendix C is by no means complete since I cannot possibly know every language. My intention originally was not to include any foreign titles, but I have attempted to make this guide as complete as possible. In Appendix D an inclusion of all dissertations/theses which have not been published are arranged alphabetically by author. Appendix E: The "A" List contains a list, by reference number, of the items which received an "A" or "A-" rating. Also, included are those items in Appendix A listed by title only.


Next, I want to explain the inclusion of some of the subject headings starting with "Fantastic Films." Books which deal with both horror and sci-fi/fantasy films have often been termed fantastic. So in respect to such a term, whenever a title or subject assigned via The Library of Congress seemed to suggest a variety of genres I decided to congregate them into the necessary subject heading: "Fantastic Films." The subject heading "Biography" is used for those references which deal with multiple horror icons or which deal with at least one person associated with the horror genre. "Sex, Gender and Feminism" subject heading lumps together many related and sometimes unrelated concepts. "Sex" can mean both the gender aspect as well as the sexual definition. This is why "gender" has also been included to emphasize the former aspect. The reason I decided to include "feminism" also has to do with the gender aspect, but it is also a political term and social philosphy. "Filmbooks" are those items which deal with a particular horror film, some of which include history of the film as well as scripts. The next subject heading needed to be clarified is "History and Criticism" which includes references dealing with no particular aspect, but horror films in general in both the history of the genre as well as critical evaluation and analysis of the horror film genre. The subject heading "Addresses, Essays and Lectures" deals with books which include essays written by different authors. Books with only one or a few essays dealing with the horror film genre or chapters of books or sections dealing with the macabre cinema are also categorized under this subject heading. "Bibliography" subject heading are those books which contain lists of books pertaining to the horror genre. Items included under the heading "Film/Video Guides" are those which aid in locating or describing horror films often including ratings indicating how good or bad a film is. The subjects "Frankenstein Films," "King Kong Films," "Vampire Films," and "Werewolf Films" include references which are particular to those types of films. "Prehistoric Animals/Dinosaurs" are along the same lines as the previously mentioned items, but is a little broader including items referring to Ray Harryhausen or Willis O'Brien two proponents in the creation of such creatures. The remaining subjects I believe to be self explanatory.


The final item which needs to be dealt with is that only the most current editions which I have been able to locate of each item is included. In other words the latest publication date is what I have included in this guide. More specifically, the most current American edition. If a later edition from London has been produced it is not included.
Wholesale Slaughter presents:
Horror Films: A Bibliography
Author Index

[1] B-
Ackerman, Forrest J. Forrest J Ackerman, Famous Monster Of
Filmland. Pittsburg, PA: Imagine, 1986.

Subjects: Fantastic Films


[2] B
Ackerman, Forrest J. Forrest J Ackerman, Famous Monster Of
Filmland #2. CA: Hollywood Publishing Company, 1991.

Subjects: Fantastic Films


[3] B
Ackerman, Forrest J. Forrest J Ackerman Presents Mr. Monster's
Movie Gold: A Treasure-Trove of Imagi-Movies. Virginia
Beach, VA: Donning Co., 1981.

Subjects: Fantastic Films, History and Criticism


[4] A
Ackerman, Forrest J. The Frankenscience Monster. New York: Ace,
1969.

Subjects: Boris Karloff


[5] B
Ackerman, Forrest J. Lon Of 1000 Faces! Beverly Hills, CA:
Morrison Raven-Hill Company, 1983.

Subjects: Lon Chaney, Silent Films


Adams, Leith SEE 50


Adkinson, Robert SEE 135


[6] C
Adler, Alan. Science-Fiction And Horror Movie Posters In Full
Color. New York: Dover, 1977.

Subjects: History and Criticism, Posters


[7] C+
Adrian, Werner. Freaks: Cinema Of The Bizarre. New York: Warner
Books, 1976.

Subjects: History and Criticism


[8] B+
Allen, Jerry C. Conrad Veidt: From Caligari To Casablanca.
Pacific Grove, CA: Boxwood Press, 1993.

Subjects: Conrad Veidt


[9] C
Amis, Kingsley. What Became Of Jane Austen? And Other Questions.
New York: Harcourt Brace Jovanovich, 1971.

Subjects: Addresses, Essays and Lectures


[10] B+
Anderson, Robert Gordon. Faces, Forms, Films: The Artistry Of Lon
Chaney. South Brunswick: A.S. Barnes, 1971.

Subjects: Lon Chaney, Silent Films


[11] B
Andrews, Nigel. Horror Films. New York: Gallery, 1985.

Subjects: History and Criticism


[12] C+
Annan, David. Ape: Monster Of The Movies. New York: Bounty Books,
1975.

Subjects: Filmbooks, King Kong Films


[13] B-
Annan, David. Cinema Of Mystery And Fantasy. New York: F. Ungar
Pub. Co., 1984.

Subjects: Fantastic Films


[14] C+
Annan, David. Movie Fantastic: Beyond The Dream Machine. New
York: Bounty Books, 1975.

Subjects: Fantastic Films


[15] C+
Annan, David. Robot: The Mechanical Monster. New York: Bounty
Books, 1976.

Subjects: Fantastic Films, Frankenstein Films


[16] A-
Archer, Steve. Willis O'Brien: Special Effects Genius. Jefferson,
NC: McFarland, 1993.

Subjects: Willis O'Brien, Prehistoric Animals/Dinosaurs


[17] B
Arkoff, Samuel Z. and Richard Trubo. Flying Through Hollywood By
The Seat Of My Pants: From The Man Who Brought You I Was A
Teenage Werewolf And Muscle Beach Party. Secaucus, NJ: Carol
Publishing Group, 1992.

Subjects: Samuel Z. Arkoff


[18] C
Armes, Roy. A Critical History Of The British Cinema. New York:
Oxford University Press, 1978.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
Roman Polanski


[19] B-
Atkins, Peter, Clive Barker and Stephen Jones. The Hellraiser
Chronicles. London: Titan, 1992.

Subjects: Filmbooks


[20] C
Atkins, Thomas R. Graphic Violence On The Screen. New York:
Monarch Press, 1976.

Subjects: Addresses, Essays and Lectures; Terence Fisher,
Hammer Film Productions


[21] C
Atkins, Thomas R. Sexuality In The Movies. NY: Da Capo Press,
1984.

Subjects: Addresses, Essays and Lectures; Sex, Gender
and Feminism


[22] B
Bahrenburg, Bruce. The Creation Of Dino De Laurentiis' King Kong.
New York: Pocket Books, 1976.

Subjects: Filmbooks, King Kong Films


[23] C
Balun, Charles. The Gore Score Book. Albany, NY: Fantaco
Publications, 1987.

Subjects: Film/Video Guides; Splatter, Slasher and Gore Films


[24] C+
Baraket, Mark. Scream Gems. New York: Drake Publishers, 1977.

Subjects: History and Criticism


[25] C+
Barber, Dulan. Monsters Who's Who. New York: Crescent Books,
1975.

Subjects: Dictionaries and Encyclopedias, Fantastic Films


[26] B+
Barclow, John D. German Expressionist Film. Boston: Twayne Pub.,
1982.

Subjects: Silent Films


[27] B
Barker, Clive. Clive Barker's Nightbreed: The Making Of The Film.
London: Fontana, 1990.

Subjects: Filmbooks


Barker, Clive SEE 19


[28] B-
Barker, Martin. The Video Nasties: Freedom And Censorship In The
Media. London: Pluto Press, 1984.

Subjects: Addresses, Essays and Lectures


[29] B
Barsacq, Leon. Caligari's Cabinet And Other Grand Illusions: A
History Of Film Design. New York: New American Library,
1978.

Subjects: History and Criticism, Silent Films


[30] C+
Bazin, Andre. The Cinema Of Cruelty From Bunuel To Hitchcock. New
York: Seaver Books, 1982.

Subjects: Addresses, Essays and Lectures; Carl Theodor
Dreyer; Alfred HItchcock


Beale, Kenneth SEE 47


[31] A-
Beck, Calvin Thomas. Heroes Of The Horrors. New York: MacMillan
Books, 1975.

Subjects: Biography


[32] B+
Beck, Calvin Thomas. Scream Queens: Heroines Of The Horrors. New
York: MacMillan, 1978.

Subjects: Biography; Sex, Gender and Feminism


Bedford, Michael SEE 111


Beesley, Charles SEE 465


[33] B
Behrendt, Stephen C. and Anne Kostelanetz Mellor. Approaches To
Teaching Shelley's Frankenstein. New YorK: Modern Language
Association of America, 1990.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[34] C-
Beja, Morris. Film And Literature: An Introduction. NY: Longman,
Inc., 1979.

Subjects: Addresses, Essays and Lectures; Alfred
Hitchcock, Silent Films


[35] C
Belton, John. Cinema Stylists. Metuchen, NJ: Scarecrow Press,
1983.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


Bigwood, James SEE 487


[36] C+
Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us To
Stop Worrying And Love The Fifties. New York: Pantheon
Books, 1983.

Subjects: Addresses, Essays and Lectures; Fantastic Films


[37] B-
Bisplinghoff, Gretchen and Virginia Wright Wexman. Roman
Polanski: A Guide To References And Resources. Boston: Hall,
1979.

Subjects: Roman Polanski


[38] A
Blake, Michael Francis. Lon Chaney: The Man Behind The Thousand
Faces. Vestal, NY: Vestal Press, 1993.

Subjects: Lon Chaney, Silent Films


[39] B
Blatty, William Peter. William Peter Blatty On "The Exorcist" :
From Novel To Film. New York: Bantam Books, 1974.

Subjects: Filmbooks, Supernatural


[40] B+
Bloch, Robert. Once Around The Bloch: An Unauthorized
Autobiography. New York: TOR, 1993.

Subjects: Robert Bloch


[41] B-
Bloch, Robert. Out Of My Head. Cambridge, MA: NESFA Press, 1986.

Subjects: Robert Bloch


[42] C+
Bloch, R. Howard and Frances Ferguson. Misogyny, Misandry, And
Misanthropy. Berkeley: University fo California Press, 1989.

Subjects: Addresses, Essays and Lectures; Sex, Gender and
Feminism


[43] C-
Bloom, Clive. Twentieth-Century Suspense: The Thriller Comes Of
Age. Hampshire: MacMillan, 1990.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[44] C
Blue, Tyson. The Unseen King. San Bernardino, CA: Borgo Press,
1989.

Subjects: Stephen King


[45] B-
Bogdonavich, Peter. Cinema Of Alfred Hitchcock. New York: Museum
of Modern Art Library, 1963.

Subjects: Alfred Hitchcock


[46] B
Bojarski, Richard. The Complete Films Of Bela Lugosi. New York:
Citadel Press, 1992.

Subjects: Film/Video Guides, Bela Lugosi


[47] B
Bojarski, Richard and Kenneth Beale. The Films Of Boris Karloff.
Secaucus, NJ: Citadel Press, 1974.

Subjects: Film/Video Guides, Boris Karloff


[48] C+
Bordwell, David. The Films Of Carl-Theodor Dreyer. Berkeley:
University of California Press, 1981.

Subjects: Carl Theodor Dreyer


[49] B
Borland, Carroll. Countess Dracula: A Novel. Absecon, NJ:
MagicImage Filmbooks, 1994.

Subjects: Biography, Filmbooks, Vampire Films


Borst, Margaret A. SEE 50


[50] A-
Borst, Ronald V., Keith Burns, Leith Adams, and Margaret A.
Borst. Graven Images: The Best Of Horror, Fantasy, And
Science Fiction Film Art From The Collection Of Ronald V.
Borst. New york: Grove Press, 1992.

Subjects: Fantastic Films, Posters


[51] C
Braendlin, Bonnie. Cultural Power/Cultural Literacy: Selected
Papers From The Fourteenth Annual Florida State University
Conference On Literature And Film. Tallahassee: Florida
State University Press, 1991.

Subjects: Addresses, Essays and Lectures; Wes Craven;
Splatter, Slasher and Gore Films


[52] C
Braendlin, Hans P. Ambiguities In Literature And Film: Selected
Papers From The Seventh Annual Florida State University
Conference On Literature And Film. Tallahassee: Florida
State University Press, 1988.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[53] C+
Brakhage, Stan. Brakhage Lectures. Chicago: Good Lion, 1972.

Subjects: Addresses, Essays and Lectures; Carl Theodor
Dreyer


[54] B-
Branagh, Kenneth. Mary Shelley's Frankenstein: A Classic Tale Of
Terror Reborn On Film. New York: Newmarket Press, 1994.

Subjects: Filmbooks, Frankenstein Films


[55] B-
Breskin, David. Inner Views: Filmmakers In Conversation. Boston:
Faber and Faber, 1992.

Subjects: David Cronenberg, Interviews


[56] C
Brill, Lesley. The Hitchcock Romance: Love And Irony In
Hitchcock's Films. Princeton, NJ: Princeton University
Press, 1988.

Subjects: Alfred Hitchcock; Sex, Gender and Feminism


[57] B+
Britton, Andrew [et al]. American Nightmare: Essays On The Horror
Film. Toronto: Festival of Festivals, 1979.

Subjects: Addresses, Essays and Lectures


[58] B-
Brokaw, Kurt. A Night In Transylvania: The Dracula Scrapbook. New
York: Grosset & Dunlap, 1976.

Subjects: Addresses, Essays and Lectures; Vampire Films


Bronner, Stephen Eric SEE 216


[59] B-
Brosch, Robert and Kren Sevitch. Horror Science Fiction Fantasy:
Movie Posters & Lobby Cards/1925-1970 Vol. II. Allen Park,
MI: Archival Photography, 1993.

Subjects: Posters


[60] A-
Brosnan, John. The Horror People. New York: St. Martin's Press,
1976.

Subjects: Biography


[61] B-
Brown, Michael. Pandemonium. Staten Island, NY: Eclipse Books,
1991.

Subjects: Clive Barker


[62] C
Browne, Ray Broadus. Forbidden Fruits: Taboos And Tabooism In
Culture. Bowling Green, OH: Bowling Green University Popular
Press, 1984.

Subjects: Addresses, Essays and Lectures


Brunas, John SEE 63


[63] A
Brunas, Michael, John Brunas and Tom Weaver. Universal Horrors:
The Studio's Classic Films, 1931-1946. Jefferson, NC:
McFarland, 1990.

Subjects: History and Criticism, Universal Pictures


[64] C+
Bryant, Jennings and Dolf Zillmann. Responding To The Screen:
Reception And Reaction Processes. Hillsdale, NJ: L. Erlbaum
Associates, 1991.

Subjects: Addresses, Essays and Lectures; Psychological Aspects


[65] A-
Budd, Mike. The Cabinet Of Dr. Caligari: Texts, Contexts,
Histories. New Brunswick, NJ: Rutgers University press,
1990.

Subjects: Filmbooks, Silent Films


[66] B
Buehrer, Berverley Bare. Boris Karloff: A Bio-Bibliography.
Westport, CT: Greenwood Press, 1993.

Subjects: Bibliography, Boris Karloff


[67] B-
Bunson, Matthew. The Vampire Encyclopedia. New York: Crown Trade
Paperbacks, 1993.

Subjects: Dictionaries and Encyclopedias, Vampire Films


Burns, Keith SEE 50


[68] B
Buscombe, Edward. Making "Legend Of The Werewolf". London:
British Film Institute, 1976.

Subjects: Filmbooks, Werewolf Films


[69] C
Butler, Ivan. The Cinema Of Roman Polanski. New York: A.S.
Barnes, 1970.

Subjects: Roman Polanski


[70] B
Butler, Ivan. Horror In The Cinema. South Brunswick, NJ: A.S.
Barnes, 1979.

Subjects: History and Criticism

[71] C+
Byrne, Richard B. Films Of Tyranny: Shot Analyses Of The Cabinet
Of Dr. Caligari, The Golem And Nosferatu. Madison, WI:
College Print. & Typing Co., 1966.

Subjects: Filmbooks, Silent Films, Vampire
Films


Cabana, Raymond SEE 487


[72] C
Cameron, Ian. Movie Reader. New York: Praeger, 1972.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[73] B
Carney, Raymond. Speaking The Language Of Desire: The Films Of
Carl Dreyer. New York: Cambridge University Press, 1989.

Subjects: Carl Theodor Dreyer


[74] B+
Carroll, Noel E. The Philosophy Of Horror, Or, Paradoxes Of The
Heart. New York: Routledge, 1990.

Subjects: History and Criticism


[75] A
Castle, William. Step Right Up!: I'm Gonna Scare The Pants Off
America. New York: Pharos Books, 1992.

Subjects: William Castle


Chabrol, Claude SEE 374


[76] A
Clarens, Carlos. Horror Movies: An Illustrated Survey. London:
Panther, 1971.

Subjects: History and Criticism


[77] A-
Clover, Carol J. Men, Women, And Chain Saws: Gender In The Modern
Horror Film. Princeton, NJ: Princeton University Press,
1992.

Subjects: History and Criticism; Sex, Gender and Feminism;
Splatter, Slasher and Gore Films


[78] A-
Coates, Paul. The Gorgon's Gaze: German Cinema, Expressionism,
And The Image Of Horror. Cambridge: Cambridge University
Press, 1991.

Subjects: Silent Films


[79] C+
Cohan, Steven and Ina Rae Hark. Screening The Male: Exploring
Masculinities In Hollywood Cinema. London: Routledge, 1993.

Subjects: Addresses, Essays and Lectures; David Cronenberg;
Sex, Gender and Feminism


[80] C+
Collier, Jo Leslie. From Wagner To Murnau: The Transposition Of
Romanticism From Stage To Screen. Ann Arbor, MI: UMI
Research Press, 1988.

Subjects: Addresses, Essays and Lectures; F.W. Murnau,
Silent Films

[81] C+
Collings, Michael R. The Films Of Stephen King. San Bernardino,
CA: Borgo Press, 1988.

Subjects: Stephen King


[82] C
Collins, Robert A. and Howard D. Pearce. The Scope Of The
Fantastic--Theory, Technique, Major Authors: Selected
Essays From The First International Conference On The
Fantastic In Literature And Film. Wesport, CT: Greenwood
Press, 1985.

Subjects: Addresses, Essays and Lectures; Fantastic Films


[83] C
Conner, Jeff. The Crow. Northampton, MA: Kitchen Sink Press,
1994.

Subjects: Filmbooks


[84] B-
Conner, Jeff. Stephen King Goes To Hollywood. New York: New
American Library, 1987.

Subjects: Stephen King


[85] C
Cooper, Jeffrey. The Nightmare On Elm Street Companion: The
Official Guide To America's Favorite Fiend. New York: St.
Martin's Press, 1987.

Subjects: Filmbooks


[86] B-
Copper, Basil. The Vampire In Legend, Fact And Art. New York, NY:
Carol Communications, 1989.

Subjects: Addresses, Essays and Lectures; Vampire Films


[87] B-
Coppola, Francis Ford and James V. Hart. Bram Stoker's Dracula:
The Film And The Legend. New York: Newmarket Press, 1992.

Subjects: Filmbooks, Vampire Films


[88] B-
Coppola, Francis Ford and Eiko Ishioka. Coppola And Eiko On Bram
Stoker's Dracula. San Francisco, CA: Collins Publishers,
1992.

Subjects: Filmbooks, Vampire Films


[89] C
Corber, Robert J. In The Name Of National Security: Hitchcock,
Homophobia, And The Political Construction Of Gender In
Postwar America. Durham: Duke University Press, 1993.

Subjects: Alfred Hitchcock; Sex, Gender and Feminism


[90] B
Corman, Roger and Jim Jerome. How I Made A Hundred Movies In
Hollywood And Never Lost A Dime. New York: Random House,
1990.

Subjects: Roger Corman


[91] C+
Corman, Roger. The Movie World Of Roger Corman. New York: Chelsea
House Publishers, 1979.

Subjects: Roger Corman


[92] B-
Coulteray, George de. Sadism In The Movies. New York: Medical
Press, 1965.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects; Sex, Gender and Feminism


[93] C+
Coursodon, Jean Pierre. American Directors. New York: McGraw-
Hill, 1983.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
Jacques Tourneur


[94] C
Cowie, Peter. Fifty Major Film-Makers. South Brunswick: A.S.
Barnes, 1975.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
Roman Polanski


[95] B+
Coyle, William. Aspects Of Fantasy: Selected Essays From The
Second International Conference On The Fantastic In
Literature And Film. Westport, CN: Greenwood Press, 1986.

Subjects: Addresses, Essays and Lectures; Frankenstein
Films, Val Lewton, Supernatural, Vampire Films


[96] A-
Creed, Barbara. The Monstrous-Feminine: Film, Feminism,
Psychoanalysis. New York: Routledge, 1993.

Subjects: Psychological Aspects; Sex, Gender and Feminism


[97] A
Cremer, Robert. Lugosi: The Man Behind The Cape. Chicago: H.
Regnery Co., 1976.

Subjects: Bela Lugosi


[98] A-
Cronenberg, David. Cronenberg On Cronenberg. Boston: Faber and
Faber, 1992.

Subjects: David Cronenberg


[99] B-
Cross, Robin. The Big Book Of B Movies, Or, How Low Was My
Budget. New York: St. Martin's Press, 1982.

Subjects: Addresses, Essays and Lectures


[100] B+
Cumbow, Robert C. Order In The Universe: The Films Of John
Carpenter. Metuchen, NJ: Scarecrow Press, 1990.

Subjects: John Carpenter


[101] C-
Curran, James and Vincent Porter. British Cinema History. London:
Weidenfeld and Nicholson, 1983.

Subjects: Addresses, Essays and Lectures; Hammer Film
Productions


[102] B+
Curtis, James. James Whale. Metuchen, NJ: Scarecrow Press, 1982.

Subjects: James Whale


[103] C
Cushing, Peter. "Past Forgetting": Memoirs Of The Hammer Years.
Santa Barbara, CA: Clio Press, 1988.

Subjects: Peter Cushing


[104] A-
Cushing, Peter. Peter Cushing: An Autobiography. Santa Barbara:
Clio Press, 1987.

Subjects: Peter Cushing


[105] B+
Daniels, Les. Living In Fear: A History Of Horror In The Mass
Media. New York: Da Capo Press, 1983.

Subjects: History and Criticism


[106] C+
Daniels, Stephen. Movie Monsters. Mahwah, NJ: Watermill Press,
1980.

Subjects: Fantastic Films, History and Criticism


[107] C+
Davidson, Robert K. Great Monsters Of The Movies. New York: Jove
Publications, 1978.

Subjects: Fantastic Films, History and Criticism


[108] B-
Davis, Richard. The Encyclopedia Of Horror. London: Octopus
Books, 1981.

Subjects: Film/Video Guides, History and Criticism,


[109] A-
Del Vecchio, Deborah and Tom Johnson. Peter Cushing: The Gentle
Man Of Horror And His 91 Films. Jefferson, NC: McFarland &
Co., 1992.

Subjects: Peter Cushing


[110] A-
Derry, Charles. Dark Dreams: A Psychological History Of The
Modern Horror Film. South Brunswick: A.S. Barnes, 1977.

Subjects: History and Criticism, Psychological Aspects


[111] A-
Dettman, Bruce and Michael Bedford. The Horror Factory: The
Horror Films Of Universal, 1931 To 1955. New York: Gordon
Press, 1976.

Subjects: History and Criticism, Universal Pictures


[112] B
Deutelbaum, Marshall and Leland Poague. A Hitchcock Reader.
Ames: Iowa State University Press, 1986.

Subjects: Alfred Hitchcock


[113] B
Dika, Vera. Games Of Terror: Halloween, Friday The 13th, And The
Films Of The Stalker Cycle. Rutherford, NJ: Fairleigh
Dickinson University Press, 1990.

Subjects: History and Criticism; Splatter, Slasher and Gore
Films


[114] B-
Dillard, Richard H.W. Horror Films. New York: Monarch Press,
1976.

Subjects: History and Criticism


[115] B+
Dixon, Wheeler W. The Charm Of Evil: The Life And Films Of
Terence Fisher. Metuchen, NJ: Scarecrow Press, 1991.

Subjects: Terence Fisher, Hammer Film Productions


[116] B+
Dixon, Wheeler W. The Films Of Freddie Francis. Metuchen, NJ:
Scarecrow Press, 1991.

Subjects: Freddie Francis, Hammer Film Productions


[117] B-
Dixon, Wheeler W. Producers Releasing Corporation: A
Comprehensive Filmography And History. Jefferson, NC:
McFarland, 1986.

Subjects: Catalogs, PRC (Producers Releasing Corporation)


[118] C
Dixon, Wheeler, W. Re-Viewing British Cinema 1900-1992: Essays
And Interviews. Albany: State University of New York Press,
1994.

Subjects: Addresses, Essays and Lectures; Hammer Film
Productions; Interviews


[119] B-
Doherty, Thomas. Teenagers And Teenpics: The Juvenilization Of
American Movies In The 1950s. Boston: Unwin Hyman, 1988.

Subjects: Addresses, Essays and Lectures


[120] B
Donald, James. Fantasy And The Cinema. London: British Film
Institute, 1989.

Subjects: Fantastic Films


[121] A-
Douglas, Drake. Horrors! Woodstock, NY: Overlook Press, 1991.

Subjects: History and Criticism


[122] C
Drinkwater, John. The Life And Adventures Of Carl Laemmle. New
York: Arno Press, 1978.

Subjects: Carl Laemmle


[123] C+
Druxman, Michael B. Basil Rathbone: His Life And His Films. South
Brunswick, NJ: A.S. Barnes, 1975.

Subjects: Basil Rathbone


Duncan, Jody SEE 400


[124] B-
Durgnat, Raymond. The Strange Case Of Alfred Hitchcock: Or, The
Plain Man's Hitchcock. Cambridge, MA: MIT Press, 1978.

Subjects: Alfred Hitchcock


[125] C
Edelson, Edward. Great Monsters Of The Movies. New York: Pocket
Books, 1974.

Subjects: Fantastic Films, History and Criticism


[126] B-
Edmonds, I.G. Big U: Universal In The Silent Days. South
Brunswick, NJ: A.S. Barnes, 1977.

Subjects: Universal Pictures


[127] A
Eisner, Lotte H. The Haunted Screen: Expressionism In The German
Cinema And The Influence Of Max Reinhardt. Berkeley:
University of California Press, 1973.

Subjects: Silent Films


[128] A-
Eisner, Lotte H. Murnau. Berkeley: University of California
Press, 1973.

Subjects: F.W. Murnau, Silent Films


[129] C+
Ellis, Reed. A Journey Into Darkness: The Art Of James Whale's
Horror Films. New York: Arno Press, 1980.

Subjects: James Whale


[130] B
Everman, Welch D. Cult Horror Films: From Attack Of The 50 Foot
Woman To Zombies Of Mora Tau. Secaucus, NJ: Carol Publishing
Group, 1993.

Subjects: Film/Video Guides


[131] C-
Everson, William K. The Bad Guys: A Pictorial History Of The
Movie Villain. New York: Citadel Press, 1971.

Subjects: Addresses, Essays and Lectures


[132] B+
Everson, William K. Classics Of The Horror Film. New York: Carol
Publishing Group, 1990.

Subjects: Film/Video Guides


[133] B+
Everson, William K. More Classics Of The Horror Film. Secaucus,
NJ: Citadel Press, 1986.

Subjects: Film/Video Guides


[134] C+
Eyles, Allen. Horror Film Album. London: I. Allan, 1971.

Subjects: History and Criticism


[135] B-
Eyles, Allen, Robert Adkinson and Nicholas Fry. The House Of
Horror: The Complete Story Of Hammer Films. New York, NY: F.
Unger Pub. Co., 1984.

Subjects: Hammer Film Productions, History and Criticism


Ferguson, Frances SEE 42


[136] C+
Finler, Joel Waldo. Hitchcock In Hollywood. New York: Continuum,
1992.

Subjects: Alfred Hitchcock


[137] A
Fischer, Dennis. Horror Film Directors, 1931-1990. Jefferson,
NC: McFarland, 1991.

Subjects: Biography


Fitton, Akira SEE 465


[138] B+
Fitzgerald, Michael G. Universal Pictures: A Panoramic History In
Words, Pictures, And Filmographies. New Rochelle, NY:
Arlington House, 1977.

Subjects: Universal Pictures


[139] B-
Florescu, Radu R.N. In Search Of Frankenstein. New York: Warner
Books, 1976.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


Florescu, Radu R. N. SEE 279,280


Flynn, Charles SEE 264


[140] B
Flynn, John L. Cinematic Vampires: The Living Dead On Film And
Television, From The Devil's Castle (1896) To Bram Stoker's
Dracula (1992). Jefferson, NC: McFarland & Co., 1992.

Subjects: Film/Video Guides, Vampire Films


[141] B+
Forry, Steven Earl. Hideous Progenies: Dramatizations Of
Frankenstein From Mary Shelley To The Present. Philadelphia:
University of Pennsylvania Press, 1990.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[142] C+
Fowler, Douglas. The Kingdom Of Dreams In Literature And Film:
Selected Papers From The Tenth Annual Florida State
University Conference On Literature And Film. Tallahasse:
University Presses of Florida, 1986.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[143] B-
Frank, Alan G. The Horror Film Handbook. Totowa, NJ: Barnes &
Nobles Books, 1982.

Subjects: Dictionaries and Encyclopedias


[144] B
Frank, Alan G. Horror Films. New York: Hamlyn, 1977.

Subjects: History and Criticism


[145] B-
Frank, Alan G. Monsters & Vampires. London: Cathay books, 1976.

Subjects: History and Criticism, Vampire Films


[146] B-
Freeman, David. The Last Days Of Alfred Hitchcock: A Memoir
Featuring The Screenplay Of "Alfred Hitchcock's The Short
Night". Woodstock, NY: Overlook Press, 1984.

Subjects: Alfred Hitchcock


[147] B-
Friedman, Favius. Great Horror Movies. New York: Scholastic Book
Services, 1974.

Subjects: History and Criticism


Fry, Nicholas SEE 135


Fuller, Linda K. SEE 248


[148] D
Fuss, Diana. Inside/Out: Lesbian Theories, Gay Theories. New
York: Routledge, 1991.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
Sex, Gender and Feminism


[149] B+
Gagne, Paul R. The Zombies That Ate Pittsburgh: The Films Of
George A. Romero. New York: Dodd, Mead, 1987.

Subjects: George A. Romero


[150] A-
Galbraith, Stuart. Japanese Science Ficiton, Fantasy, And Horror
Films: A Critical Analysis And Filmography Of 97 Features
Released In The United States, 1950-1992. Jefferson, NC:
McFarland, 1994.

Subjects: Fantastic Films, Film/Video Guides, Japanese
Horror/Godzilla


Garrett, George SEE 372


[151] B-
Geduld, Harry M. The Definitive Dr. Jekyll And Mr. Hyde
Companion. New York: Garland, 1983.

Subjects: Filmbooks


Geduld, Harry M. SEE 166


[152] C+
Gelder, Ken. Reading The Vampire. New York: Routledge, 1994.

Subjects: Addresses, Essays and Lectures; Vampire Films


[153] B-
Gelmis, Joseph. The Film Director As Superstar. Garden City, NY:
Doubleday, 1970.

Subjects: Roger Corman, Interviews, Roman Polanski


[154] C+
George, Bill. Eroticism In The Fantasy Cinema. Pittsburg, PA:
Imagine, 1984.

Subjects: Fantastic Films; Sex, Gender and Feminism


[155] C
Gianetti, Louis. Masters Of The American Cinema. Englewood
Cliffs, NY: Prentice-Hall, 1981.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[156] B
Gifford, Denis. Karloff: The Man, The Monster, The Movies. New
York: Curtis Books, 1973.

Subjects: Boris Karloff


[157] B-
Gifford, Denis. Movie Monsters. London: Studio Vista, 1969.

Subjects: Fantastic Films, History and Criticism


[158] B
Gifford, Denis. A Pictorial History Of Horror Movies. New York:
Hamlyn, 1983.

Subjects: History and Criticism


[159] B
Giger, H.R. Giger's Alien: Film Design, 20th Century Fox.
Beverley Hills: Morpheus International, 1989.

Subjects: Filmbooks


[160] A
Glut, Donald F. Classic Movie Monsters. Metuchen, NJ: Scarecrow
Press, 1978.

Subjects: Fantastic Films, History and Criticism


[161] B+
Glut, Donald F. The Dracula Book. Metuchen, NJ: Scarecrow Press,
1975.

Subjects: Vampire Films


[162] B+
Glut, Donald F. The Frankenstein Catalog: Being A Comprehensive
List Of Novels, Translations, Adaptations, Stories, Critical
Works...Featuring Frankenstein's Monster And/Or Descended
From Mary Shelley's Novel. Jefferson, NC: McFarland, 1984.

Subjects: Catalogs, Frankenstein Films


[163] A-
Glut, Donald F. The Frankenstiein Legend: A Tribute To Mary
Shelley And Boris Karloff. Metuchen, NJ: Scarecrow Press,
1973.

Subjects: Frankenstein Films, Boris Karloff


Goldblatt, Burt SEE 417


[164] B
Golden, Christopher. Cut!: Horror Writers On Horror Films. New
York: Berkeley Books, 1992.

Subjects: Addresses, Essays and Lectures


[165] B+
Goldner, Orville and George E. Turner. The Making Of King Kong:
The Story Behind A Film Classic. New York: Ballantine Books,
1976.

Subjects: Filmbooks, King Kong Films


[166] B
Gottesman, Ronald and Harry Geduld. The Girl In The Hairy Paw:
King Kong As Myth, Movie, And Monster. New York: Avon Books,
1976.

Subjects: Filmbooks, King Kong Films


[167] C
Gow, Gordon. Suspense In The Cinema. New York: Paperback
Library, 1971.

Subjects: Addresses, Essays and Lectures


[168] B-
Grant, Barry Keith. Film Genre Reader. Austin: University of
Texas Press, 1986.

Subjects: Addresses, Essays and Lectures


[169] A-
Grant, Barry Keith. Planks Of Reason: Essays On The Horror Film.
Metuchen, NJ: Scarecrow Press, 1984.

Subjects: Addresses, Essays and Lectures; Wes Craven; David
Cronenberg; Terence Fisher; Frankenstein Films;
King Kong Films; Stephen King; F.W. Murnau;
Silent Films; Vampire Films; James Whale


[170] B
Grant, Marcus. Horror. London: Heinemann Educational, 1974.

Subjects: History and Criticism


[171] C+
Greenberg, Harvey R. The Movies On Your Mind. New York: Dutton,
1975.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[172] C+
Greenberg, Harvey R. Screen Memories: Hollywood Cinema On The
Psychoanalytic Couch. New York: Columbia University Press,
1993.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects


Greenberg, Joel SEE 188


[173] B
Grey, Rudolph. Nightmare Of Ecstasy: The Life And Art Of Edward
D. Wood, Jr. Los Angeles, CA: Feral House, 1992.

Subjects: Edward D. Wood, Jr.


Grogg, Sam L. SEE 262


Gross, Michael SEE 387


[174] C+
Guiley, Rosemary Ellen and J.B. Macabre. The Complete Vampire
Companion: Legend And Lore Of The Living Dead. New York, NY:
MacMillan, 1994.

Subjects: Addresses, Essays and Lectures; Vampire Films


[175] B
Haining, Peter. The Dracula Scrapbook: Articles, Letters,
Newspaper Cuttings, Anecdotes, Illustrations, Photographs
And Memorabilia About The Vampire Legend. New York: Bramhall
House, 1976.

Subjects: Addresses, Essays and Lectures; Vampire Films


[176] B+
Haining, Peter. The Frankenstein File. London: New English
Library, 1977.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[177] C+
Haley, Michael. The Alfred Hitchcock Album. Englewood Cliffs, NJ:
Prentice-Hall, 1981.

Subjects: Alfred Hitchcock


[178] B
Halliwell, Leslie. The Dead That Walk: Dracula, Frankenstein, The
Mummy, And Other Favorite Movie Monsters. New York: Ungar,
1988.

Subjects: History and Criticism


[179] B+
Handling, Piers. The Shape Of Rage: The Films Of David
Cronenberg. New York: New York Zoetrope, 1983.

Subjects: David Cronenberg


[180] A-
Hanke, Ken. A Critical Guide To Horror Film Series. New York:
Garland Pub., 1991.

Subjects: History and Criticism


Hardy, Phil SEE 288


Hark, Ina Rae SEE 79


[181] B
Harmon, Jim. The Godzilla Book. San Bernardino, CA: Borgo Press,
1987.

Subjects: Japanese Horror/Godzilla


[182] C
Harris, Robert A. and Michael S. Lasky. The Films Of Alfred
Hitchcock. Secaucus, NJ: Citadel Press, 1976.

Subjects: Alfred Hitchcock


[183] B
Harryhausen, Ray. Film Fantasy Scrapbook. San Diego: A.S. Barnes,
1981.

Subjects: Fantastic Films, Ray Harryhausen, Prehistoric
Animals/Dinosaurs


Hart, Douglas SEE 340


Hart, James V. SEE 87


[184] B
Haworth-Maden, Clare. The Essential Dracula. New York: Crescent
Books, 1992.

Subjects: Addresses, Essays and Lectures; Vampire Films


[185] C-
Helman, Cecil. The Body Of Frankenstein's Monster: Essays In Myth
And Medicine. New York: W.W. Norton Company, 1992.

Subjects: Addresses, Essays and Lectures; Frankenstein
Films; Werewolf Films


[186] B-
Herron, Don. Reign Of Fear: The Fiction And The Films Of Stephen
King. Novato, CA: Underwood-Miller, 1992.

Subjects: Stephen King


[187] B-
Hickenlooper, George. Reel Conversations: Candid Interviews With
Film's Foremost Directors And Critics. Secaucus, NJ: Carol
Publishing Group, 1991.

Subjects: John Carpenter, David Cronenberg, Interviews,
George Romero


[188] C
Higham, Charles and Joel Greenberg. The Celluloid Muse: Hollywood
Directors Speak. New York: New American Library, 1972.

Subjects: Alfred Hitchcock, Interviews, Jacques Tourneur


[189] C+
Hill, Geoffrey Michael. Illuminating Shadows: The Mythic Power Of
Film. Boston: Shambhala, 1992.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects; Sex, Gender and Feminism


[190] B
Hirschhorn, Clive. The Universal Story. New York: Crown, 1983.

Subjects: Universal Pictures


[191] B-
Hoberman, J. and Jonathan Rosenbaum. Midnight Movies. New York:
Harper And Row, 1991.

Subjects: Addresses, Essays and Lectures


[192] C
Hochman, Stanley. American Film Directors. New York: Ungar, 1974.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
F.W. Murnau; Jacques Tourneur


[193] A
Hogan, David. Dark Romance: Sexuality In The Horror Film.
Jefferson, NC: McFarland, 1986.

Subjects: History and Criticism; Sex, Gender and Feminism


[194] B+
Hogan, David. Who's Who Of The Horrors And Other Fantasy Films:
The International Personality Encyclopedia Of The Fantastic
Film. San Diego: A.S. Barnes, 1981.

Subjects: Biography, Dictionaries and Encyclopedias,
Fantastic Films


[195] B
Hokenson, Jan and Howard Pearce. Forms Of The Fantastic: Selected
Essays From The Third International Conference On The
Fantastic In Literature And Film. Westport, CT: Greenwood
Press, 1986.

Subjects: Addresses, Essays and Lectures; Fantastic Films;
Silent Films; Stephen King; Val Lewton


[196] C+
Hollis, Pat and Jack Stevenson. Freaks, Magicians & Movie Stars
Issue. Cambridge, MA: J. Stevenson, 1989.

Subjects: History and Criticism, Interviews


[197] B
Horsting, Jessie. Stephen King At The Movies. New York: Starlog
Press, 1986.

Subjects: Stephen King


[198] C
Houe, Poul. Carl Theodor Dreyer's Cinematic Humanism.
Minneapolis, MN: Center for Nordic Studies, University of
Minnesota, 1992.

Subjects: Carl Theodor Dreyer


[199] C
Humphries, Patrick. The Films Of Alfred Hitchcock. New York:
Portland House: Distributed by Crown Publishers, 1986.

Subjects: Alfred Hitchcock


[200] B+
Hurley, Neil P. Soul In Suspense: Hitchcock's Fright And Delight.
Metuchen, NJ: Scarecrow Press, 1993.

Subjects: Alfred Hitchcock


[201] B-
Hurwood, Bernhardt J. Vampires. New York: Quick Fox, 1981.

Subjects: Film/Video Guides, Vampire Films


[202] B+
Huss, Roy Gerard and Theodore J. Ross. Focus On The Horror Film.
Englewood Cliffs, NJ: Prentice-Hall, 1972.

Subjects: Addresses, Essays and Lectures


[203] A-
Hutchings, Peter. Hammer And Beyond: The British Horror Film.
New York: St. Martin's Press, 1993.

Subjects: Hammer Film Productions


[204] B-
Hutchinson, Tom. Horror & Fantasy In The Movies. New York:
Crescent Books, 1974.

Subjects: Fantastic Films, History and Criticism


[205] B
Hutchinson, Tom and Roy Pickard. Horrors: A History Of Horror
Movies. Secaucus, NJ: Chartwell, 1984.

Subjects: History and Criticism


[206] A-
Iaccino, James F. Psychological Reflections On Cinematic Terror:
Jungian Archetypes In Horror Films. Westport, CN: Praeger,
1994.

Subjects: History and Criticism, Psychological Aspects


[207] B-
Irons, Glenwood. Gender, Language, And Myth: Essays On Popular
Narrative. Buffalo: University of Toronto Press, 1992.

Subjects: Addresses, Essays and Lectures; Stephen King; Sex,
Gender and Feminism


Ishioka, Eiko SEE 88


[208] B-
Jameson, Robert. The Essential Frankenstein. Leicester: Magna
Books, 1992.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[209] B-
Jancovich, Mark. Horror. London: Batsford, 1992.

Subjects: History and Criticism


Jensen, Jytte SEE 291


[210] B-
Jensen, Paul M. Boris Karloff And His Films. South Brunswick, NJ:
A.S. Barnes, 1974.

Subjects: Boris Karloff


Jerome, Jim SEE 90


[211] B-
Johnston, Claire and Paul Willemen. Jacques Tourneur. Edinburgh:
Edinburgh Film Festival, 1975.

Subjects: Jacques Tourneur


Johnson, John SEE 395


Johnson, Tom SEE 109


Jones, Stephen SEE 19


Juno, Andrea SEE 448


[212] C+
Justice, Keith L. Science Fiction, Fantasy, And Horror Reference:
An Annotated Bibliography Of Works About Literature And
Film. Jefferson, NC: McFarland, 1989.

Subjects: Bibliography


[213] C+
Kaminsky, Stuart M. American Film Genres. Chicago: Nelson-Hall,
1985.

Subjects: Addresses, Essays and Lectures


[214] B-
Kaplan, E. Ann. Psychoanalysis & Cinema. New York: Routledge,
1990.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects; Jacques Tourneur


[215] B-
Kapsis, Robert E. Hitchcock: The Making Of A Reputation. Chicago:
University of Chicago Press, 1992.

Subjects: Brian De Palma, Alfred Hitchcock


[216] C
Kellner, Douglas and Stephen Eric Bronner. Passion And Rebellion:
German Expressionism And Its Heritage. New York: Universe
Books, 1983.

Subjects: Addresses, Essays and Lectures; Silent
Films


[217] C+
Kendrick, Walter M. The Thrill Of Fear: 250 Years Of Scary
Entertainment. New York: Grove Press, 1992.

Subjects: History and Criticism


[218] B
Kiernan, Thomas. Roman Polanski: A Biography. New York, NY: Grove
Press, 1981.

Subjects: Roman Polanski


[219] C+
Kindem, Gorham Anders. Toward A Semiotic Theory Of Visual
Communication In The Cinema: A Reappraisal Of Semiotic
Theories From A Cinematic Perspective And A Semiotic
Analysis Of Color Signs And Communication In The Color Films
Of Alfred Hitchcock. New York: Arno press, 1980.

Subjects: Alfred Hitchcock


[220] B-
King, Stephen. Stephen King's Danse Macabre. New York: Berkeley
Books, 1983.

Subjects: History and Criticism, Stephen King


[221] A-
Kinnard, Roy. Beasts And Behemoths: Prehistoric Creatures In The
Movies. Metuchen, NJ: Scarecrow Press, 1988.

Subjects: Fantastic Films; History and Criticism,
Prehistoric Animals/Dinosaurs


[222] B+
Kinnard, Roy. The Lost World Of Willis O'Brien: The Original
Shooting Script Of The 1925 Landmark Special Effects
Dinosaur Film, With Photographs. Jefferson, NC: McFarland &
Company, 1993.

Subjects: Fantastic Films, Willis O'Brien, Prehistoric
Animals/Dinosaurs, Silent Films


[223] C+
Klein, Michael and Gillian Parker. The English Novel And The
Movies. New York: Ungar, 1981.

Subjects: Addresses, Essays and Lectures; Frankenstein
Films; James Whale


Knoepflmacher SEE 242


[224] C
Koszarski, Richard. Hollywood Directors 1914-1940 and Hollywood
Directors 1941-1976. New York: Oxford University Press, 1976
and 1977.

Subjects: Biography, Roger Corman, Alfred Hitchcock, F.W.
Murnau


[225] B-
Koszarski, Richard. Mystery Of The Wax Museum. Madison: Published
for the Wisconsin Center for Film and Theater Research by
the University of Wisconsin Press, 1979.

Subjects: Filmbooks


[226] C-
Koszarski, Richard. Universal Pictures: 65 Years. New York:
Museum of Modern Art, 1977.

Subjects: Universal Pictures


[227] B+
Kracauer, Siegfried. From Caligari To Hitler: A Psychological
History Of The German Film. Princeton, NJ: Princeton
University Press, 1970.

Subjects: History and Criticism; Psychological Aspects;
Silent Films


[228] B
Krogh, Daniel and John McCarty. The Amazing Herschell Gordon
Lewis: And His World Of Exploitation Films. Albany, NY:
FantaCo Enterprises, 1983.

Subjects: Herschell Gordon Lewis; Splatter, Slasher and Gore
Films


[229] B-
Landy, Marcia. British Genres: Cinema And Society 1930-1960.
Princeton, NJ: Princeton University Press, 1991.

Subjects: Addresses, Essays and Lectures; Hammer Film
Productions


[230] B
Larson, Randall D. Musique Fantastique: A Survey Of Film Music
In The Fantastic Cinema. Metuchen, NJ: Scarecrow Press,
1985.

Subjects: Fantastic Films; Music


Lasky, Michael S. SEE 182


Lause, Kevin SEE 301


[231] C-
LaValley, Albert J. Focus On Hitchcock. Englewood Cliffs, NJ:
Prentice-Hall, 1972.

Subjects: Alfred Hitchcock


[232] C+
Lazar, Moshe. The Anxious Subject: Nightmares And Daymares In
Literature And Film. Malibu, CA: Udena, 1983.

Subjects: Addresses, Essays and Lectures


[233] B
Leaming, Barbara. Polanski: A Biography, The Filmmaker As Voyeur.
New York: Simon and Schuster, 1981.

Subjects: Roman Polanski


[234] A
Lee, Christopher. Tall, Dark And Gruesome: An Autobiography. New
York: Granada Pub., 1978.

Subjects: Christopher Lee


[235] A-
Lee, Walt and Bill Warren. Reference Guide To Fantastic Films:
Science Fiction, Fantasy, & Horror. Los Angeles: Chelsea-Lee
Books, 1972-74. 3 Vols.

Subjects: Catalogs, Fantastic Films


[236] B-
Leff, Leonard J. Hitchcock And Selznick: The Rich And Strange
Collaboration Of Alfred Hitchcock And David O. Selznick In
Hollywood. New York, NY: Weidenfeld & Nicholson, 1987.

Subjects: Alfred Hitchcock


[237] C-
Lehman, Peter. Close Viewings: An Anthology Of New Film
Criticism. Tallahassee: Florida State University Press,
1990.

Subjects: Addresses, Essays and Lectures; Silent
Films


[238] B
Leitch, Thomas M. Find The Director And Other Hitchcock Games.
Athens: University of Georgia Press, 1991.

Subjects: Alfred Hitchcock


[239] B-
Lennig, Arthur. The Count: The Life And Films Of Bela "Dracula"
Lugosi. New York: Putnam, 1974.

Subjects: Bela Lugosi


[240] C+
Lennig, Arthur. The Silent Voice. Troy, NY: Snyder, 1969.

Subjects: Addresses, Essays and Lectures; Silent
Films


[241] A-
Lentz, Harris M. Science Fiction, Horror & Fantasy Film And
Television Credits: Over 10,000 Actors, Actresses,
Directors...: (And Supplements Through 1987, 1993.
Jefferson, NC: McFarland, 1983, 1989, 1994. 4 Vols.

Subjects: Fantastic Films, Film/Video Guides


[242] C+
Levine, George and U.C. Knoepflmacher. Endurance Of Frankenstein:
Essays On Mary Shelley's Novel. Berkeley: University of
California Press, 1974.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[243] C
Lindsay, Cynthia Hobart. Dear Boris: The Life Of William Henry
Pratt A.K.A. Boris Karloff. New York: Limelight Edition,
1995.

Subjects: Boris Karloff


[244] C+
Lloyd, Ann. The Films Of Stephen King. New York: St. Martin's
Press, 1994.

Subjects: Film/Video Guides, Stephen King


[245] C+
Lloyd, Ann and David Robinson. There's Something Going On Out
There. New York: Marketed in the United States by RCA
Marketing, 1982.

Subjects: History and Criticism


[246] C
London, Rose. Cinema Of Mystery. New York: Crown, 1975.

Subjects: History and Criticism; Poe, Edgar Allen-Film
Adaptations


[247] C+
London, Rose. Zombie: The Living Dead. New York: Bounty Books,
1976.

Subjects: History and Criticism, Vampire Films


[248] C+
Loukides, Paul and Linda K. Fuller. Beyond The Stars Vol I-V.
Bowling Green: Bowling Green State University Press, 1990-
1994.

Subjects: Addresses, Essays and Lectures


[249] B
Lucanio, Patrick. Them Or Us: Archetypal Interpretations Of
Fifties Alien Invasion Films. Bloomington: Indiana
University Press, 1987.

Subjects: Addresses, Essays and Lectures; Fantastic Films


Macabre, J. B. SEE 174


[250] B-
Magistrale, Anthony. The Shining Reader. Mercer Island, WA:
Starmont House, 1991.

Subjects: Filmbooks


[251] A-
Mank, Gregory W. Hollywood Cauldron: Thirteen Horror Films From
Genre's Golden Age. Jefferson, NC: McFarland, 1994.

Subjects: History and Criticism


[252] B+
Mank, Gregory W. The Hollywood Hissables. Metuchen, NJ: Scarecrow
Press, 1989.

Subjects: Biography


[253] A-
Mank, Gregory W. It's Alive!: The Classic Cinema Saga Of
Frankenstein. San Diego, CA: A.S. Barnes, 1981.

Subjects: Frankenstein Films, History and Criticism,
Universal Pictures


[254] A
Mank, Gregory W. Karloff And Lugosi: The Story Of A Haunting
Collaboration, With Complete Filmography Of Their Films
Together. Jefferson, NC: McFarland, 1990.

Subjects: Biography, Boris Karloff, Bela Lugosi


[255] B-
Manvell, Roger. Masterworks Of The German Cinema. New York:
Harper & Row, 1973.

Subjects: Addresses, Essays and Lectures; Silent
Films


[256] C+
Marrero, Robert. Dracula: The Vampire Legend On Film. Key West,
FL: Fantasma Books, 1992.

Subjects: Film/Video Guides, Vampire Films


[257] B-
Marrero, Robert. Giant Monster Movies: An Illustrated Survey. Key
West, FL: Fantasma Books, 1994.

Subjects: Fantastic Films, History and Criticism


[258] C+
Marrero, Robert. RGM Publications Presents Nightmare Theater. Key
West, FL: RGM Publications, 1986.

Subjects: Catalogs


[259] B-
Marrero, Robert. Vampire Movies: An Illustrated Guide To
Seventy-Two Years Of Vampire Movies. Key West FL: Fantasma,
1994.

Subjects: Film/Video Guides, Vampire Films


[260] B-
Marrero, Robert. Vampires, Hammer Style. Key West, FL: RGM
Publications, 1982.

Subjects: Hammer Film Productions, Vampire Films


[261] B-
Marrero, Robert. Vintage Monster Movies. Key West, FL: Fantasma
Books, 1993.

Subjects: Fantastic Films, History and Criticism


[262] C+
Marsden, Michael T., John G. Nachbar and Sam L. Grogg. Movies As
Artifacts: Cultural Criticism Of Popular Film. Chicago:
Nelson-Hall, 1982.

Subjects: Addresses, Essays and Lectures; Fantastic Films


Martin, Bob SEE 465


[263] C+
Massumi, Brian. The Politics Of Everyday Fear. Minneapolis:
University of Minnesota Press, 1993.

Subjects: Addresses, Essays and Lectures; David Cronenberg;


[264] B
McCarthy, Todd and Charles Flynn. Kings Of The Bs: Working Within
The Hollywood System: An Anthology Of Film History And
Criticism. New York: E.P. Dutton, 1975.

Subjects: Samuel Z.Arkoff; Biography; William Castle;
Roger Corman; Interviews; Herschell Gordon Lewis; Val Lewton


[265] B
McCarty, John. The Fearmakers: The Screen's Directorial
Masters Of Suspense And Terror. New York: St. Martin's
Press, 1994.

Subjects: Biography


[266] C+
McCarty, John and Mark Thomas McGee. The Little Shop Of Horrors
Book. New York: St. Martin's Press, 1988.

Subjects: Filmbooks


[267] B
McCarty, John. The Modern Horror Film: 50 Contemporary Classics
From "The Curse Of Frankenstein" To "The Lair Of The White
Worm". New York: Carol Publishing Group, 1990.

Subjects: Film/Video Guides


[268] B
McCarty, John. Movie Psychos And Madmen: Film Psychopaths From
Jekyll And Hyde To Hannibal Lecter. Secaucus, NJ: Carol
Publishing Group, 1993.

Subjects: History and Criticism


[269] B
McCarty, John. The Official Splatter Movie Guide. New York: St.
Martin's Press, 1989-1992. 2 Vols.

Subjects: Film/Video Guides; Splatter, Slasher and Gore
Films


[270] B-
McCarty, John. Psychos: Ninety Years Of Mad Movies, Maniacs, And
Murderous Deeds. New York: Carol Publishing Group, 1993.

Subjects: History and Criticism


[271] B
McCarty, John. Splatter Movies: Breaking The Last Taboo Of The
Screen. New York: St. Martin's Press, 1984.

Subjects: History and Criticism; Splatter, Slasher and Gore
Films


[272] C
McCarty, John. Video Screams, 1983: The Official Sourcebook To
Horror, Science Fiction, Fantasy And Related Films On
Videocassette And Disc. Albany, NY: FantaCo Enterprises,
1983.

Subjects: Fantastic Films, Film/Video Guides


McCarty, John SEE 228


[273] B-
McClelland, Doug. Golden Age of "B" Movies. Nashville, Tennessee:
Charterhouse Pub., 1978.

Subjects: Addresses, Essays and Lectures


[274] B-
McConnell, Frank. The Spoken Seen: Film and The Romantic
Imagination. Baltimore: Johns Hopkins Press, 1975.

Subjects: Addresses, Essays and Lectures


[275] A-
McDonagh, Maitland. Broken Mirrors/Broken Minds: The Dark Dreams
Of Dario Argento. Secaucus, NJ: Carol Publishing Group,
1994.

Subjects: Dario Argento


[276] B
McGee, Mark Thomas. Fast And Furious: A History Of American
International Pictures. Jefferson, NC: McFarland, 1984.

Subjects: American International Pictures (AIP)


[277] B+
McGee, Mark Thomas. Roger Corman: The Best Of The Cheap Acts.
Jefferson, NC: McFarland, 1988.

Subjects: Roger Corman


McGee, Mark Thomas SEE 266


[278] C+
McGilligan, Pat. Backstory 2: Interviews With Screenwriters Of
The 1940s And 1950s. Berkeley: University of California
Press, 1991.

Subjects: Interviews, Curt Siodmak


[279] B-
McNally, Raymond T. and Radu Florescu. Complete Dracula
(Included: Dracula: A Biography Of Vlad The Impaler; In
Search Of Dracula). MA: Copley Publishing Group, 1992.

Subjects: Addresses, Essays and Lectures; Vampire Films


[280] C+
McNally, Raymond T. and Radu Florescu. The Essential Dracula.
NY: Mayflower, 1979.

Subjects: Addresses, Essays and Lectures; Vampire Films


[281] B-
Mellencamp, Patricia and Philip Rosen. Cinema Histories, Cinema
Practices. Frederick, MD: University Publications Of
America, 1984.

Subjects: Addresses, Essays and Lectures; Silent
Films


Mellor, Anne Kostelanetz SEE 33


[282] B
Melton, J. Gordon. The Vampire Book: The Encyclopedia Of The
Undead. Detroit, MI: Visible Ink Press, 1994.

Subjects: Dictionaries and Encyclopedias, Vampire Films


[283] B
Meyers, Richard. For One Week Only: The World Of Exploitation
Films. Piscataway, NJ: New century Publishers, 1983.

Subjects: Addresses, Essays and Lectures; Sex, Gender and
Feminism


[284] B-
Milland, Ray. Wide-Eyed In Babylon: An Authority. New York:
Ballantine Books, 1975.

Subjects: Ray Milland


Miller, Chuck SEE 442,443,444,445


[285] C
Miller, Don. "B" Movies. New York: Ballantine Books, 1988.

Subjects: Addresses, Essays and Lectures


[286] A-
Miller, Patsy Ruth and Philip J. Riley. My Hollywood--When Both
Of Us Were Young: The Memoirs Of Patsy Ruth Miller
(Includes: The Hunchback Of Notre Dame). S.L.: O'Raghailligh
Publishers, 1988.

Subjects: Biography, Filmbooks, Silent Films


[287] C
Milne, Tom. The Cinema Of Carl Dreyer. New York: A.S. Barnes,
1971.

Subjects: Carl Theodor Dreyer


[288] A
Milne, Tom, Phil Hardy and Paul Willemen. The Overlook Film
Encyclopedia: Horror. Woodstock, NY: Overlook Press, 1994.

Subjects: Film/Video Guides


[289] C+
Modleski, Tania. Studies In Entertainment: Critical Approaches To
Mass Culture. Bloomington: Indiana University Press, 1986.

Subjects: Addresses, Essays and Lectures; Sex, Gender
and Feminism


[290] B
Modleski, Tania. The Women Who Knew Too Much: Hitchcock And
Feminist Theory. New York: Methuen, 1988.

Subjects: Alfred Hitchcock; Sex, Gender and Feminism


[291] C+
Monty, Ib and Jytte Jensen. Carl Th. Dreyer. New York: Museum of
Modern Art, 1988.

Subjects: Carl Theodor Dreyer


[292] B
Moore, Darrell W. The Best, Worst, And Most Unusual--Horror
Films. New York, NY: Beekman House: Distributed by Crown
Publishers, 1983.

Subjects: History and Criticism


[293] B+
Morris, Gary. Roger Corman. Boston: Twayne Publishers, 1985.

Subjects: Roger Corman


[294] C+
Morris, Peter. David Cronenberg: A Delicate Balance. Toronto:
ECW Press, 1993.

Subjects: David Cronenberg


[295] C+
Morse, Donald E. The Fantastic In World Literature And The Arts:
Selected Essays From The Fifth International Conference On
The Fantastic In The Arts. New York: Greenwood Press, 1987.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[296] B
Morse, L.A. Video Trash & Treasures Vol I. Toronto: Harper
& Collins, 1989.

Subjects: Fantastic Films, Film/Video Guides


[297] B-
Moss, Robert F. Karloff And Company: The Horror Film. New York:
Pyramid Publications, 1974.

Subjects: History and Criticism, Boris Karloff


[298] B
Murphy, Michael J. The Celluloid Vampires: A History And
Filmography. Ann Arbor, MI: Pierian Press, 1979.

Subjects: Film/Video Guides, Vampire Films


[299] C+
Murphy, Robert. Sixties British Cinema. London: British Film
Institute, 1992.

Subjects: Addresses, Essays and Lectures; Hammer Film
Productions


[300] C
Murray, Bruce Arthur. Film And The German Left In The Weimer
Republic: From Caligari To Kuhle Wampe. Austin: University
of Texas Press, 1990.

Subjects: Silent Films


[301] C
Nachbar, Jack and Kevin Lause. Popular Culture: An Introductory
Text. Bowling Green, OH: Bowling Green State University
Popular Press, 1992.

Subjects: Addresses, Essays and Lectures; Gender and
Feminism


Nachbar, John G. SEE 262


[302] C+
Naha, Ed. The Films Of Roger Corman: Brilliance On A Budget. New
York: Arco Pub., 1982.

Subjects: Roger Corman


[303] B-
Naha, Ed. Horrors: From Screen To Scream: An Encyclopedic Guide
To The Greatest Horror And Fantasy Films Of All Time. New
York: Avon Books, 1975.

Subjects: Fantastic Films, Film/Video Guides


[304] C
Nance, Scott. Bloodsuckers: Vampires At The Movies. Las Vegas,
NV: Pioneer Books, 1992.

Subjects: Film/Video Guides, Vampire Films


[305] B
Naremore, James. Filmguide To Psycho. Bloomington: Indiana
University Press, 1973.

Subjects: Filmbooks


[306] C+
Nash, Mark. Dreyer. New York: Zoetrope, 1977.

Subjects: Carl Theodor Dreyer


[307] B
Newman, Kim. Nightmare Movies: A Critical Guide To Contemporary
Horror Films. New York: Harmony Books, 1988.

Subjects: History and Criticism


[308] B-
Newman, Robert D. Transgressions Of Reading: Narrative Engagement
As Exile And Return. Durham: Duke University Press, 1993.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects; Sex, Gender and Feminism


[309] C+
Nicholls, Peter. Fantastic Cinema: An Illustrated Survey. London:
Ebury Press, 1984.

Subjects: Fantastic Films


[310] C+
Nichols, Bill. Ideology And The Image. Bloomington: Indiana
University Press, 1981.

Subjects: Addresses, Essays and Lectures; Alfred Hitchock


[311] C+
Nichols, Bill. Movies And Methods: An Anthology. Berkeley:
University of California Press, 1976.

Subjects: Addresses, Essays and Lectures


[312] A
Nollen, Scott Allen. Boris Karloff: A Critical Account Of His
Screen, Stage, Radio, Television And Recording Work.
Jefferson, NC: McFarland, 1991.

Subjects: Boris Karloff


[313] B-
Okuda, Ted. The Monogram Checklist: The Films Of Monogram
Pictures Corporation, 1931-1952. Jefferson, NC: McFarland,
1987.

Subjects: Catalogs, Monogram Pictures Corporation


[314] B
O'Neill, James. Terror On Tape: A Complete Guide To Over 2000
Horror Movies On Video. New York: Billboard Books, 1994.

Subjects: Film/Video Guides


[315] B-
Ott, Frederick W. Great German Films. Secaucus, NJ: Citadel
Press, 1986.

Subjects: Addresses, Essays and Lectures; Silent
Films


[316] B
Ottoson, Robert L. American International Pictures-A Filmography.
New York: Garland, 1985.

Subjects: American International Pictures (AIP)


[317] B
Palmer, Laura Kay. Osgood And Anthony Perkins: A Comprehensive
History Of Their Work In Theatre, Film And Other Media, With
Credits And An Annotated Bibliography. Jefferson, NC:
McFarland, 1991.

Subjects: Anthony Perkins


[318] C+
Palumbo, Donald. Eros In The Mind's Eye: Sexuality And The
Fantastic In Art And Film. New York: Greenwood Press, 1986.

Subjects: Addresses, Essays and Lectures; Fantastic Films;
Sex, Gender and Feminism; James Whale; Fay Wray


[319] C
Palumbo, Donald. Spectrum Of The Fantastic: Selected Essays From
The Sixth International Conference On The Fantastic In The
Arts. New York: Greenwood Press, 1988.

Subjects: Adresses, Essays and Lectures; Vampire Films


[320] B-
Parish, James Robert. Ghosts And Angels In Hollywood Films:
Plots, Critiques, Casts, And Credits For 264 Theatrical And
Made-For-Television Releases. Jefferson, NC: McFarland,
1994.

Subjects: Film/Video Guides, Supernautral


[321] B-
Parish, James Robert and Steven Whitney. Vincent Price Unmasked.
New York: Drake Publishers, 1974.

Subjects: Vincent Price


Parker, Gillian SEE 223


[322] A-
Parker, John. Polanski. London: Victor Gollancz, 1993.

Subjects: Roman Polanski


[323] C-
Pascall, Jeremy. The King Kong Story. Secaucus, NJ: Chartwell
Books, 1977.

Subjects: Filmbooks, King Kong Films


[324] B-
Pattison, Barrie. The Seal Of Dracula. New York: Bounty Books,
1975.

Subjects: Addresses, Essays and Lectures; Vampire Films


[325] B+
Paul, William. Laughing, Screaming: Modern Hollywood Horror And
Comedy. New York: Columbia University Press, 1994.

Subjects: History and Criticism; Psychological Aspects;
Sex, Gender and Feminism


Pearce, Howard D. SEE 82, 195


[326] C+
Penley, Constance. Close Encounters: Film, Feminism, And Science
Fiction. Minneapolis: University of Minnesota Press, 1991.

Subjects: Addresses, Essays and Lectures; Sex Gender and
Feminism


[327] C+
Perry, George C. The Complete Phantom Of The Opera. New York:
H. Holt, 1988.

Subjects: Filmbooks


[328] C
Perry, George C. The Films Of Alfred Hitchcock. New York: Dutton,
1970.

Subjects: Alfred Hitchcock


[329] C
Perry, George C. Hitchcock. New York: MacMillan, 1975.

Subjects: Alfred Hitchcock


[330] C
Petrie, Duncan. Cinema And The Realms Of Enchantment. London:
British Film Institute, 1993.

Subjects: Addresses, Essays and Lectures; Val Lewton


[331] B
Phantom Of The Movies. The Phantom's Ultimate Video Guide. New
York, NY: Dell Pub., 1989.

Subjects: Film/Video Guides


[332] C
Phelan, James. Reading Narrative: Form, Ethics, Ideology.
Columbus: Ohio State University Press, 1989.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
Sex, Gender and Feminism


[333] C
Phillips, Gene D. Alfred Hitchcock. Boston: Twayne Publishers,
1984.

Subjects: Alfred Hitchcock


[334] C-
Phillips, Gene D. Major Film Directors Of The American And
British Cinema. Bethlehem: Lehigh University Press, 1990.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[335] B-
Phillips, Phil and Joan Hake Robie. Horror And Violence: The
Deadly Duo In The Media. Lancaster, PA: Starburst, 1988.

Subjects: History and Criticism


Pickard, Roy SEE 205


[336] C
Pirie, David. Anatomy Of The Movies. New York: MacMillian
Publishing Company, Inc., 1981.

Subjects: Addresses, Essays and Lectures


[337] B-
Pirie, David. The Complete Vampire Cinema. New York: Crescent
Books: Distributed by Crown Publishers, 1977.

Subjects: Vampire Films


[338] B+
Pirie, David. A Heritage Of Horror: The English Gothic Cinema,
1946-1972. New York:Avon, 1974.

Subjects: History and Criticism


[339] B+
Pitts, Michael R. Horror Film Stars. Jefferson, NC: McFarland,
1981.

Subjects: Biography


Poague, Leland A. SEE 112


[340] C
Pohle, Robert W and Douglas C. Hart. The Films Of Christopher
Lee. Metuchen, NJ: Scarecrow Press, 1983.

Subjects: Christopher Lee


[341] A-
Polanski, Roman. Roman. New York: Morrow, 1984.

Subjects: Roman Polanski


Porter, Vincent SEE 101


[342] A-
Prawer, Siegbert Saloman. Caligari's Children: The Film As Tale
Of Terror. New York: Oxford University Press, 1979.

Subjects: History and Criticism, Silent Films


Price, Michael H. SEE 436


[343] B
Price, Theodore. Hitchcock And Homosexuality: His 50-Year
Obsession With Jack The Ripper And The Superbitch
Prostitute: A Psychoanalytic View. Metuchen, NJ: Scarecrow
Press, 1992.

Subjects: Alfred Hitchcock; Psychological Aspects;
Sex, Gender and Feminism


Price, V. B. SEE 345


[344] B-
Price, Vincent. I Like What I Know: A Visual Autobiography.
Garden City, NY: Doubleday, 1959.

Subjects: Vincent Price


[345] B-
Price, Vincent and V. B. Price. Monsters. New York: Grosset &
Dunlap, 1981.

Subjects: History and Criticism


[346] C
Price, Vincent. Vincent Price: His Movies, His Plays, His Life.
Garden City, NY: Doubleday, 1978.

Subjects: Vincent Price


[347] B
Quarles, Mike. Down And Dirty: Hollywood's Exploitation
Filmmakers And Their Movies. Jefferson, NC: McFarland, 1993.

Subjects: Addresses, Essays and Lectures; Biography; Sex,
Gender and Feminism


Rabkin, Eric S. SEE 409


[348] C
Radcliff-Umstead, Douglas. Holding The Vision: Essays On Film:
Proceedings Of The First Annual Conference Of Kent State
Universtiy. Kent, OH: International Film Society, Kent State
University, 1983.

Subjects: Addresses, Essays and Lectures


[349] B-
Radcliff-Umstead, Douglas. Varieties Of Filmic Expression:
Proceedings Of The Seventh Annual International Film
Conference Of Kent State University. Kent, OH: Romance
Languages Dept., Kent State University, 1989.

Subjects: Addresses, Essays and Lectures; Vampire Films


[350] B
Rathbone, Basil. In And Out Of Character. New York: Limelight
Editions, 1989.

Subjects: Basil Rathbone


[351] B-
Raubicheck, Walter and Walter Srebnick. Hitchcock's Rereleased
Films: From Rope To Vertigo. Detroit: Wayne State University
Press, 1991.

Subjects: Alfred Hitchcock


[352] B+
Ray, Fred Olen. The New Poverty Row: Independent Filmmakers As
Distributors. Jefferson, NC: McFarland & Company, 1991.

Subjects: Addresses, Essays and Lectures; Biography; Roger
Corman


[353] C
Raymond, Diane. Sexual Politics And Popular Culture. Bowling
Green, OH: Bowling Green State University Popular Press,
1990.

Subjects: Addresses, Essays and Lectures; Sex, Gender and
Feminism; Jacques Tourneur


[354] A-
Rebello, Stephen. Alfred Hitchcock And The Making Of Psycho. New
York, NY: Harperperennial, 1991.

Subjects: Filmbooks, Alfred Hitchcock


[355] B+
Reemes, Dana M. Directed By Jack Arnold. Jefferson, NC:
McFarland, 1988.

Subjects: Jack Arnold


[356] C-
Reid, John Howard. "B" Films Of The Fifties. Wyong, NSW: J. H.
Reid, 1993.

Subjects: History and Criticism


Reiff, Stephanie SEE 430


[357] C-
Reilly, Robert. The Transcendent Adventure: Studies Of Religion
In Science Fiction/Fantasy. Westport, CN: Greenwood Press,
1985.

Subjects: Addresses, Essays and Lectures; King Kong Films


[358] B-
Rentschler, Eric. German Film & Literature: Adaptations And
Transformations. New York: Methuen, 1986.

Subjects: Addresses, Essays and Lectures; F. W. Murnau;
Silent Films, Vampire Films


[359] C+
Riccardo, Martin V. Vampires Unearthed: The Complete Multi-Media
Vampire And Dracula Bibliography. New York: Garland Publ.,
1983.

Subjects: Bibliography, Vampire Films


[360] A
Riley, Philip J. A Blind Bargain. Absecon, NJ: MagicImage
Filmbooks, 1988.

Subjects: Filmbooks, Silent Films


[361] A
Riley, Philip J. London After Midnight. Absecon, NJ: MagicImage
Filmbooks, 1985.

Subjects: Filmbooks, Silent Films


[362] B+
Riley, Philip J. MagicImage Filmbooks Presents The Bride Of
Frankenstein. Absecon, NJ: MagicImage Filmbooks, 1989.

Subjects: Filmbooks, Frankenstein Films


[363] A
Riley, Philip J. MagicImage Filmbooks Presents Dracula: The
Original 1931 Shooting Script. Absecon, NJ: MagicImage
Filmbooks, 1990.

v Subjects: Filmbooks, Vampire Films


[364] B+
Riley, Philip J. MagicImage Filmbooks Presents Frankenstein.
Absecon, NJ: MagicImage Filmbooks, 1989.

Subjects: Filmbooks, Frankenstein Films


[365] B
Riley, Philip J. MagicImage Filmbooks Presents Frankenstein Meets
The Wolf Man (The Original Shooting Script). Absecon, NJ:
MagicImage Filmbooks, 1990.

Subjects: Filmbooks, Frankenstein Films, Werewolf Films


[366] B-
Riley, Philip J. MagicImage Filmbooks Presents The Ghost Of
Frankenstein. Absecon, NJ: MagicImage Filmbooks, 1990.

Subjects: Filmbooks, Frankenstein Films


[367] B
Riley, Philip J. MagicImage Filmbooks Presents House Of Dracula:
The Original Shooting Script. Absecon, NJ: MagicImage
Filmbooks, 1993.

Subjects: Filmbooks


[368] B-
Riley, Philip J. MagicImage Filmbooks Presents House Of
Frankenstein. Absecon, NJ: MagicImage Filmbooks, 1991.

Subjects: Filmbooks


[369] B
Riley, Philip J. MagicImage Filmbooks Presents The Mummy.
Absecon, NJ: MagicImage Filmbooks, 1989.

Subjects: Filmbooks


[370] B
Riley, Philip J.MagicImage Filmbooks Presents Son Of
Frankenstein: 50th Anniversary Edition (1939-1989). Absecon,
NJ: MagicImage Filmbooks, 1990.

Subjects: Filmbooks, Frankenstein Films


[371] A
Riley, Philip J. MagicImage Filmbooks Presents The Wolf Man: (The
Original 1941 Shooting Script). Absecon, NJ: MagicImage
Filmbooks, 1993.

Subjects: Filmbooks, Werewolf Films


Riley, Philip J. SEE 286


Robie, Joan Hake SEE 335


Robinson, David SEE 245


[372] C+
Robinson, W. R. and George Garrett. Man And The Movies.
Baltimore: Penguin Books, 1969.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects


[373] B
Rockett, Will H. Devouring Whirlwind: Terror And Transcendence In
The Cinema Of Cruelty. New York: Greenwood Press, 1988.

Subjects: History and Criticism


[374] C+
Rohmer, Eric and Claude Chabrol. Hitchcock: The First Forty-Four
Films. New York: Continuum, 1988.

Subjects: Alfred Hitchcock


Rosen, Philip SEE 281

Rosenbaum, Jonathan SEE 191


[375] C+
Rosenthal, Stuart. Tod Browning (Hollywood Professionals Vol. 4).
New York: A. S. Barnes, 1975.

Subjects: Tod Browning


Ross, Theodore J. SEE 202


[376] A-
Rothman, William. Hitchcock--The Murderous Gaze. Cambridge, MA:
Harvard University Press, 1982.

Subjects: Alfred Hitchcock


[377] B
Rovin, Jeff. The Encyclopedia Of Monsters. New York: Facts On
File, 1989.

Subjects: Dictionaries and Encyclopedias, Fantastic Films


Roy, Sue SEE 422


[378] C
Ruddick, Nicholas. State Of The Fantastic: Studies In The Theory
And Practice Of Fantastic Literature And Film: Selected
Essays From The Eleventh International Conference On The
Fantastic In The Arts, 1990. Westport, CT: Greenwood Press,
1990.

Subjects: Addresses, Essays and Lectures; Fantastic Films


[379] C+
Ruppert, Peter. Ideas Of Order In Literature And Film: Selected
Papers From The Fourth Annual Florida State University
Conference On Literature And Film. Tallahassee: University
Presses of Florida, 1981.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock;
Stephen King; Music


[380] B
Russo, John. The Complete Night Of The Living Dead Filmbook. New
York: Harmony Books, 1985.

Subjects: Filmbooks


[381] B-
Russo, John. Scare Tactics: The Art, Craft, And Trade Secrets Of
Writing, Producing, And Directing Chillers And Thrillers.
New York: Dell, 1992.

Subjects: History and Criticism


[382] B
Ryall, Tom. Alfred Hitchcock & The British Cinema. Urbana:
University of Illinois Press, 1986.

Subjects: Alfred Hitchcock


[383] C+
Samuels, Stuart. Midnight Movies. New York: Collier Books, 1983.

Subjects: Addresses, Essays and Lectures


[384] C
Samuels, Thomas Charles. Encountering Directors. New York:
Capricorn, 1972.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[385] C+
Sarris, Andrew. Interviews With Film Directors. Indianapolis:
Bobbs-Merrill, 1968.

Subjects: Carl Theodor Dreyer, Alfred Hitchcock, Interviews


[386] B
Savini, Tom. Grande Illusions: A Learn-By Example To The Art
And Technique Of Special Make-Up Effects From The Films Of
Tom Savini. Pittsburgh, PA: Imagine, 1983.

Subjects: Tom Savini


[387] B-
Scanlon, Paul and Michael Gross. The Book Of Alien. New York, NY:
Heavy Metal Communications: Distributed by Simon & Schuster,
1979.

Subjects: Filmbooks


[388] B-
Schelde, Per. Androids, Humanoids, And Other Science Fiction
Monsters: Science And Soul In Science Fiction Films. NY: New
York University Press, 1993.

Subjects: Addresses, Essays and Lectures; Fantastic Films;
Frankenstein Films


[389] C+
Schickel, Richard. The Men Who Made The Movies: Interviews With
Frank Capra, George Cukor, Howard Hawks, Alfred Hitchcock,
Vincente Minnelli, King Vidor, Raoul Walsh, William A.
Wellman. New York: Atheneum, 1975.

Subjects: Alfred Hitchcock, Interviews


[390] C
Schickel, Richard. Schickel On Film: Encounters-Critical And
Personal-With Movie Immortals. New York: W. Morrow, 1989.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[391] B-
Schneider, Kirk J. Horror And The Holy: Wisdom-Teachings Of The
Monster Tale. Chicago: Open Court, 1993.

Subjects: History and Criticism, Psychological Aspects


[392] C
Schoell, William and James Spencer. The Nightmare Never Ends: The
Official History Of Freddy Krueger And The Nightmare On Elm
Street Films. New York: Carol Pub. Group, 1992.

Subjects: Filmbooks; Splatter, Slasher and Gore Films


[393] B-
Schoell, William. Stay Out Of The Shower: 25 Years Of Shocker
Films, Beginning With "Psycho". New York: Dembner Books:
Distributed by W. W. Norton, 1985.

Subjects: History and Criticism


[394] C
Schrader, Paul. Transcendental Style In Film: Ozu, Bresson,
Dreyer. New York, NY: Da Capo Press, 1988.

Subjects: Addresses, Essays and Lectures; Carl Theodor
Dreyer


Scott, Helen G. SEE 432


[395] A
Senn, Bryan and John Johnson. Fantastic Cinema Subject Guide: A
Topical Index To 2500 Horror, Science Fiction, And Fantasy
Films. Jefferson, NC: McFarland, 1992.

Subjects: Fantastic Films, Film/Video Guides


[396] C+
Sennett, Ted. Masters Of Menace: Greenstreet And Lorre. New York:
Dutton, 1979.

Subjects: Peter Lorre


[397] A-
Sevastakis, Michael. Songs Of Love And Death: The Classical
American Horror Film Of The 1930s. Westport, CT: Greenwood
Press, 1993.

Subjects: History and Criticism


Sevitch, Kren SEE 59


[398] B
Sharff, Stefan. Alfred Hitchcock's High Vernacular: Theory And
Practice. New York: Columbia University Press, 1981.

Subjects: Alfred Hitchcock


[399] B-
Shaviro, Steven. The Cinematic Body. Minneapolis: University of
Minnesota Press, 1993.

Subjects: Addresses, Essays and Lectures; David Cronenberg;
George A. Romero


[400] B-
Shay, Don and Jody Duncan. The Making Of Jurassic Park. New York:
Ballantine Books, 1993.

Subjects: Filmbooks, Prehistoric Animals/Dinosaurs


[401] B
Siegel, Joel E. Val Lewton: The Reality Of Terror. New York:
Viking Press, 1973.

Subjects: Val Lewton


[402] B+
Silver, Alain and James Ursini. The Vampire Film: From Nosferatu
To Bram Stoker's Dracula. New York: Limelight Editions,
1993.

Subjects: Vampire Films


Silver, Alain SEE 447


[403] C-
Simon, John Ivan. Movies Into Film: Film Criticism, 1967-1970.
New York: Dell, 1972.

Subjects: Addresses, Essays and Lectures


[404] C-
Simone, Sam P. Hitchcock As Activist: Politics And The War Films.
Ann Arbor, Mi: UMI Research Press, 1985.

Subjects: Alfred Hitchcock


[405] B-
Sinyard, Neil. The Films Of Alfred Hitchcock. New York: Gallery
Books, 1986.

Subjects: Alfred Hitchcock


[406] B+
Skal, David J. Hollywood Gothic: The Tangled Web Of Dracula From
Novel To Stage To Screen. New York: Norton, 1990.

Subjects: Addresses, Essays and Lectures; Vampire Films


[407] A
Skal, David J. The Monster Show: A Cultural History Of Horror.
New York: Norton, 1993.

Subjects: History and Criticism


[408] A-
Sloan, Jane. Alfred Hitchcock: A Guide To References And
Resources. Berkeley: University of California Press, 1994.

Subjects: Alfred Hitchcock


[409] B-
Slusser, George E. and Eric S. Rabkin. Intersections: Fantasy And
Science Fiction. Carbondale: Southern Illinois University
Press, 1987.

Subjects: Addresses, Essays and Lectures; Fantastic Films


[410] C+
Solomon, Stanley J. Beyond Formula: American Film Genres. New
York: Harcourt Brace Jovanovich, 1976.

Subjects: Addresses, Essays and Lectures


[411] C+
Solomon, Stanley J. The Classic Cinema: Essays In Criticism. NY:
Harcourt Brace Jovanovich, 1973.

Subjects: Addresses, Essays and Lectures; Silent
Films


[412] B
Soren, David. The Rise And Fall Of The Horror Film: An Art
Historical Approach To Fantasy Cinema. Baltimore, MD:
Midnight Marquee Press.

Subjects: Fantastic Films, History and Criticism


Spencer, James SEE 392


[413] B+
Spoto, Donald. The Art Of Alfred Hitchcock: Fifty Years Of His
Motion Pictures. New York: Doubleday, 1992.

Subjects: Alfred Hitchcock


[414] A-
Spoto, Donald. The Dark Side Of Genius: The Life Of Alfred
Hitchcock. New York: Ballantine Books, 1984.

Subjects: Alfred Hitchcock


Srebnick, Walter SEE 351


[415] B+
Stacy, Jan and Ryder Syvertsen. The Great Book Of Movie Monsters.
Chicago: Contemporary Books, 1983.

Subjects: Fantastic Films, Dictionaries and Encyclopedias


[416] A-
Stanley, John. Creature Features Movie Guide Strikes Again: An
A To Z Encyclopedia To The Cinema Of The Fantastic, Or, Is
There A Mad Doctor In The House? Pacifica, CA: Creatures At
Large Press, 1994.

Subjects: Fantastic Films, Film/Video Guides


[417] C+
Steinbrunner, Chris and Burt Goldblatt. Cinema Of The Fantastic.
New York: Galahad Books, 1974.

Subjects: Fantastic Films


[418] B
Sternfield, Jonathan. The Look Of Horror: Scary Moments From
Scary Movies. Philadelphia, PA: Courage Books, 1990.

Subjects: History and Criticism


[419] B
Sterritt, David. The Films Of Alfred Hitchcock. New York, NY:
Cambridge University Press, 1993.

Subjects: Alfred Hitchcock


Stevenson, Jack SEE 196


[420] B
Stoker, John. The Illustrated Frankenstein. New York: Sterling
Pub. Co., 1980.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[421] B-
Sullivan, Jack. The Penguin Encyclopedia Of Horror And The
Supernatural. New York, NY: Viking Press, 1986.

Subjects: Dictionaries and Encyclopedias, Supernatural


Syvertsen, Ryder SEE 415


[422] B+
Taylor, Al and Sue Roy. Making A Monster: The Creation Of Screen
Characters By The Great Makeup Artists. New York: Crown
Publishers, 1980.

Subjects: History and Criticism


[423] C+
Taylor, John Russell. Cinema Eye, Cinema Ear: Some Key Film-
Makers Of The Sixties. New York: Hill and Wang, 1964.

Subjects: Addresses, Essays and Lectures; Alfred Hitchcock


[424] B
Taylor, John Russell. Hitch: The Life And Times Of Alfred
Hitchcock. New York: Pantheon Books, 1978.

Subjects: Alfred Hitchcock


[425] A-
Telotte, J. P. Dreams Of Darkness: Fantasy And The Films Of Val
Lewton. Urbana: University of Illinois Press, 1985.

Subjects: Val Lewton


[426] C
Terr, Lenore. Too Scared To Cry: Psychic Trauma In Childhood.
New York: Harper & Row, 1990.

Subjects: Addresses, Essays and Lectures; Psychological
Aspects


[427] C
Thomas, Tony. The Best Of Universal. Vestal, NY: Vestal Press,
1990.

Subjects: History and Criticism, Universal Pictures


[428] C+
Timpone, Anthony. Fangoria's Best Horror Films. New York:
Crescent Books, 1994.

Subjects: Clive Barker, History and Criticism, Interviews,
Stephen King, Vincent Price, George A. Romero


[429] B-
Toufic, Jalal. Vampires: An Uneasy Essay On The Undead In film.
Barrytown, NY: Station Hill Press, 1993.

Subjects: Vampire Films


[430] B
Travers, Peter and Stephanie Reiff. The Story Behind The
Exorcist. NY: Crown Pub., 1974.

Subjects: Filmbooks


[431] B
Tropp, Martin. Mary Shelley's Monster: The Story Of Frankenstein.
Boston: Houghton Mifflin, 1976.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


Trubo, Richard SEE 17


[432] B+
Truffaut, Francois and Helen G. Scott. Hitchcock. New York: Simon
& Schuster, 1984.

Subjects: Alfred Hitchcock


[433] B-
Tudor, Andrew. Image And Influence: Studies In The Sociology Of
Film. New York: St. Martin's Press, 1975.

Subjects: Addresses, Essays and Lectures; Silent
Films


[434] B+
Tudor, Andrew. Monsters And Mad Scientists: A Cultural History Of
The Horror Movie. New York: B. Blackwell, 1989.

Subjects: History and Criticism


[435] B
Turner, George E. The Cinema Of Adventure, Romance & Terror: From
The Archives Of American Cinematographer. Hollywood, CA: ASC
Press, 1989.

Subjects: History and Criticism


[436] B
Turner, George E. and Michael H. Price. Forgotten Horrors: Early
Talkie Chillers From Poverty Row. South Brunswick, NJ: A. S.
Barnes, 1986.

Subjects: Dictionaries and Encyclopedias


Turner, George E. SEE 165


[437] C+
Tuska, Jon. Close Up: The Hollywood Director. Metuchen, NJ:
Scarecrow Press, 1978.

Subjects: Alfred Hitchcock, Interviews


[438] A-
Twitchell, James B. Dreadful Pleasures: An Anatomy Of Modern
Horror. New York: Oxford University Press, 1988.

Subjects: History and Criticism, Psychological Aspects


[439] B-
Twitchell, James B. Preposterous Violence: Fables Of Aggression
In Modern Culture. New York: Oxford University Press, 1989.

Subjects: Addresses, Essays and Lectures


[440] C-
Tyler, Parker. Classics Of The Foreign Film: A Pictorial
Treasury. New York: Citadel Press, 1962.

Subjects: Silent Films


[441] C+
Underwood, Peter. Karloff: The Life Of Boris Karloff, With An
Appendix Of The Films In Which He Appeared. New York: Drake
Publishers, 1972.

Subjects: Boris Karloff


[442] B-
Underwood, Tim and Chuck Miller. Bare Bones: Conversations On
Terror With Stephen King. New York: Warner Books, 1989.

Subjects: Interviews, Stephen King


[443] C
Underwood, Tim and Chuck Miller. Fear Itself: The Horror Fiction
Of Stephen King. New York: New American Library, 1985.

Subjects: Stephen King


[444] B-
Underwood, Tim and Chuck Miller. Feast Of Fear: Conversations
With Stephen King. New York: Warner Books, 1993.

Subjects: Interviews, Stephen King


[445] C
Underwood, Tim and Chuck Miller. Kingdom Of Fear: The World Of
Stephen King. New York, NY: New American Library, 1986.

Subjects: Stephen King


[446] C+
United Films. United Films Presents 50 Years Of Devils, Demons,
And Monsters. Tulsa, Ok: United Films, 1972.

Subjects: Catalogs, Fantastic Films


[447] B-
Ursini, James and Alain Silver. More Things Than Are Dreamt Of:
Masterpieces Of Supernatural Horror, From Mary Shelley To
Stephen King, In Literature And Film. New York: Limelight
Editions, 1994.

Subjects: History and Criticism


Ursini, James SEE 402


[448] B
Vale, V. and Andrea Juno. Incredibly Strange Films. San
Francisco, CA: Re/Search Publications, 1988.

Subjects: Addresses, Essays and Lectures


[449] B-
Van Hise, James. Hot Blooded Dinosaur Movies. Las Vegas, NV:
Pioneer Books, 1993.

Subjects: Prehistoric Animals/Dinosaurs


[450] B
Van Hise, James. Stephen King And Clive Barker: The Illustrated
Masters Of The Macabre. Las Vegas, NV: Pioneer Books, 1990.

Subjects: Clive Barker, Stephen King



[451] B-
Von Gunden, Kenneth. Flights Of Fancy: The Great Fantasy Films.
Jefferson, NC: McFarland & Company, 1989.

Subjects: Addresses, Essays and Lectures; Fantastic Films;
King Kong Films; Supernatural


[452] B
Waller, Gregory A. American Horrors: Essays On The Modern Horror
Film. Urbana: University of Illinois Press, 1987.

Subjects: Addresses, Essays and Lectures


[453] A-
Waller, Gregory A. The Living And The Undead: From Stoker's
Dracula To Romero's Dawn Of The Dead. Urbana: University of
Illinois Press, 1986.

Subjects: History and Criticism, Vampire Films


[454] C
Walker, Mark. Ghostmasters. FL: Cool Hand Communications, 1994.

Subjects: Addresses, Essays and Lectures; Supernatural


[455] A
Warren, Bill. Keep Watching The Skies: American Science Fiction
Movies Of The Fifties. Jefferson, NC: McFarland, 1982. 2
Vols.

Subjects: Fantastic Films, Film/Video Guides


Warren, Bill SEE 235


[456] C
Warren, Val. Lost Lands, Mythical Kingdom, And Unknown Worlds.
New York: HM Communications: Distributed by Simon &
Schuster, 1979.

Subjects: Fantastic Films, Supernatural


[457] B+
Watson, Elena M. Televison Horror Movie Hosts: 68 Vampires, Mad
Scientists, And Other Denizens Of The Late-Nite Airwaves
Examined And Interviewed. Jefferson, NC: McFarland & Co.,
1991.

Subjects: Biography, History and Criticism


[458] B+
Weaver, Tom. Attack Of The Monster Movie Makers: Interviews With
20 Genre Giants. Jefferson, NC: McFarland, 1994.

Subjects: Interviews


[459] B+
Weaver, Tom. Interviews With B Science Fiction And Horror Movie
Makers: Writers, Producers, Directors, Actors, Moguls, And
Makeup. Jefferson, NC: McFarland, 1988.

Subjects: Interviews


[460] B
Weaver, Tom. MagicImage Filmbooks Presents Creature From The
Black Lagoon. Absecon, NJ: MagicImage Filmbooks, 1992.

Subjects: Filmbooks


[461] B+
Weaver, Tom. Poverty Row Horrors!: Monogram, PRC, And Republic
Horror Films Of The Forties. Jefferson, NC: McFarland, 1993.

Subjects: History and Criticism


[462] B+
Weaver, Tom. Science Fiction Stars And Horror Heroes: Interviews
With Actors, Directors, Producers, And Writers Of The 1940s
Through 1960s. Jefferson, NC: McFarland, 1991.

Subjects: Interviews


Weaver, Tom SEE 63


[463] C+
Weis, Elisabeth. The Silent Scream: Alfred Hitchcock's Sound
Track. Rutherford, NJ: Fairleigh Dickinson University Press,
1982.

Subjects: Alfred Hitchcock, Music


[464] B-
Weiss, Andrea. Vampires And Violets: Lesbians In The Cinema.
London: J. Cape, 1992.

Subjects: Addresses, Essays and Lectures; Sex, Gender and
Feminism; Vampire Films


[465] B
Weldon, Michael, Charles Beesley, Bob Martin and Akira Fitton.
The Psychotronic Encyclopedia Of Film. New York: Ballantine
Books, 1983.

Subjects: Film/Video Guides


[466] C
Welsh, Paul. The Spine Chillers. Fracombe: Stockwell, 1975.

Subjects: Biography


[467] C-
Wexman, Virginia Wright. Roman Polanski. Boston: Twayne
Publishers, 1985.

Subjects: Roman Polanski


Wexman, Virginia Wright SEE 37


Whitney, Steven SEE 321


[468] B+
Wiater, Stan. Dark Visions: Conversations With The Masters Of The
Horror Film. New York: Avon Books, 1992.

Subjects: Interviews


[469] C
Will, David and Paul Willemen. Roger Corman. Edinburgh: Edinburgh
Film Festival '70; Cambridge: Distributed by Cinema
Magazine, 1970.

Subjects: Roger Corman


Willemen, Paul SEE 211,288,469


[470] B+
Willis, Donald C. Horror And Science Fiction Films II. Metuchen,
NJ: Scarecrow Press, 1982.

Subjects: Film/Video Guides


[471] B+
Willis, Donald C. Horror And Science Fiction Films III. Metuchen,
NJ: Scarecrow Press, 1984.

Subjects: Film/Video Guides


[472] B+
Willis, Donald C. Horror And Science Fiction Films: A Checklist.
Metuchen, NJ: Scarecrow Press, 1972.

Subjects: Film/Video Guides


[473] C+
Wilt, David. Hardboiled In Hollywood. OH: Bowling Green State
University Popular Press, 1991.

Subjects: Addresses, Essays and Lectures; Biography


[474] B-
Winter, Douglas E. Shadowings: The Reader's Guide To Horror
Fiction, 1981-1982. Mercer Island, WA: Starmont House, 1983.

Subjects: Addresses, Essays and Lectures


[475] C
Winter, Douglas E. Stephen King: The Art Of Darkness. NY: New
American Library, 1986.

Subjects: Stephen King


[476] B-
Wolf, Leonard. A Dream Of Dracula: In Search Of The Living Dead.
Boston: Little Brown, 1972.

Subjects: Addresses, Essays and Lectures; Vampire Films


[477] D
Wolf, Leonard. The Essential Dracula: The Definitive Annotated
Edition Of Bram Stoker's Classic Novel. NY: Plume, 1993.

Subjects: Addresses, Essays and Lectures; Vampire Films


[478] D
Wolf, Leonard. The Essential Frankenstein: The Definitive
Annotated Edition Of Mary Shelley's Classic Novel. NY:
Plume, 1993.

Subjects: Addresses, Essays and Lectures; Frankenstein Films


[479] B+
Wolf, Leonard. Horror: A Connoisseur's Guide To Literature And
Film. New York: Facts On File, 1989.

Subjects: Bibliography


[480] C
Wollen, Peter. Signs And Meanings In The Cinema. Bloomington:
Indiana University Press, 1972.

Subjects: Addresses, Essays and Lectures


[481] B-
Wood, Robin. Hitchcock's Films. South Brunswick, NJ: A. S.
Barnes, 1977.

Subjects: Alfred Hitchcock


[482] B
Wood, Robin. Hitchcock's Films Revisited. New York: Columbia
University Press, 1989.

Subjects: Alfred Hitchcock


[483] C-
Wood, Robin. Hollywood From Vietnam To Reagan. New York: Columbia
University Press, 1986.

Subjects: Addresses, Essays and Lectures


[484] B
Wray, Fay. On The Other Hand: A Life Story. New York: St.
Martin's Press, 1989.

Subjects: Fay Wray


[485] B
Wright, Gene. Horrorshows: The A-To-Z Of Horror In Film, TV,
Radio & Theater. New York, NY: Facts On File, 1986.

Subjects: Dictionaries and Encyclopedias


[486] C
Yacowar, Maurice. Hitchcock's British Films. Hamden, CT: Archon
Books, 1977.

Subjects: Alfred Hitchcock


[487] B+
Youngkin, Stephen D., James Bigwood and Raymond Cabana. The Films
Of Peter Lorre. Secaucus, NJ: Citadel Press, 1982.

Subjects: Peter Lorre


[488] C
Zierold, Norman J. The Moguls. New York: Coward-McCann, 1969.

Subjects: Addresses, Essays and Lectures; Carl Laemmle


Zillmann, Dolf SEE 64


[489] C+


Zizek, Slavoj. Everything You Always Wanted To Know About Lacan:
(But Were Afraid To Ask Hitchcock). New York: Verso, 1992.

Subjects: Alfred Hitchcock, Psychological Aspects


[490] C+
Zizek, Slavoj. Looking Awry: An Introduction To Jacques Lacan
Through Popular Culture. Cambridge, MA: MIT Press, 1991.

Subjects: Alfred Hitchcock, Psychological Aspects
Wholesale Slaughter presents:
Horror Films: A Bibliography
Title Index




Aesthetics Of Ambivalence: Rethinking Science Fiction Film In The Age Of Electronic (Re)production SEE 115S
Against Interpretation And Other Essays SEE 179S
Alfred Hitchcock SEE 333
Alfred Hitchcock: A Guide To References and Resources SEE 408
Alfred Hitchcock: The Legacy Of Victorianism SEE 43S
Alfred Hitchcock Album, The SEE 177
Alfred Hitchcock & The British Cinema SEE 382
Alfred Hitchcock And The Making Of Psycho SEE 354
Alfred Hitchcock's High Vernacular: Theory And Practice SEE 398
Alien Creatures SEE 173S
Alien Zone: Cultural Theory And Contemporary Science Fiction Cinema SEE 114S
Amazing Herschell Gordon Lewis: And His World Of Exploitation Films, The SEE 228
Ambiguities In Literature And Film: Selected Papers From The Seventh Annual Florida State University Conference On Literature And Film SEE 52
American Directors SEE 93
American Film Criticism SEE 106S
American Film Directors SEE 192
American Film Genres SEE 213
American Film Heritage SEE 172S
American Film Industry SEE 9S
American Film Music: Major Composers, Techniques, Trends, 1915-1990 SEE 50S
American Film Studios: An Historical Encyclopedia SEE 59S
American History/American Film: Interpretting The Hollywood Image SEE 140S
American Horrors: Essays On The Modern American Horror Film SEE 452
American International Pictures-A Filmography SEE 316
American Nightmare: Essays On The Horror Film SEE 57
American Scenarios: The Uses Of Film Genre SEE 156S
American Silent Film SEE 57S
Anatomy Of The Movies SEE 336
Androids, Humanoids, And Other Science Fiction Monsters: Science And Soul In Science Fiction Films SEE 388
Anxious Subject: Nightmares And Daymares In Literature And Film, The SEE 232
Ape: Monster Of The Movies SEE 12
Approaches To Teaching Shelley's Frankenstein SEE 33
Around Cinemas SEE 2S
Art Of Alfred Hitchcock: Fifty Years Of His Motion Pictures, The SEE 413
Aspects Of Fantasy: Selected Essays From The Second International Conference On The Fantastic In Literature And Film SEE 95
Attack Of The Monster Movie Makers: Interviews With 20 Genre Giants SEE 458
Authorship and Narration In the Cinema: Issues In Contemporary Aesthetics And Criticism SEE 121S


"B" Directors: A Biographical Directory, The SEE 54S
"B" Films Of The Fifties SEE 356
"B" Movies SEE 285
Backstory 2: Interviews With Screenwriters Of The 1940s And 1950s SEE 278
Bad Guys: A Pictorial History Of The Movie Villain, The SEE 131
Bare Bones: Conversations On Terror With Stephen King SEE 442
Basil Rathbone: His Life And His Films SEE 123
Beasts And Behemoths: Prehistoric Creatures In The Movies SEE 221
Before My Eyes: Film Criticism And Comment SEE 107S
Behind The Mask: the Secrets Of Hollywood's Monster Makers SEE 165S
Best Of Universal, The SEE 427
Best, Worst, And Most Unusual--Horror Films, The SEE 292
Beyond Formula: American Film Genres SEE 410
Beyond The Stars Vol I-V SEE 248
Big Book Of B Movies, Or, How Low Was My Budget SEE 99
Big U: Universal In The Silent Days SEE 126
Blind Bargain, A SEE 360
Bloodsuckers: Vampires At The Movies SEE 304
Body Of Frankenstein's Monster: Essays In Myth And Medicine, The SEE 185
Book Of Alien, The SEE 387
Boris Karloff: A Bio-Bibliography SEE 66
Boris Karloff: A Critical Account Of His Screen, Stage, Radio, Television, And Recording Work SEE 312
Boris Karloff And His Films SEE 210
Brakhage Lectures SEE 53
Bram Stoker's Dracula: The Film And The Legend SEE 87
Brian De Palma SEE 25S
Bridges To Fantasy SEE 176S
British Cinema History SEE 101
British Genres: Cinema And Society 1930-1960 SEE 229
Broken Mirrors/Broken Minds: The Dark Dreams Of Dario Argento SEE 275


Cabinet Of Dr. Caligari: Texts, Contexts, Histories, The SEE 65
Caligari's Cabinet And Other Grand Illusions: A History Of Film Design SEE 29
Caligari's Children: The Film As Tale Of Terror SEE 342
Carl Th. Dreyer SEE 291
Carl Theodor Dreyer's Cinematic Humanism SEE 198
Catastrophe: The End Of The Cinema? SEE 6S
Celluloid Muse, The SEE 188
Celluloid Vampires: A History And Filmography, 1897-1979 SEE 298
Charm Of Evil: The Life And Films Of Terence Fisher, The SEE 115
Christopher Lee And Peter Cushing And Horror Cinema: A Filmography Of Their 22 Collaborations SEE 135S
Cinema And Society: France And Germany During The Twenties SEE 136S
Cinema And The Realms Of Enchantment SEE 330
Cinema Book: A Complete Guide To Understanding The Movies, The SEE 46S
Cinema Eye, Cinema Ear: Some Film-Makers Of The Sixties SEE 423
Cinema Histories, Cinema Practices SEE 281
Cinema Of Adventure, Romance & Terror: From The Archives Of American Cinematographer, The SEE 435
Cinema Of Alfred Hitchcock, The SEE 45
Cinema Of Carl Dreyer, The SEE 287
Cinema Of Cruelty From Bunuel To Hitchcock SEE 30
Cinema Of Mystery SEE 246
Cinema Of Mystery And Fantasy SEE 13
Cinema Of Roman Polanski, The SEE 69
Cinema Of The Fantastic SEE 417
Cinema Stylists SEE 35
Cinema, The Magic Vehicle: A Guide To Its Achievement SEE 69S
Cinematic Body, The SEE 399
Cinematic Vampires: The Living Dead On Film And Television, From
The Devil's Castle (1896) To Bram Stoker's Dracula (1992)
SEE 140
Classic Cinema: Essays In Criticism, The SEE 411
Classic Movie Monsters SEE 160
Classic Science Fiction Films SEE 161S
Classics Of The Film SEE 117S
Classics Of The Foreign Film: A Pictorial Treasury SEE 440
Classics Of The Horror Film SEE 132
Clive Barker's Nightbreed: The Making Of The Film SEE 27
Close Encounters: Film, Feminism, And Science Fiction SEE 326
Close Up: The Hollywood Director SEE 437
Close Viewings: An Anthology Of New Film Criticism SEE 237
Complete Dracula SEE 279
Complete Films Of Bela Lugosi, The SEE 46
Complete Films Of Vincent Price, The SEE 197S
Complete Night Of The Living Dead Filmbook, The SEE 380
Complete Phantom Of The Opera, The SEE 327
Complete Vampire Cinema, The SEE 337
Complete Vampire Companion: Legend And Lore Of The Living Dead SEE 174
Confessions Of A Cultist: On The Cinema, 1955-1969 SEE 168S
Connoisseur's Guide To The Contemporary Horror Film, The SEE 10S
Conrad Veidt: From Caligari To Casablanca SEE 8
Coppola And Eiko On Bram Stoker's Dracula SEE 88
Count: The Life And Films Of Bela "Dracula" Lugosi, The SEE 239
Countess Dracula: A Novel SEE 49
Creation Of Dino De Laurentiis' King Kong, The SEE 22
Creature Features Movie Guide Strikes Again: An A To Z Encyclopedia To The cinema Of The Fantastic, Or, Is There A Mad Doctor In The House? SEE 416
Critical Guide To Horror Film Series SEE 180
Critical Histoty Of The British Cinema, A SEE 18
Cronenberg On Cronenberg SEE 98
Crow, The SEE 83
Cult Film Experience, The SEE 185S
Cult Horror Films: From Attack Of The 50 Foot Woman To Zombies Of Mora Tau SEE 130
Cult Movie Stars SEE 144S
Cult Movies: The Classics, The Sleepers, The Weird, And The Wonderful SEE 145S
Cult Movies 3: 50 More Of The Classics, The Sleepers, The Weird, And The Wonderful SEE 147S
Cult Movies 2: 50 More Of The Classics, The Sleepers, The Weird, And The Wonderful SEE 146S
Cultural Power/Cultural Literacy: Selected Papers From The Fourteenth Annual Florida State University Conference On Literature And Film SEE 51
Cut!: Horror Writers On Horror Film SEE 164


Dark Carnival: The Secret World Of Tod Browning-Hollywood's Master Of The Macabre SEE 175S
Dark Dreams: A Psychological History Of The Modern Horror Film SEE 110
Dark Romance: Sexuality In The Horror Film SEE 193
Dark Side Of Genius: The Life Of Alfred Hitchcock, The SEE 414
Dark Visions: Conversations Wtih The Masters Of The Horror Film SEE 468
David Cronenberg: A Delicate Balance SEE 294
Dead That Walk: Dracula, Frankenstein, The Mummy, And Other Favorite Movie Monsters, The SEE 178
Dear Boris: The Life Of William Henry Pratt A.K.A. Boris Karloff SEE 243
Deep Red 7: Special Edition SEE 11S
Definitive Dr. Jekyll And Mr. Hyde Companion, The SEE 151
Development Of The film; An Interpretive History SEE 39S
Devouring Whirlwind: Terror And Transcendence In the Cinema Of Cruelty SEE 373
Dilys Powell Film Reader SEE 45S
Directed By Jack Arnold SEE 355
Down And Dirty: Hollywood's Exploitation Filmmakers And Their Movies SEE 347
Double De Palma: A Film Study With Brian De Palma SEE 56S
Dracula: The Vampire Legend On Film SEE 256
Dracula Book, The SEE 161
Dracula Scrapbook: Articles, Essays, Letters, Newspaper Cuttings, Anecdotes, Illustrations, Photographs And Memorabilia About The Vampire Legend, The SEE 175
Dream Of Dracula: In Search Of The Living Dead, A SEE 476
Dreamweavers: Interviews With Fantasy Filmmakers Of The 1980s SEE 74S
Dreadful Pleasures: An Anatomy Of Modern Horror SEE 438
Dreams Of Darkness: Fantasy And The Films Of Val Lewton SEE 425
Dreyer SEE 306
Dwight MacDonald On Movies SEE 129S


Emergence Of Film Art: The Evolution And Development Of The Motion Picture As An Art, From 1900 To The Present SEE 93S
Encountering Directors SEE 384
Encylopedia Of Horror, The SEE 108
Encyclopedia Of Monsters, The (Rovin) SEE 377
Encyclopedia Of Science Fiction, The (Clute) SEE 41S
Encyclopedia Of Science Fiction (Holdstock) SEE 89S
Endurance Of Frankenstein: Essays On Mary Shelley's Novel SEE 242
English Novel And The Movies, The SEE 223
English-Speaking Cinema: An Illustrated History 1927-1993 SEE 90S
Eros In The Mind's Eye: Sexuality And The Fantastic In Art And Film SEE 318
Eroticism In The Fantasy Cinema SEE 154
Essential Dracula, The (Haworth-Maden) SEE 184
Essential Dracula, The (McNally and Florescu) SEE 280
Essential Dracula: The Definitive Annotated Edition Of Bram Stoker's Classic Novel, The (Wolf) SEE 477
Essential Frankenstein, The (Jameson) SEE 208
Essential Frankentein: The Definitive Annotated Edition Of Mary Shelley's Classic Novel, The (Wolf) SEE 478
Everything You Always Wanted To Know About Lacan: (But Were Afraid To Ask Hitchcock) SEE 489
Evolution Of Film Styles SEE 113S


Faces, Forms, Films: The Artistry Of Lon Chaney SEE 10
Fangoria's Best Horror Films SEE 428
Fantastic Cinema: An Illustrated Survey SEE 309
Fantastic Cinema Subject Guide: A Topical Index To 2500 Horror, Science Fiction, And Fantasy Films SEE 395
Fantastic In World Literature And The Arts: Selecte Essays From The Fifth International Conference On The Fantastic In The Arts, The SEE 295
Fantasy And The Cinema SEE 120
Fantasy Book: An Illustrated History From Dracula To Tolkien, The SEE 160S
Fast And Furious: A History Of American International Pictures SEE 276
Fear Itself: The Horror Fiction Of Stephen King SEE 443
Fearing The Dark: The Val Lewton Career SEE 14S
Fearmakers: The Screen's Directorial Masters Of Suspense And Terror, The SEE 265
Feast Of Fear: Conversations With Stephen King SEE 444
Fifty Major Film-Makers SEE 94
Figures Of Light: Film Criticism And Comment SEE 108S
Film: A Modern Art SEE 183S
Film And Literature: An Introduction SEE 34
Film And The German Left In The Weimar Republic: From Caligari To Kuhle Wampe SEE 300
Film Appreciation SEE 38S
Film As Film: Critical Responses To Film Art SEE 29S
Film Criticism: A Counter Theory SEE 35S
Film Director As Superstar SEE 153
Film Fantasy Scrapbook SEE 183
Film Genre: Theory And Criticsim SEE 76S
Film Genre Reader SEE 168
Film Genre Reader II SEE 77S
Film, Horror And The Body Fantastic SEE 8S
Film Theory Goes To The Movies SEE 44S
Filmguide To Psycho SEE 305 Films By Genre: 775 Categories, Styles, Trends And Movements Defined, With A Filmography For Each SEE 120S
Films Of Alfred Hitchcock, The (Harris) SEE 182
Films Of Alfred Hitchcock, The (Humphries) SEE 199
Films Of Alfred Hitchcock, The (Perry) SEE 328
Films Of Alfred Hitchcock, The (Sinyard) SEE 405
Films Of Alfred Hitchcock, The (Sterritt) SEE 419
Films Of Boris Karloff, The SEE 47
Films Of Carl-Theodor Dreyer, The SEE 48
Films Of Christopher Lee, The SEE 340
Films Of Freddie Francis, The SEE 116
Films Of Peter Lorre, The SEE 487
Films Of Roger Corman: Brilliance On A Budget SEE 302
Films Of Science Fiction And Fantasy SEE 171S
Films Of Stephen King, The (Collings) SEE 81
Films Of Stephen King, The (Lloyd) SEE 244
Films Of Tyranny: Shot Analysis Of The Cabinet Of Dr. Caligari, The Golem [And] Nosferatu SEE 71
Find The Director And Other Hitchcock Games SEE 238
Flesh And Blood: The National Society Of Film Critics On Sex, Violence And Censorship SEE 110S
Flickers: An Illustrated Celebration Of 100 Years Of Cinema SEE 1S
Flights Of Fancy: The Great Fantasy Films SEE 451
Flying Through Hollywood By The Seat Of My Pants: From the Man Who Brought You I Was A Teenage Werewolf And Muscle Beach Party SEE 17
Focus On Hitchcock SEE 231
Focus On The Horror Film SEE 202
Footnotes To The Film SEE 53S
For One Week Only: The World Of Exploitation Films SEE 283
Forbidden Fruits: Taboos And Tabooism In Culture SEE 62
Forgotten Horrors: Early Talkie Chillers From Poverty Row SEE 436
Forms Of The Fantastic: Selected Essays From The Third International Conference On The Fantastic In Literature And Film SEE 195
Forrest J Ackerman, Famous Monster Of Filmland SEE 1
Forrest J Ackerman, Famous Monster Of Filmland #2 SEE 2
Forrest J Ackerman Presents Mr. Monster's Movie Gold: A Treasure- Trove Of Imagi-Movies SEE 3
Forties Film Talk: Oral Histories Of Hollywood SEE 128S
Frankenscience Monster, The SEE 4
Frankenstein Catalog: Being A Comprehensive List Of Novels, Translations, Adaptations, Stories, Critical Works... Featuring Frankenstein's Monster And/Or Descended From Mary Shelley's Novel, The SEE 162
Frankenstein File, The SEE 176
Frankenstein Legend: A Tribute To Mary Shelley And Boris Karloff, The SEE 163
Frankenstein Scrapbook, The SEE 98S
Frankenstein's Creation And Monstrosity SEE 13S
Freaks: Cinema Of The Bizarre SEE 7
Freaks, Magicians & Movie Stars Issue SEE 196
From Caligari To Hitler: A Psychological History Of The German Film SEE 227
From Hollywood: The Careers Of 15 Great American Stars SEE 26S
From The Land Beyond Beyond: The Films Of Willis O'Brien And Ray Harryhausen SEE 162S
From Wagner To Murnau: The Transposition Of Romanticism From Stage To Screen SEE 80
Future Tense: The Cinema Of Science Fiction SEE 32S


Games Of Terror: Halloween, Friday The 13th, And The Films Of The Stalker Cycle SEE 113
Gender, Language, And Myth: Essays On Popular Narrative SEE 207
Genius Of The System: Hollywood Filmmaking In The Studio Era SEE 169S
German Cinema, The SEE 122S
German Expressionist Film SEE 26
German Film & Literature: Adaptations And Transformations SEE 358
Ghostmasters SEE 454
Ghosts And Angels In Hollywood Films: Plots, Critiques, Casts, And Credits For 264 Theatrical And Made-For-Television Releases SEE 320
Giant Monster Movies: An Illustrated Survey SEE 257
Giger's Alien: Film Design, 20th Century Fox SEE 159
Girl In The Hairy Paw: King Kong As Myth, Movie, And Monster, The SEE 166
Godzilla Book, The SEE 181
Golden Age Of "B" Movies SEE 273
Gore Score Book, The SEE 23
Gorgon's Gaze: German Cinema, Expressionism, And The Image Of Horror, The SEE 78
Grande Illusions: A Learn-By Example Guide To The Art And Technique Of Special Make-Up Effects From The Films Of Tom Savini SEE 386
Graphic Violence On The Screen SEE 20
Graven Images: The Best Of Horror, Fantasy, And Science Fiction Film Art From The Collection Of Ronald V. Borst SEE 50
Great Book Of Movie Monsters, The SEE 415
Great German Films SEE 315
Great Horror Movies SEE 147
Great Monsters Of The Movies (Davidson) SEE 107
Great Monsters Of The Movies (Edelson) SEE 125
Great Science Fiction Pictures I and II SEE 143S
Grierson On The Movies SEE 78S


Hal In The Classroom: Science Fiction Films SEE 4S
Hammer And Beyond: The British Horror Film SEE 203
Handbook Of American Film Genres SEE 71S
Hardboiled In Hollywood SEE 473
Haunted Screen: Expressionism In The German Cinema And The Influence Of Max Reinhardt, The SEE 127
Hellraiser Chronicles, The SEE 19
Heritage Of Horror: The English Gothic Cinema, 1946-1972, The SEE 338
Heroes OF The Horrors SEE 31
Hideous Progenies: Dramatizations Of Frankenstein From Mary Shelley To The Present SEE 141
Historical And Critical Survey Of The Science Fiction Film, A SEE 131S
Hitch: The Life And Times Of Alfred Hitchcock SEE 424
Hitchcock (Perry) SEE 329
Hitchcock (Truffaut) SEE 432
Hitchcock: The First Forty-Four Films SEE 374
Hitchcock: The Making Of A Reputation SEE 215
Hitchcock--The Murderous Gaze SEE 376
Hitchcock And Homosexuality: His 50-Year Obsession With Jack The Ripper And The Superbitch Prostitute: A Psychoanalytic View SEE 343
Hitchcock And Selznik: The Rich And Strange Collaboration Of Alfred Hitchcock And David O. Selznick In Hollywood SEE 236
Hitchcock As Activist: Politics And The War Films SEE 404
Hitchcock In Hollywood SEE 136
Hitchcock On Hitchcock: Selected Writings And Interviews SEE 88S
Hitchcock Reader, A SEE 112
Hitchcock Romance: Love And Irony In Hitchcock's Films, The SEE 56
Hitchcock's British Films SEE 486
Hitchcock's Films SEE 481
Hitchcock's Films Revisited SEE 482
Hitchcock's Rereleased Films: From Rope To Vertigo SEE 351
Holding The Vision: Essays On Film: Proceedings Of The First Annual Film Conference Of Kent State University SEE 348
Hollywood Anecdotes SEE 27S
Hollywood Art: Art Direction In The Days Of The Great Studio SEE 85S
Hollywood Cauldron: Thirteen Horror Films From The Genre's Golden Age SEE 251
Hollywood Destinies: European Directors In Art 1922-1931 SEE 149S
Hollywood Directors 1914-1940 And Hollywood Directors 1941-1976 SEE 224
Hollywood From Vietnam To Reagan SEE 483
Hollywood Gothic: The Tangled Web From Novel To Stage To Screen SEE 406
Hollywood Hissables, The SEE 252
Hollywood In The Forties SEE 86S
Hollywood In The Thirties SEE 16S
Hooked SEE 101S
Horror (Grant) SEE 170
Horror (Jancovich) SEE 209
Horror: A Connoisseur's Guide To Literature And Film SEE 479
Horror & Fantasy In The Movies SEE 204
Horror And Science Fiction Films II SEE 470
Horror And Science Fiction Films III SEE 471
Horror And Science Fiction Films: A Checklist SEE 472
Horror And The Holy: Wisdom-Teachings Of The Monster Tale SEE 391
Horror And Violence: The Deadly Duo In The Media SEE 335
Horror Factory: The Horror Films Of Universal, 1931 To 1955, The SEE 111
Horror Film: A Guide To More Than 700 Films On Videocassette SEE 137S
Horror Film Album SEE 134
Horror Film Directors, 1931-1990 SEE 137
Horror Film Handbook, The SEE 143
Horror Film Stars SEE 339
Horror Films (Andrews) SEE 11
Horror Films (Dillard) SEE 114
Horror Films (Frank) SEE 144
Horror In Silent Films: A Filmography 1896-1929 SEE 111S
Horror In The Cinema SEE 70
Horror Literature: A Reader's Guide SEE 15S
Horror Movies: An Illustrated Survey SEE 76
Horror People, The SEE 60
Horror Science Fiction Fantasy: Movie Posters & Lobby Cards/1925- 1970 SEE 59
Horrors! SEE 121
Horrors: A History Of Horror Movies SEE 205
Horrors: From Screen To Scream: An Encyclopedic Guide To The Greatest Horror And Fantasy Films Of All Time SEE 303
Horrorshows: The A-To-Z Of Horror In Film, TV, Radio & Theater SEE 485
Hot Blooded Dinosaur Movies SEE 449
House Of Horror: The Complete Story Of Hammer Films SEE 135
How I Made A Hundred Movies In Hollywood And Never Lost A Dime SEE 90
How To Go To The Movies SEE 49S


I Like what I Know: A Visual Autobiography SEE 344
Ideas Of Order In Literature And Film: Selected Papers From The Fourth Annual Florida State University Conference On Literature And Film SEE 379
Ideology And The Image SEE 310
Illuminating Shadows: The Mythic Power Of Film SEE 189
Illustrated Dinosaur Movie Guide SEE 99S
Illustrated Frankenstein SEE 420
Illustrated Vampire Movie Guide SEE 100S
Image And Influence: Studies In The Sociology Of Film SEE 433
Images Of Madness: The Portrayal Of Insanity In The Feature Film SEE 61S
Immoral Tales: European Sex And Horror Movies, 1956-1984 SEE 189S
In And Out Of Character SEE 350
In And Out Of Synch: The Awakening Of A Cine-Dreamer SEE 34S
In Search Of Dracula SEE Complete Dracula
In Search Of Frankenstein SEE 139
In The Name Of National Security: Hitchcock, Homophobia, And The Political Construction Of Gender In Postwar America SEE 89
Incorporating Images: Film And The Rival Arts SEE 150S
Incredibly Strange Films SEE 448
Indelible Images: New Perspectives On Classic Films SEE 36S
Inner Views: Filmmakers In Conversation SEE 55
Inside/Out: Lesbian Theories, Gay Theories SEE 148
Intersections: Fantasy And Science Fiction SEE 409
Intertextuality In Literature And Film: Selected Papers From The Thirteenth Annual Florida State University Conference On Literature And Film SEE 62S
Interviews With B Science Fiction And Horror Movie Makers: Writers, Producers, Directors, Actors, Moguls, And Makeup SEE 459
Interviews With Film Directors SEE 385
It's Alive: The Classic Cinema Saga Of Frankenstein SEE 253


Jacques Tourneur SEE 211
James Whale SEE 102
James Whale: A Biography SEE 70S
Japanese Science Fiction, Fantasy, And Horror Films: A Critical Analysis And Filmography Of 97 Features Released In The United States, 1950-1992 SEE 150
Jean Baudrillard: The Disappearance Of Art And Politics SEE 180S
Joe Bob Goes To The Drive-In SEE 31S
Journey Into Darkness: The Art Of James Whale's Horror Films SEE 129


Karloff: The Life Of Boris Karloff, With An Appendix Of The Films In Which He Appeared SEE 441
Karloff: The Man, The Monster, The Movies SEE 156
Karloff And Company: The Horror Film SEE 297
Karloff And Lugosi: The Story Of A Haunting Collaboration, With A Complete Filmography Of Their Films Together SEE 254
Keep Watching The Skies: American Science Fiction Movies Of The Fifties SEE 455
King Kong Story, The SEE 323
Kingdom Of Dreams In Literature And Film: Selected Papers From The Tenth Annual Florida State University Conference On Literature And Film, The SEE 142
Kingdom Of Fear: The World Of Stephen King SEE 445
Kings Of The Bs: Working Within The Hollywood System: An Anthology Of Film History And Criticism SEE 264


Landscape Of Contemporary Cinema, The SEE 118S
Last Days Of Alfred Hitchcock: A Memoir Featuring The Screenplay Of "Alfred Hitchcock's The Short Night", The SEE 146
Laughing, Screaming: Modern Hollywood Horror And Comedy SEE 325
Legendary Horror Films: Essential Genre History, Offscreen Ancecdotes, Special Effects Secrets, Ghoulish Facts, And Photographs SEE 79S
Life And Adventures Of Carl Laemmle, The SEE 122
Little Shop Of Horrors Book, The SEE 266
Literature Of Terror: A History Of Gothic Fictions From 1765 To The Present Day SEE 154S
Living And The Undead: From Stoker's Dracula To Romero's Dawn Of The Dead, The SEE 453
Living Images: Film Comment And Criticism SEE 109S
Living In Fear: A History Of Horror In The Mass Media SEE 105
Lon Chaney: The Man Behind The Thousand Faces SEE 38
Lon Chaney, Jr.: Horror Film Star, 1906-1973 SEE 177S
Lon Of 1000 Faces! SEE 5
London After Midnight SEE 361
Look Of Horror: Scary Moments From Scary Movies, The SEE 418
Looking Awry: An Introduction To Jacques Lacan Through Popular Culture SEE 490
Lost Lands, Mythical Kingdoms, And Unknown Worlds SEE 456
Lost World Of Willis O'Brien: The Original Shooting Script Of The 1925 Landmark Special Effects Dinosaur Film, With Photographs, The SEE 222
Lugosi: The Man Behind The Cape SEE 97


Magic And Myth Of The Movies SEE 190S
MagicImage Filmbooks Presents [The] Bride Of Frankenstein SEE 362
MagicImage Filmbooks Presents Creature From The Black Lagoon SEE 460
MagicImage Filmbooks Presents Dracula: The Original 1931 Shooting Script SEE 363
MagicImage Filmbooks Presents Frankenstein SEE 364
MagicImage Filmbooks Presents Frankenstein Meets The Wolf Man (The Original Shooting Script) SEE 365
MagicImage Filmbooks Presents [The] Ghost Of Frankenstein SEE 366
MagicImage Filmbooks Presents House Of Dracula: The Original Shooting Script SEE 367
MagicImage Filmbooks Presents House Of Frankenstein SEE 368
MagicImage Filmbooks Presents [The] Mummy SEE 369
MagicImage Filmbooks Presents Son Of Frankenstein: 50th Anniversary Edition (1939-1989) SEE 370
MagicImage Filmbooks Presents [The] Wolf Man: (The Original 1941 Shooting Script) SEE 371
Major Film Directors Of The American And British Cinema SEE 334
Make It Again, Sam: A Survey Of Movie Remakes SEE 55S
Making A Monster: The Creation Of Screen Characters by The Great Makeup Artists SEE 422
Making "Legend Of The Werewolf" SEE 68
Making Meaning: Inference And Rhetoric In the Interpretation Of Cinema SEE 28S
Making Of Jurassic Park, The SEE 400
Making Of King Kong: The Story Behind A Film Classic, The SEE 165
Male Myths And Icons: Masculinity In Popular Culture SEE 91S
Man And The Movies SEE 372
Mary Shelley's Frankenstein: A Classic Tale Of Terror Reborn On Film SEE 54
Mary Shelley's Monster: The Story Of Frankenstein SEE 431
Mastering The Film And Other Essays SEE 167S
Masters Of Menace: Greenstreet And Lorre SEE 396
Masters Of The American Cinema SEE 155
Masterworks Of The German Cinema SEE 255
Media Spectacles SEE 68S
Men Who Made The Movies: Interviews With Frank Capra, George Cukor, Howard Hawks, Alfred Hitchcock, Vincente Minnelli, King Vidor, Raoul Walsh, And William A. Wellman, The SEE 389
Men, Women, And Chain Saws: Gender In The Modern Horror Film SEE 77
Midnight Marquee Actors Series: Bela Lugosi SEE 184S
Midnight Movies (Hoberman) SEE 191
Midnight Movies (Samuelss) SEE 383
Misogyny In The Movies: The De Palma Question SEE 130S
Misogyny, Misandry, And Misanthropy SEE 42
Modern Horror Film: 50 Contemporary Classics From "The Curse Of Frankenstein" To "The Lair Of The White Worm", The SEE 267
Moguls, The SEE 488
Monogram Checklist: The Films Of Monogram Pictures Corporation, 1931-1952, The SEE 313
Monster Show: A Cultural History Of Horror, The SEE 407
Monsters SEE 345
Monsters And Mad Scientists: A Cultural History Of The Horror Movie SEE 434
Monsters & Vampires SEE 145
Monsters Who's Who SEE 25
Monstrous-Feminine: Film, Feminism, Psychoanalysis, The SEE 96
More Classics Of The Horror Film SEE 133
More Fore Score: Brave New Horrors SEE 12S
More Things Than Are Dreamt Of: Masterpieces Of Supernatural Horror, From Mary Shelley To Stephen King, In Literature And Film SEE 447
Movie Fantastic: Beyond The Dream Machine SEE 14
Movie Kings: Hollywood's Famous Tough Guys And Monsters SEE 373
Movie Man SEE 187S
Movie Monsters (Daniels) SEE 106
Movie Monsters (Gifford) SEE 157
Movie Psychos And Madmen: Film Psychopaths From Jekyll And Hyde To Hannibal Lecter SEE 268
Movie Reader SEE 72
Movie Special Effects SEE 163S
Movie Talk From The Front Lines: Filmmakers Discuss Their Works With The Los Angeles Film Critics Association SEE 159S
Movie World Of Roger Corman, The SEE 91
Movies And Methods: An Anthology SEE 311
Movies As Artifacts: Cultural Criticism Of Popular Film SEE 262
Movies For A Desert Isle: Forty-Two Well-Known Film Lovers In Search Of Their Favrite Movie SEE 142S
Movies Into Film: Film Criticism, 1967-1970 SEE 403
Movies Of the Silent Years SEE 119S
Movies On Movies: How Hollywood Sees Itself SEE 133S
Movies On Your Mind, The SEE 171
Movies Plus One: Seven Years Of Film Reviewing SEE 148S
Murnau SEE 128
Musique Fantastique: A Survey Of Film Music In The Fantastic Cinema SEE 230
My Hollywood--When Both Of Us Were Young: The Memories Of Patsy Ruth Miller (Includes: The Hunchback Of Notre Dame) SEE 286
Mystery Of The Wax Museum SEE 225


Narrated Films: Storytelling Situations In Cinema History SEE 60S
Native Informant: Essays On Film, Fiction, And Popular Culture SEE 30S
Negative Space SEE 58S
New Hollywood: What The Movies Did With The New Freedoms Of The Seventies SEE 22S
New Poverty Row: Independent Filmmakers As Distributors, The SEE 352
Night In Transylvania: The Dracula Scrapbook, The SEE 58
Nightmare Movies: A Critical Guide To Contemporary Horror Films SEE 307
Nightmare Never Ends: The Official History Of Freddy Krueger And The Nightmare On Elm Street Films, The SEE 392
Nightmare Of Ecstasy: The Life And Art Of Edward D. Wood, Jr. SEE 173
Nightmare On Elm Street Companion: The Official Guide To America's Favorite Fiend, The SEE 85
Nightwalkers: Gothic Horror Movies: The Modern Era SEE 203S
Novel Images: Literature In Performance SEE 157S


Official Splatter Movie Guide, The SEE 269
Old Hollywood/New Hollywood: Ritual, Art, And Industry SEE 170S
On Film: A History Of The Motion Picture SEE 19S
On The Other Hand: A Life Story SEE 484
Once Around The Bloch: An Unauthorized Autobiography SEE 40
100 Years Of Dr. Jekyll And Mr. Hyde SEE 87S
Order In The Universe: The Films Of John Carpenter SEE 100
Osgood And Anthony Perkins: A Comprehensive History Of Their Work In Theatre, Film And Other Media, With Credits And An Annotated Bibliography SEE 317
Our Vampires, Ourselves SEE 7S
Out Of My Head SEE 41
Overexposures: The Crisis In American Filmmaking SEE 188S
Overlook Film Encyclopedia: Horror, The SEE 288
Overlook Film Encyclopedia: Science Fiction, The SEE 82S


Pandemonium SEE 61
Passion And Rebellion: German Expressionism And Its Heritage SEE 216
Past Imperfect: History According To The Movies SEE 37S
"Past Forgetting": Memoirs Of The Hammer Years SEE 103
Penguin Encyclopedia Of Horror And The Supernatural SEE 421
Personal Views: Explorations In Film SEE 201S
Peter Cushing: An Autobiography SEE 104
Peter Cushing: The Gentle Man Of Horror And His 91 Films SEE 109
Phantom's Ultimate Video Guide, The SEE 331
Philosophy And Film SEE 64S
Philosophy Of Horror, Or, Paradoxes Of The Heart SEE 74
Pictorial History Of Horror Movies, The SEE 158
Planks Of Reason: Essays On the Horror Film SEE 169
Polanski SEE 322
Polanski: A Biography, The Filmmaker As Voyeur SEE 233
Politics Of Everyday Fear SEE 263
Popular Culture: An Introductory Text SEE 301
Popular Film And Television SEE 20S
Postmodern Auteurs: Coppola, Lucas, De Palma, Spielberg, And Scorsese SEE 192S
Poverty Row Horror!: Monogram, PRC, And Republic Horror Films Of The Forties SEE 461
Power And Paranoia: History, Narrative, And The American Cinema, 1940-1950 SEE 153S
Preposterous Violence: Fables Of Aggression In Modern Culture SEE 439
Primal Screen SEE 33S
Producers Releasing Corporation: A Comprehensive Filmography And History SEE 117
Projecting The Shadow: The Cyborg Hero In American Film SEE 164S
Psychiatry And The Cinema SEE 67S
Psycho: Behind The Scenes Of The Classic Thriller SEE 116S
Psychoanalysis & Cinema SEE 214
Psychoanalytic Approaches To Literature And Film SEE 40S
Psychological Reflections On Cinematic Terror: Jungian Archetypes In Horror Films SEE 206
Psychos: Ninety Years Of Mad Movies, Maniacs, And Murderous Deeds SEE 270
Psychotronic Encyclopedia Of Film, The SEE 465


Reading Narrative: Form, Ethics, Ideology SEE 332
Reading The Vampire SEE 152
Readings And Writings: Semiotic Counter Strategies SEE 200S
Reel Conversations: Candid Interviews With Film's Foremost Directors And Critics SEE 187
Reeling SEE 102S
Reference Guide To Fantastic Films: Science Fiction, Fantasy, & Horror SEE 235
Reign Of Fear: The Fiction And Films Of Stephen King SEE 186
Religion In Film SEE 125S
Remember? Remember? SEE 186S
Replications: A Robotic History Of The Science Fiction Film SEE 186S
Responding To The Screen: Reception And Reaction Processes SEE 64
Re-Viewing British Cinema 1900-1992: Essays And Interviews SEE 118
Re-Vision: Essays In Feminist Film Criticism SEE 195S
RGM Publications Presents Nightmare Theater SEE 258
Rise And Fall Of The Horror Film: An Art Historical Approach To Fantasy Cinema, The SEE 412
Robot: Mechanical Monster SEE 15
Robots SEE 84S
Roger Corman (Morris) SEE 293
Roger Corman (Will) SEE 469
Roger Corman: The Best Of The Cheap Acts SEE 277
Roman SEE 341
Roman Polanski SEE 467
Roman Polanski: A Biography SEE 218
Roman Polanski: A Guide To References And Resources SEE 37


Sadism In The Movies SEE 92
Saga Of Special Effects, The SEE 66S
Saint Cinema: Writings On Film, 1929-1970 SEE 194S
Scare Tactics: The Art, Craft, And Trade Secrets Of Writing, Producing, And Directing Chillers And Thrillers SEE 381
Schickel On film: Encounters-Critical Anc Personal- With Movie Immortals SEE 390
Science Fiction: Studies In Film SEE 152S
Science Fiction: The Illustrated Encyclopedia SEE 42S
Science Fiction And Fantasy Film Handbook, The SEE 63S
Science-Fiction And Horror Movie Posters In Full Color SEE 6
Science Fiction, Fantasy, And Horror Reference: An Annotated Bibliography Of Works About Literature And Film SEE 212
Science Fiction Film Source Book SEE 199S
Science Fiction Filmmaking In The 1980s: Interviews With Actors, Directors, Producers And Writers SEE 75S
Science Fiction Films Of The Seventies SEE 5S
Science Fiction, Horror & Fantasy Film and Television Credits: Over 10,000 Actors, Actresses, Directors...:(And Supplements Through 1987, 1993 SEE 241
Science Fiction Image: The Illustrated Encyclopedia Of Science Fiction In Film, Television, Radio And The Theater SEE 205S
Science Fiction In The Cinema SEE 17S
Science Fiction In The Movies: An A To Z SEE 151S
Science Fiction Movies (Richards) SEE 158S
Science Fiction Movies (Strick) SEE 181S
Science Fiction Stars And Horror Movie Heroes: Interviews With Actors, Directors, Producers, And Writers Of The 1940s Through 1960s SEE 462
Science Fictionary: An A To Z Guide To The World Of SF Authors, Films, And TV Shows SEE 138S
Scope Of The Fantastic--Theory, Technique, Major Authors: Selected Essays From The First International Conference On The Fantastic In Literature And Film, The SEE 82
Scream Gems SEE 24
Scream Queens: Heroines Of The Horrors SEE 32
Screen Memories: Hollywood Cinema On The Psychoanalytic Couch SEE 172
Screening America: Reflections On Classic Films SEE 24S
Screening Space: the American Science Fiction Film SEE 178S
Screening The Male: Exploring Masculinities In Hollywood Cinema SEE 79
Seal Of Dracula, The SEE 324
Seeing Is Believing: How Hollywood Taught Us To Stop Worrying And Love The Fifties. SEE 36
Sexual Politics And Popular Culture SEE 353
Sexuality In The Movies SEE 21
Shadow And Its Shadow: Surrealist Writing On The Cinema, The SEE 81S
Shadowings: The Reader's Guide To Horror Fiction, 1981-1982 SEE 474
Shape Of Rage: The Films Of David Cronenberg, The SEE 179
Shining Reader, The SEE 250
Shock Xpress 1 SEE 96S
Shock Xpress 2 SEE 97s
Signatures Of The Visible SEE 94S
Signs And Meaning In The Cinema SEE 480
Silent Cinema, The SEE 141S
Silent Scream: Alfred Hitchcock's Sound Track, The SEE 463
Silent Voice, The SEE 240
Sixties British Cinema SEE 299
Skin Shows: Gothic Horror And The Technology Of Monsters SEE 80S
Sleaze Creatures: An Illustrated Guide To Obscure Hollywood Horror Movies 1956-1959 SEE 202S
Sleaze Merchants: Adventures In Exploitation Filmmaking, The SEE 127S
Sociology Of Film Art, The SEE 92S
Something To Declare: Twelve Years Of Film From Adbroad SEE 174S
Songs Of Love And Death: The Classical American Horror Film Of The 1930s SEE 397
Soul In Suspense: Hitchcock's Fright And Delight SEE 200
Speaking The Language Of Desire: The Films Of Carl Dreyer SEE 73
Spectrum Of The Fantastic: Selected Essays From The Sixth International Conference On The Fantastic In The Arts SEE 319
Spine Chillers, The SEE 466
Splatter Movies: Breaking The Last Taboo Of The Screen SEE 271
Splatter Punks: Extreme Horror SEE 166S
Spoken Seen: Film And The Romantic Imagination, The SEE 274
Stage Blood: Vampires Of The 19th-Century Stage SEE 182S
Stars Appear, The SEE 126S
State Of The Art SEE 103S
State Of The Fantastic: Studies In The Theory And Practice Of Fantastic Literature And Film: Selected Essays From The Eleventh International Conference On The Fantastic In The Arts, 1990 SEE 378
Stay Out Of The Shower: 25 Years Of Shocker Films, Beginning With "Psycho" SEE 393
Step Right Up!: I'm Gonna Scare The Pants Off America SEE 75
Stephen King: The Art Of Darkness SEE 475
Stephen King And Clive Barker: The Illustrated Masters Of The Macabre SEE 450
Stephen King At The Movies SEE 197
Stephen King Goes To Hollywood SEE 84
Stephen King's America SEE 52S
Stephen King's Danse Macabre SEE 220
Story Behind The Exorcist SEE 430
Story Of Hollywood, The SEE 139S
Strange Case Of Alfred Hitchcock: Or, The Plain Man's Hitchcock SEE 124
Studies In Entertainment: Critical Approaches To Mass Culture SEE 289
Surrealism And Film SEE 124S
Suspense In The Cinema SEE 167


Taking It All In SEE 104S
Tall, Dark, And Gruesome: An Autobiography SEE 234
Teenagers And Teenpics: The Juvenilization Of American Movies In The 1950s SEE 119
Television Horror Movie Hosts: 68 Vampires, Mad Scientists, And Other Denizens Of The Late-Night Airwaves Examined And Interviewed SEE 457
Terror And Everyday Life: Singular Moments In The History Of The Horror Film SEE 48S
Terror On Tape: A Complete Guide To Over 2000 Horror Movies On Video SEE 314
Them Or Us: Archetypal Interpretations Of Fifties Alien Invasion Films SEE 249
There's Something Going On Out There SEE 245
They Fought In The Creature Features: Interviews with 23 Classic Horror, Science Fiction And Serial Stars SEE 193S
They Went Thattaway: Redefining Film Genres SEE 95s
Thing Happens: Ten Years Of Writing About The Movies, The SEE 155S
Things To Come: An Illustrated History Of The Science Fiction Film SEE 132S
Thousand Faces: Lon Chaney's Unique Artistry In Motion Pictures SEE 23S
3-D Movies: A History and Filmography Of Stereoscopic Cinema SEE 83S
Three-Quarter Face: Reports & Reflections SEE 73S
Thrill Of Fear: 250 Years Of Scary Entertainment, The SEE 217
Thriller: The Suspense Film From 1946, The SEE 51S
Tod Browning SEE 375
Too Scared To Cry: Psychic Trauma In Childhood SEE 426
Toward A Semiotic Theory Of Visual Communication In The Cinema: A Reappraisal Of Semiotic Theories From A Cinematic Perspective And A Semiotic Analysis Of Color Signs And Communication In The Color Films Of Alfred Hitchcock SEE 219
Transcendent Adventure: Studies Of Religion In Science Fiction/ Fantasy SEE 357
Transcendental Style In Film: Ozu, Bresson, Dreyer SEE 394
Transgressions Of Reading: Narrative Engagement As Exile And Return SEE 308
Twentieth-Century Suspense: The Thriller Comes Of Age SEE 43


United Films Presents 50 Years Of Devils, Demons, And Monsters SEE 446
Universal Horrors: The Studio's Classic Films, 1931-1946 SEE 63
Universal Pictures: A Panoramic History In Words, Pictures, And Filmographies SEE 138
Universal Pictures: 65 Years SEE 226
Universal Story, The SEE 190
Unseen King, The SEE 44


Val Lewton: The Reality Of Terror SEE 401
Vampire Book: The Encyclopedia Of The Undead, The SEE 282
Vampire Encyclopedia, The SEE 67
Vampire Film: From Nosferatu To Bram Stoker's Dracula, The SEE 402
Vampire Movies: An Illustrated Guide To Seventy-Two Years Of Vampire Movies SEE 259
Vampire In Legend, Fact And Art SEE 86
Vampires SEE 201
Vampires: An Uneasy Essay On The Undead In Film SEE 429
Vampires: Restless Creatures Of The Night SEE 123S
Vampires And Violets: Lesbians In The Cinema SEE 464
Vampires, Hammer Style SEE 260
Vampires Unearthed: The Complete Multi-Media Vampire And Dracula Bibliography SEE 359
Varieties Of Filmic Expression: Proceedings Of The Seventh Annual International Film Conference Of Kent State University SEE 349
Variety's Complete Science Fiction Reviews SEE 198S
Video Nasties: Freedom And Censorship In The Media, The SEE 28
Video Screams, 1983: The Official Sourcebook To Horror, Science Fiction, Fantasy And Related Films On Videocassette And Disc SEE 272
Video Trash & Treasures Vol I SEE 296
Videohound's Complete Guide To Cult Flicks And Trash Pics SEE 191S
VideoHound's Worst Nightmares SEE 45S
Viewing Positions: Ways Of Seeing Film SEE 196S
Vincent Price: His Movies, His Plays, His Life SEE 346
Vincent Price Unmasked SEE 321
Vintage Monster Movies SEE 261
Vintage Science Fiction Films, 1896-1949 SEE 21S
Violent Screen SEE 92S


What Became Of Jane Austen? And Other Questions SEE 9
When The Lights Go Down SEE 105S
Who's Who Of The Horrors And Other Fantasy Films: The International Personality Encyclopedia Of The Fantastic Film SEE 194
Wide-Eyed IN Babylon: An Autobiography SEE 284
William Peter Blatty On "The Exorcist": From Novel To Film SEE 39
Willis O'Brien: Special Effects Genius SEE 16
Women Who Knew Too Much: Hitchcock And Feminist Theory, The SEE 290
World Of Fantasy Films, The SEE 134S


Yesterday's Tomorrows SEE 204S
You Tarzan: Masculinity, Movies And Men SEE 112S
Youth In Babylon: Confessions Of A Trash-Film King, A SEE 65S


Zombie: The Living Dead SEE 247
Zombies That Ate Pittsburgh: The Films Of George A. Romero, The SEE 149

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